في هذه القِصةِ يَصطحبُ «الأبُ براون» صديقَه المُحققَ الفَرنسيَّ «فلامبو» في عدةِ رحلاتٍ لزيارةِ النُّصبِ التذكاريِّ والأضرحةِ التي شُيدَت تخليدًا لذِكرى الجنرال «آرثر سانت كلير» الذي لقِيَ حَتفَه في آخرِ مَعاركِه ضدَّ الجيشِ البرازيليِّ في مَوقعةِ البحرِ الأسود، والذي عُثرَ عليه مَشنوقًا على شجرة. اعتادَ «الأبُ براون» و«فلامبو» في كلِّ هذه الرحلاتِ رؤيةَ تمثالِ الجنرال «آرثر سانت كلير» وبجانبِه سيفُه المكسور، ويجدُ «الأبُ براون» في هذه القصةِ غموضًا يَرجعُ إلى أن الجنرال كان رَجلًا حكيمًا، وكثيرًا ما كان يتساءلُ عن سببِ خَوضِه هذه المعركةَ على الرغمِ من عِلمِه بخسارتِها الحَتمية، وكذلك كان «أوليفييه»، قائدُ الجيشِ البرازيلي، رَجلًا نبيلًا، وكثيرًا ما كان يُطلِقُ سراحَ أَسراه، فلماذا يَشنقُ الجنرالَ «سانت كلير» على الرغمِ من أنه انتَصرَ عليه بسُهولة؟ استنادًا إلى مَنطقِه السديدِ وخيالِه الواسع، يَكشفُ «الأبُ براون» أسرارَ مَقتلِ هذا الجنرال العظيم.
Gilbert Keith Chesterton was an English writer, philosopher, lay theologian, and literary and art critic.
He was educated at St. Paul’s, and went to art school at University College London. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.’s Weekly.
Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology.
Borges y sus precursores. “The Sign of the Broken Sword” es el más borgiano de los cuentos de Chesterton que llevo leídos. Algo ya me había hecho sospechar el título, que evoca a “La forma de la espada” – otro relato en el que la perspectiva es todo, y una sola persona concentra en sí los dos papeles antagónicos. Pero “The Sign of the Broken Sword” es más afín a “Tema del traidor y del héroe”. Recién después de leerlo me acordé de que Borges empieza este cuento célebre con la frase “Bajo el notorio influjo de Chesterton…”. Invirtiendo causas y efectos, “The Sign” parece no la inspiración sino la realización imperfecta del argumento propuesto por Borges. Es el truco borgiano por excelencia: describir historias, antes que contarlas, y generar una especie de expectación que ninguna historia contada efectivamente puede complacer. En este cuento, el padre Brown estudia también la muerte de un personaje célebre, contrasta documentos históricos, nota las contradicciones, y concluye que el héroe fue en realidad un traidor, pero al tiempo le da la razón a los conspiradores y considera que lo mejor, para el orgullo y la mística nacional, es que la verdad no se sepa. Estas figuras pierden por su concreción frente al relato borgiano: St. Claire delata su carácter ficcional frente al vago Kilpatrick, y el padre Brown frente a Nolan, e Inglaterra no es el “país oprimido y tenaz”, que podría ser Irlanda, o Polonia, o la República de Venecia, o alguna república balcánica o sudamericana.
Chesterton gives excellent atmospheric description in this one. Within this frosty night atmosphere, the plot relies almost entirely on the narration of Father Brown. The good priest has discovered a dreadful twist that I'm surprised I've never seen copied.
“Where would a wise man hide a leaf? In the forest.” But, “If there were no forest he would make a forest. And if he wished to hide a dead leaf he would make a dead forest.”
"What is the good of a man being honest in his worship of dishonesty?"
Father Brown poses the question and answers it by way of a military tale about a prudent English general and his honourable Brazilian adversary, both of whom behave seemingly out of character at the showdown which cost the former his life.
A sobering example of the lengths bad people are willing to go, told with panache and overlaid with a delicious irony.
This is not the first father brown mystery I have read. I suspect it’s my 11th or so. And like the TV show I find them entertaining and enjoyable for stretching my mind.
What I loved most about this is, in part, the title. We are looking for something that isn’t there. Not just part of a broken sword, but the missing strategy, the missing compassion, the missing emotions.
You won’t be able to solve it simply because there is knowledge we are not privy to untill we are told by Father Brown. Instead we are like Flambeau trying to open our minds to reality.
I loved the repeating thought experiment, where do you hide a leaf? Where do you hide a pibble? Where do you hide a corpse? I shall think of this at times when to convey … well I’m not sure but I think it will stay with me.
This book is for those that enjoys fast read, mystery and Father Brown!
Was pleasantly surprised to see the infamous Flambo working with Father Brown. The story revolves around Father Brown and Flambo taking a stroll through a certain county, discussing the affairs surrounding the martyrdom of a national hero hailing from there. I have always admired detective stories like this that put all the clues necessary to figure out the case in front of the reader and have the main character solve it when the reader couldn't. This establishes the cranial superiority of a character. I detest stories where clues are deliberately withheld and presented at the climax, to feign intelligence, achieving the exact opposite. With this story, Father Brown has undoubtedly become one of my favourites in the genre.
(4.2/5) I know this barely counts as a book. But this short story was interesting nonetheless.
“Where would a wise man hide a leaf? In a forest. But what does he do if there is no forest? … He grows a forest to hide it in. A fearful sin.”
To see Chesterton begin with this premise and wrap it into a story of immorality and hypocrisy in just a few pages was fascinating. I might read much more of Father Brown…
One of the classic Father Brown stories. Classic solution too, used by many since. It really does seem that Chesterton stacked his best at either end of the book.
My rating: 4.5/5 (rounded up) Would I own/re-read?: Sure! TW: War, Death, Suicide (perceived), Murder Does the animal die?: No animals are harmed in the Breaking of the Sword.
Beautifully written little mystery by GK Chesterton about honor and death amongst soldiers. It keeps its pace until the last as Father Brown slowly unveils the history of the mysterious death of a much-loved military hero to a flummoxed Flambeau.
A short story concerning an English general and his Brazilian adversary during war. Both seem to behave out of character but Father Brown unravels the truth. An interesting story