What do you think?
Rate this book


336 pages, Hardcover
First published September 9, 2025
In a letter to his readers, Ron Rindo shared that the inspiration for Life, & Death, & Giants was Robert Pershing Wadlow, the tallest human ever documented. In the 1930s, Wadlow stood at 8 feet 11 inches, weighed 491 pounds, and wore a size 37 shoe. He suffered from hypertrophy of the pituitary gland, which accounted for his extraordinary size. Rindo pondered: what if such a giant appeared in the 21st century? While fly-fishing in rural Wisconsin’s Amish country, he imagined this happening within an Amish family, whose beliefs preclude modern medical intervention. As he explains, “This premise introduced the novel’s central tension, which pits our mainstream culture’s veneration of individual fame, wealth, and material excess against Amish values of community, humility, and simplicity.”
Life, & Death, & Giants opens with a gripping scene: a 17-year-old boy begs a veterinarian, Doc Kennedy, to help his mother in the throes of labor. Doc pleads with the boy, Jasper, to call a doctor, but he knows the Amish community’s resistance to “English” medicine. The result is the birth of an astonishingly large child—18 pounds and 27 inches long. Doc tries in vain to save the mother. The baby, named Gabriel, survives, fed goat’s milk, and grows to unimaginable height and weight. His mother, Rachel, had already been shunned by the Amish for bearing two sons out of wedlock, refusing to name their father. The Amish practice meidung (shunning), rare and usually a last resort, intended as a gentle corrective to bring transgressors back into the fold. For Rachel, however, it means isolation and poverty.
The reader soon meets Hannah Fisher, Rachel’s mother, one of the narrators of this character-driven novel. Hannah is portrayed as one of the kindest, most gentle female characters in recent fiction. Her convictions and reflections highlight both the beauty and the challenges of Amish life, particularly the tensions of living near the English world. The novel’s title comes from an Emily Dickinson poem; Hannah inherited a worn copy of Dickinson’s work from her mother. Though Amish beliefs prohibit English literature, Hannah viewed Dickinson’s poems as akin to devotions and solitary prayers.
Another voice belongs to Billy Walton, a local bar owner who grew up alongside the Amish and understands their ways as much as an outsider can. A sponsor of the town’s t-ball team, Billy sees the magnificence of Gabriel’s unusual size and strength. Later, Trey Beathard, a Texas-born high school football coach, witnesses Gabriel tossing 47-pound bales of hay as if they were pumpkins. Recognizing extraordinary talent, Trey takes an interest just as Gabriel enters Rumspringa—the period when Amish youth explore the English world before deciding whether to commit fully to their faith.
Through Hannah and Doc Kennedy, readers follow Gabriel’s extraordinary journey from infancy into adulthood. Billy Walton and Trey Beathard provide social commentary and perspective on his impact. All four narrators—compassionate, humane, and insightful—bring depth to Gabriel’s story, and to the cultural crossroads he represents.
With Life, & Death, & Giants, Ron Rindo contributes to a growing literary attention on Amish life in 2025. He portrays the quiet beauty of a peaceful religion while illuminating its complexities. Hannah Fisher, in particular, emerges as a character to admire and emulate.
A book with heart. A book with compassion. A book for lovers of literary fiction.
At age one, Gabriel Fisher weighed thirty-four pounds and stood forty-one inches tall. It was not only Gabriel’s unusual size that dazzled Thomas, but also his unusual way with animals. As a three-year-old boy, Gabriel would often sit on a milking stool beside Jasper’s chicken coop with a piece of bread hidden behind his back. He’d wait, watching the chickens scratch in the yard until his favorite hen, a barred rock named Betsy, eased her way close to his feet, and then he’d reveal the bread with a flourish. The other hens would race toward him, but Betsy would immediately hop on his lap and peck at the bread until she’d eaten it all. Afterward, Gabriel would cuddle her while he napped in the afternoon sunshine, and she’d turn her beak into the hollow under his armpit and fall asleep.--------------------------------------
I recognized myself inside those pages. In a life devoted to goodness, devoted to God, there can still be yearning. A quiet mouth, a devoted heart, does not mean a quiet mind. Sometimes while reading, I found myself crying, overwhelmed by the depth and breadth of Miss Dickinson’s daring, by the baring of her soul.Some books you rip through, eager, panting, for the resolution of a conflict and the presentation of the next one. Some books demand that you go through them slowly, a stroll hand in hand. Instead of a 5K. Life, and Death, and Giants is a book you want to take your time with, savor, taste, relish, feel.

