A masterful and tender debut collection of stories from the acclaimed author of The Anthropologists, about distance and closeness in the age of connectivity. "An exceptionally elegant, intelligent, and original writer.” -Sigrid Nunez "She is an author who simply, and astoundingly, knows." -Bryan Washington "The rigor of Didion and the tenderness of Sebald." -Catherine Lacey "One of my favorite writers." -Katie Kitamura A researcher abroad in Rome eagerly awaits a visit from her long-distance lover, only to find he is not the same man she remembers. An expat meets a childhood friend on a layover and is dismayed by her unexpected contentment. A newly pregnant woman considers the American taboo of sharing the news too soon, but can't resist when an opportunity comes to patch up a damaged friendship.
Long Distance showcases Savas's devastating talent for the short story. Her shrewd encapsulations of contemporary life often center on characters displaced more by choice than circumstance, characters both determined to install themselves in new lives and preoccupied with the people they've left behind.
Ayşegül Savaş grew up in London, Copenhagen, and Istanbul. Her work has appeared in The New Yorker, The Paris Review, and Granta, among others. She lives in Paris.
I cannot get enough of Savaş and her work. No one really executes the small moments of life, softly adding up to something more, quite like she does. Her short stories were like a trailer to what she delivers in her novels: pages that explore the themes of human connection expanding outward. Savaş has easily become one of my favorite authors and I’ll be eagerly awaiting more from her.
Nobody writes characters like Savas can. Even in short stories, she's capable of encapsulating so much depth and personality in them that they truly feel like real people. The stories in Long Distance blend so cohesively without veering into monotony, and I loved the parallel themes explored in each entry. The concept of distance takes physical meaning in the stories of immigrants and displacement, but she also explores it through the lens of friendship, intimacy, and family.
The stories end abruptly, but ultimately I think that's the point. Savas imposes distance between the subject and readers, and only offers us a glimpse into their present. In some cases, that may give us a few days or weeks with these characters, and for others, we only spend a few hours with them before moving on. There's nothing flashy about the stories, but they're heartfelt and deeply human.
I would struggle to identify a singular entry that stood out to me most in this collection, as I genuinely appreciated them all. Crafting a short story collection this strong is an art in itself, and now that I've read three of Savas' published works (The Anthropologists remains my favourite, but the ending of White on White is spectacular) I am in awe of her craft. Don't let this collection slip by your radar -- even if you're not a short story fan, I really think it's worth the read.
Thank you to Libro.fm for the free audiobook copy!
I love reading this, but I also wanted a little more. I think in the moments of reading, I couldn’t have possibly been more comforted by drowning in Savas’ stories, but when it ends it feels a little bit disappointed we could’ve see more of the depths.
Long Distance @__aysegulsavas__ @bloomsburybooksus
I read this book nearly twice as I went through it. I bought a hardback, then was offered a free audio by @librofm . As I read these perfectly crafted, carefully worded, resonant, knowing stories in the lamplight of my bed, AC blasting on my face—inevitably the baby would wake up and start crying so I’d head upstairs to do some rocking. (Ironic if you’ve read all of these stories.)
Luckily, I didn’t have to quit reading once she fell asleep and I was nap trapped in the chair until she was in a little deeper. I listened as the author read it to me.
I wish I’d read Savaş sooner. I started The Anthropologists last year right before Booker season, then the list came out and I got distracted and never went back. That’s the curse of prioritizing a prize list, and I won’t do it again. Not for the booker. It’s not worth it. What else did I miss out on reading book after book after book, doodle after doodle, and for WHAT. FOR WHY?! ANYWAY.
This short story collection goes right up there with my favorites. Is the form having a durn renaissance this year or what?! The craft displayed here, the reflection noted by her exact word choices. It’s like a magician revealing to you only what she wishes at every turn, sleight of hand at its finest. There are hints of Jhumpa Lahiri here I loved, and even hints of Maxine Rosaler I recently became a fan of—but honestly comparing does nothing useful here. These are perceptive, insightful, emotional, and precisely unique stories. Cliché must have been nonexistent here, because every word and turn of phrase felt fresh.
My favorites? All of them? If you forced be to pick, I’ll go with the ones I can remember off the top of my head without referring to the book: Long Distance, The Room, Cry it Out, Twirl. But it’s like trying to say your favorite songs from an album best listened to all the way through each time.
Anthropologists time. Adding backlist to cart now. Take my money, Savaş.
Picked this up on a whim and ended up really loving it. An intimate collection of short stories that digs into all kinds of relationships (romantic, platonic, familial) and how different forms of distance, whether emotional or physical impact us.
There’s a long-distance couple struggling to hold onto the version of each other they first fell for, a new mom overwhelmed by exhaustion and shifting friendships, a woman in Paris craving solitude but still pulled toward connection. Savaş has a real talent for capturing the exact moment when closeness starts to slip into misunderstanding.
Most of the characters are in some kind of transition like moving cities, starting over or figuring out what they want. She writes those in-between spaces so beautifully. Even the quieter stories leave an impression.
I said it before, but I’ll say it again: I’m glad I live in a world where there are stories by Ayşegül Savaş.
After falling in love with last year’s The Anthropologists I knew I needed to get my hands on this story collection. Guys, this delivered so hard.
I was trying to explain to a friend what works so well here for me and I’m not sure I can put it into the right words. Savaş has this magical and subtle way of exploring the, for lack of a better term, liminal spaces in relationships. Relationships change, be it through time, space, or even death. People have babies, people move, people realize that those friendships weren’t that deep or the opposite- that friend you weren’t that excited to see is actually someone you should have kept in your life. What makes all these stories so relatable is just that living is hard, add people to the mix and it’s even harder. What makes me love them so much is the melancholy and spareness found throughout.
