London, 1819.
Vivian Henry is an advice columnist, playwright, cook, caretaker, and a keenly insightful Black immigrant formerly enslaved woman. Sure, she's stretched thin writing plays, answering letters, and caring for her younger cousin, Quentin, who at 18 thinks he's old enough to care for himself, but she'll have more time for herself one day, when eventually a theatre will take interest in her plays. Quentin, though, is a handful. Viv owes him her life and has raised him for much of his, but all he wants is to be a Wynchester. Because of this, Viv has a deep and abiding hatred for the Wynchester family who have the privilege and the means to embark on life-threatening missions to solve cases and serve those in need of their help. When Quentin goes missing, though, Viv is forced to admit that the Wynchesters may be her best hope. Jacob Wynchester is a soulful animal-loving poet who is hiding his biggest secret from his large but close bustling family: he is one of the most famous poets in England. He may be stretched as thin as Viv, but still wants to fix everything.
Ridley tackles race and privilege in 1819 England well, and this may be the highlight of the book. Viv and Jacob are both Black, but Viv is a former enslaved woman and an immigrant, while Jacob lives the life of a Baron's son. Her cousin Quentin is a mixed-race natural son of a lord as well. Viv resents the Wynchesters because she believes they don't consider their privilege and that everything comes too easily to them. Jacob eventually admits this is true, even though they all came from nearly nothing and have made the best of their circumstances, they have still had easy access to everything Viv has had to work for. This is a class difference romance that addresses class head on. Viv's plays are about universal suffrage, a hot button topic so soon after the Peterloo Massacre. Viv and Jacob have a conversation midway though the book about getting her plays produced, where Viv is stunned that she'd have to change herself to get the attention of a theatre manager and Jacob, who has been writing under a nom de plume for years, believes that being proud of your work reaching thousands is worth changing your public persona. Viv accuses Jacob of lying and using his privilege, while Jacob accuses Viv of being stubborn. This feeds into the interesting tension in the relationship dynamic between the two.
A Waltz on the Wild Side is the final book in the Wild Wynchester series, and it feels like it. Erica Ridley makes sure to include the entire cast of characters from the series, all Wynchesters, partners, children (human and animal), and all of the special talents. Unfortunately, I found that this, plus a plot that involved too many moving parts made the book overly complicated. From the intertwined cases of disappearance, robbery, blackmail, and kidnapping to the the Wynchester family trying to push Viv and Jacob together, there wasn't enough room to build real romantic chemistry on page for our leading couple. This works better as a social critique of 19th century aristocracy and racial politics than it does as a romance. The kissing and grand gesture were all nice, but I didn't get quite enough swoon while Viv was telling Jacob off for 90% of the book.
There's a lot to really like about A Waltz on the Wild Side, and it serves well as a conclusion to the series. While I think you can pick and choose the order for some of the books in the series, this feels like it should be read last in the series.
Thank you to Forever/You Head Me at the HEA for an eARC. A Waltz on the Wild Side is out now.