Just eight pounds five ounces at birth, [Robert Pershing] Wadlow stood eight feet 11.1 inches tall, weighed 439 pounds, and had size 37 feet at the time of his death, at age twenty-two, his extraordinary growth driven by hypertrophy of the pituitary gland. For a time, Wadlow toured with the Ringling Brothers Circus and promoted shoes for the International Shoe Company, but he seems to have sought a normal life, resisting efforts to define him exclusively as a circus attraction. He died of an infection in Manistee, Michigan, and is buried in Oakwood Cemetery in Alton, Illinois. My musings about how the twenty-first-century world might react to a giant in its midst provided the initial inspiration for this novel. - from the AcknowledgmentsGiants such as these may have a brief stay among us, but, unlike the “beetle at the candle” or the “Hopper of the mill” can maintain more than their mere accidental existence. (The title of the novel is taken from that of the poem by Emily Dickinson. There is a link to it in EXTRA STUFF.) Gabriel Fisher is a magical person, imbued with qualities of a different realm. It is not just his physical characteristics, which mimic those of an actual human being, or the athletic prowess that traveled with his inflated size, but his kindness, considerateness, his gentleness, and his Franciscan affinity for creatures wild and domestic. A Tom Bombadil comparison would also be apt.
He opened his mouth, bayed like a young coyote. “That’s the boy,” Thomas said, smiling. “Let everyone know you’re here.” From the woods just beyond Thomas’s yard, a red fox barked, and squirrels began chattering. A half mile down the road, farm dogs howled; cattle lowed in their sunny pastures.But, as great a presence aas Gabriel is, it is the other characters in the novel who tell us what we need to know about him. He is a central hub around whom all the character spokes attach and it is their stories that make the novel roll.
“It’s a polyphonic novel, told from multiple perspectives, so in a sense, it’s five different stories,” says Rindo. “Hannah, Doc Kennedy, Billy Walton and Trey Beathards tell Gabriel’s story, but in the process, each of them tell their own story, too.” - from the Madison Magazine interviewHannah Fisher is Gabriel’s grandmother. She loves him unreservedly, but the code of her Amish religion keeps her at a distance for far too long. Gabriel was born out of wedlock, his mother, who dies in childbirth, shunned by the community. Hers is one of the primary voices we hear throughout, as she struggles with the tensions between her faith, her love, and her sense of right and wrong.
Sometimes we feel we are on the scent of hidden things, but we doubt ourselves. Sometimes it’s because we believe we must be mistaken. Other times, it’s because we fear we might be right and we don’t want to be, or can’t be, because of who we are or where we live. But then something comes along to reveal that what we have scented with our innermost soul simply is, and our fear subsides. This revelation was my mother’s legacy, a book of poems she’d hidden, like a pheasant in the orchard grass.There is no need to fear anything here. Life, and Death, and Giants is a heart-warming novel that will bring tears to your eyes, but which will also prompt you to consider just how to live, and just how society might work with a baseline of respect. It is one of the great works of 2025.
An English professor at the University of Wisconsin-Oshkosh, Ron Rindo was raised in Muskego, Wisconsin, and lives with his wife, Jenna, on five acres of wooded land in Pickett, where they raised five children and keep an orchard and an array of vegetable and flower gardens. He has published three short story collections, Suburban Metaphysics and Other Stories (New Rivers Press, 1990); Secrets Men Keep (New Rivers Press, 1995); and Love in an Expanding Universe (New Rivers Press, 2005); and a novel, Breathing Lake Superior (Brick Mantel Books, 2022). His short stories and essays have also appeared in a wide variety of journals, and an essay, “Gyromancy,” was reprinted in The Best American Essays, 2010Interviews
For what it's worth, I had the experience, growing up in the West Bronx, of seeing Eddie Carmel every now and again. He and his parents lived there. It's not like we ever had a conversation. But my pals and I spotted him climbing into a taxi or other car, feet planted in the front passenger seat. Tush in the rear. At that time of his life, he was afflicted with scoliosis, among other maladies, and walked with at least one cane. While it was startling to see someone that large (believe the 8'9" number. There is no way he was only 7'3") it was also very sad. It seemed from looking at him, his face, that this was a man who was in great pain. He was someone who was no longer able, if he had ever been able, to be comfortable in his own oversized skin. Awe was replaced with a very large feeling of pity.