Honestly this is one of my favorite books of the year. Savaş’ writing just does something to my brain that makes it attach to every word. She also goes for my heart, tenderly breaking it and putting it back together. I'll keep coming back for more.
I’m such a fan of Savas’ writing - she pays acute attention to the minor details in human interaction, specifically the places where people meet and also miss each other. Many of these stories pay follow friendships between women and how they shift in adulthood. If I had to boil it down I’d say in this collection she is writing about young women, at different stages of life, and the mistakes that can come at each stage - and she does so without judgement. Thank you to Bloomsbury for the galley and look out for Long Distance on July 8, 2025.
this book caught me off guard in the best way. the stories feel small at first-quiet, neat, almost delicate and then suddenly they’re doing this slow, steady work. nothing dramatic, nothing explosive. just a very honest look at how people drift apart, stay connected, misunderstand each other, try again, fail again, keep going.
i read the anthropologists earlier this year and loved how savas writes people. the awkwardness, the hesitations, the little emotional glitches we never talk about but everyone feels. so i went into long distance already excited, and honestly, it delivered exactly what i hoped for: that same sharp, observant sensitivity, just stretched across multiple lives and moments.
what i loved most is how recognizable it all felt. that strange space between homes. friendships that don’t break, they just… fade. the way you carry old versions of yourself into new cities. savas writes those emotional in-between states with such precision that i kept pausing, not because the writing was “beautiful” in the pretentious way, but because it felt so true.
there’s an emotional restraint to these stories that i really appreciated. no over-explaining, no dramatic declarations. just people trying to make sense of their own lives, sometimes successfully, sometimes not. and by the end, i felt oddly comforted.
Savas clearly has a gift for language. Her writing is clean, observant, and quietly intelligent. The stories are often filled with a gentle melancholy, circling themes of disconnection, longing, and the ache of modern relationships strained across time zones and emotional distances. There’s a subtle power in her restraint, and fans of quiet literary fiction will likely appreciate the craftsmanship.
🎶"Moon Song" – Phoebe Bridgers 🎶"Call It Fate, Call It Karma" – The Strokes 🎶"Past Life" – Tame Impala
A slice-of-life collection that explores the many distances — physical and metaphorical — that shape our relationships, whether romantic, platonic, or familial. Some stories stood out as stellar, while others faded quickly, but overall it’s a compelling and very readable collection, written with Savaş’s characteristic sensitivity to human nature and her fluid, graceful style.
this book is good GOOOOOOOOD. beautiful. gorgeous.
but whats stopping me from giving it 5 stars is...
i was already hooked and deep into the book, but why did the pov suddenly switch to 1st person near the end??? it's like almost ruining the whole mood. i personally think 3rd person can be more beautiful than 1st (do i have to explain this?). so WHYYYYYY
What a beautiful intimate short story collection, the ability of Savas to describe the mundane, little moments of everyday life, while also writing with such depth and sincerity. I am already looking forward to her next book!
no notes. this is the best short story collection I've ever read. nothing more beautiful than these vignettes of life's fleeting moments. 🫶🏼 so matter of fact in the stories, it's like peering between the slits of the window blind to catch a glimpse of a scene. it inspires me to write short stories ⭐⭐⭐⭐⭐
I was expecting much more and I am dissapointed. None of these stories blew me away, only a few made me feel things. I will say my favorite short story was « Freedom to Move » because of the shared background that I share with the author. Noteably, « We are Here » broke my heart into pieces, so I have to say justice for Galina Ivanovna. I also liked « Practicality » because it captures the essence of grief so beautifully in 5 pages.
Distance is both a physical measure of space between two things, but it can also be an emotional state of dislocation, a separation of shared interests or the effects of the passage of time. In Aysegül Savas Long Distance: Stories these themes are explored through 13 short stories from a wide variety of situations and viewpoints, beginning with the titled story about a long distance relationship.
All the stories are centered on relationships, but the issues are different. Becoming a new parent, looking for a new apartment, studying abroad, aging, immigration, grief or failing to find 'the one' through dating apps all featured in their own stories. Savas has constructed the tales well, quickly establishing the narrator and provided lots of small details to make the characters feel drawn from true life. Many of our narrators are flawed, selfish with their time, failing to understand the needs of others or simply in a transitional stage. Many are not quite ready to leave the familiar and comfortable but feel trapped or stifled by their situations.
Perhaps because they were at the end, but the stories that have stayed with me the most are the last two: 'Cry It Out' and 'Twirl.' 'Cry It Out' is about two parents of a newborn in the throws of sleep deprivation trying to establish routines while their friend group falls apart due to differing politics about a war. 'Twirl' focuses on a woman looking to find a boyfriend who has started using dating apps and begins to notice common mannerisms or actions from the various dates and stumbles upon a dating tips website, all while forming a friendship with an older woman who might not have been completely honest about her family life.
A set of stories that speak to the difficulties of maintaining ties in our contemporary world.
Recommended to readers of contemporary fiction, short stories or slice of life fiction.
I received a free digital version of this book via NetGalley thanks to the publisher.
Most of these short stories were contemplative, nostalgic, a bit sad, and had abrupt endings. The terrible formatting of my copy didn’t help the transition from one story to another, but I’d still enjoy good writing no matter what.
Thanks to Edelweiss and the publisher for the arc.
Ayşegül Savaş is an excellent, mood, situation and relationship writer. Her writing style is perhaps most suited for short form which is why I think Long Distance shines amongst her other works. She understands and analyses the nuances and complexities of human relationships incredibly well. Every short story is a window, an arresting glimpse in to a segment of a couple’s, a friend’s, a friend group’s or a person’s life at a certain time. Her writing is very simple, organic and open yet nothing about her characters ever are. Simply superb.