If "The Earth Bleeds At Night" is any indication of what's in store for horror anthologies in 2025, then the year's going to be a blast! The book includes brilliant tales from so much talent, I feel 100% justified giving it a five-star review. The stories are all very strong, selected both for their emotional impact and originality of ideas, with an emphasis on fear and darkness rather than shock and disgust. Some brief remarks on selected stories follow.
The only story I'd read before was "I Think My Treehouse Is Haunted" by Philip Fracassi, and it remains an all-time favorite, creepy, powerful, and suspenseful. The one poem included, "Dark Abscissions: When the Last Tree Bleeds," by 'cosmic horror poet' Maxwell I. Gold, opens the anthology with several unsettling lines (such as "through the teeth of man-made gods" - a line I loved, and I don't even read poetry!).
Two authors unknown to me had hugely impressive stories in the anthology: Dexter McLeod with "You’ll Catch Your Death," a blend of folk horror, urban legend and ghosthunting, and M. Edusa with "The Empty After," a weird military horror tale with the best last lines in the book ("In some strange corners of the world, the earth bleeds in the night. But I don’t. Not anymore.").
The most memorable stories for me, however, were "VAPORCOIN" by Jonathan Louis Duckworth (such a creepy take on cryptocurrency!) and "A Mousy Little Thing" by Christi Nogle (I can't praise this story highly enough: the imagery, the concepts, everything! It kept me at my toes till the horrific ending - go into it blind!).
The stories I found especially dark and steeped in atmosphere, were the ones by two well-known authors: "The Dreaming Box" by Laurel Hightower (a first-personal account of a woman in a box; it's not what you think) and "A Thousand Forbidden Weddings and a Song for Dead Darlings" by Ai Jiang (about ritualistic marriages between the dead). Two stories I have great difficulty summarizing (they're so immersive it's worth experiencing them on your own) were Joe Koch's "Godslingers" and the anthology's closing tale, "Supplication" by Richard Thomas: Koch never disappoints - prose and imagery reach very high levels of queer sensuality, the words twisting and spiraling till you feel a bit violated - in the best way possible; Thomas stretches language to tell what seems to be a visionary story of counter-intuitive eco-horror, perhaps best described in its own words as "a hypnotic pattern glinting in the odd beam of moonlight"!
Three stories I found quite disturbing, were "Holes, Souls" by SJ Townend, "To the Bone" by David-Jack Fletcher, and "When the Moon Turns Red" by Mark Towse: excellent writing meant to shake up familiar truths and refute conventional expectations - the first about family and death, the second about loneliness and mental issues, and the third about marriage and old age. All three might have been published separately as a short book: I felt they complemented each other wonderfully.
Last but not least, a story I think everyone will enjoy and pick as a favorite is C. M. Forest's "It Is the Night!": a story full of suspense, with great dialogue and characterization, about a female journalist being invited to interview a filthy rich man whom she has consistently criticized publicly - from this simple premise, a terrific horror story unfolds, with a satisfying ending!
In sum, the anthology is brimming with rich prose, technical skill, and emotionally harrowing situations. I'm sure everyone will find something here to savor, a story that will resonate with them for some time. This is the perfect horror anthology to start 2025 with!