Fun, fast-paced, and unafraid to make you a bit uncomfortable, this short novel knows exactly what it is, and it goes hard. This survival-horror/body-horror hybrid has a wonderful found-family at its core as it wrestles with ideas of desire, loneliness, shame, identity, self-harm, and fulfillment, among others. The plotting moves at breakneck speed, fueling a sense of both urgency and desolation. Every other chapter is a flashback, the flashbacks generally being much shorter than the present of the story, and the movement back and forth, works really well. It builds tension and suspense while giving us more depth on the characters. Speaking of which, the characters are great. We have just the group of six, isolated at a research facility in the middle of the desert, caught in a sandstorm, and they work so well together. We don’t get too much back story on any of them, just pieces here and there, but there is the clear sense they are full and complete and have rich and varied lives that brought them to this place. The narrative structure, the interweaving of flashbacks with the present narrative, gives us a chance to see them both at play and under duress and it makes all of them feel organic and engaging; although it wouldn’t have benefited the story I just wanted to spend more time with them, they drew me in that much. The writing is sensual and descriptive, forcing you to confront your more disturbing desires while on the run to preserve your sense of who you are. It is unapologetic and captivates the reader instantly, working perfectly with the intense sense of place and the emotional depth of the characters. This book is a really quick read, which I appreciate. The dominoes are not only set up but start to fall almost immediately, and the story rides that momentum to a breathtaking, fitting conclusion that, once you get there, feels inevitable. But since it doesn’t ever linger, it doesn’t navel-gaze or try to be something it isn’t, the pacing makes the ending satisfying, even if you might guess what is going to happen before the characters get there on the page. The story was genuinely creepy and exciting, with wonderful atmosphere and great characters. The ground it treads on is not exactly new but everything it does it does really, really well. It is (very explicitly) aware of its influence and instead of shying away from them it embraces the beauty of genre to tell deeply personal, intimate stories that refuse to be buried in the sand.
(Rounded from 3.5)