We arrive to wreckage―a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heat-wave, this is where we meet our protagonist, Cannon, dripping in little beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, well, she destroyed it. The mess feels a bit like a horror-scape―not unlike the horror films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror films on their scheduled weekly hangs has become the glue in their rote relationship. In high school, they were each other's lifeline―two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down.
Yet, when our stoic and unbendingly well-behaved Cannon finds herself―very uncharacteristically―surrounded by smashed plates, it is Trish who shows up to pull her the hell outta there.
Lee Lai is an Australian cartoonist living in Tio’tia:ke (known as Montreal, Quebec). She has released two graphic novels, Stone Fruit (2021, Fantagraphics) and Cannon (2025, Drawn & Quarterly).
WOW WOW WOW. Lee Lai knocks it out of the park with this beautifully drawn and deftly realized story about queer friendship set in a hot humid Montreal summer. Two queer Anglophone Chinese Canadian kids who met in high school are still friends in their late 20s, but are growing apart. Is Lucy aka "Luce Cannon" finally going to live up to her nickname and stop taking shit from the girl leading her on, her friend talking over her, her shifty restaurant boss, and her ailing abusive grandpa? Well, YES and it's beautiful to watch.
Labai (į)tiko man šis komiksas apie jauną virėją, dirbančią prabangiame Monrealio restorane. Streso kupinas darbas virtuvėje ir mirštančio senelio priežiūra leidžia jai kaip ir pabėgti nuo savęs, kol galiausiai bėgti nebėra jėgų. Na, dar ir apie jos jausmus kolegei ir vaikystės draugei. Labai patiko autorės grafika. Pagrinde visi kadrai nespalvoti, tačiau nusidažo raudonai tie, kurie išreiškia vidinius išgyvenimus. Paprasta ir jautru.
Really loved this! I think it's rare to find a comic that is so grounded in modern reality while also telling a compelling story. This book would have been successful in any narrative format--movie, novel, tv show, etc--because the story at its core is so good. I read it in two sit-downs on a Saturday afternoon.
The book follows Cannon, a cook at an upscale restaurant who staunchly keeps her cool while her life starts crumbling around her. There are several relationships explored--all with surprising depth given the length of the book--but the core is her friendship with her best friend Trish. Lai gives characters room to breath--and contradict and overlap and evolve. Plus, the beautifully inked panels are always easy to follow. Lai also has a knack for snippets of dialogue, often with text bubbles overlapping or running off the page.
Anyway! Really enjoyed this one--still thinking about it a few days later.
my highschool home group teacher (who also was my english teacher) recommended me this for pride month, its been a hot minute since ive read a graphic novel, but im absolutely intrigued.
Cannon covers a lot of ground quickly, but I found reading the graphic novel in one sitting to be a unique reading experience.
In particular, the form allowed Lai to represent the power dynamics present in conversations between friends and family. The use of speech bubbles and attention to facial expressions persuaded me that Cannon could only be told visually.
Lai must also be congratulated for being the first book to get a book club consensus since The Safekeep!
the characters felt like friends and i was so emotionally invested in their lives. i can't believe .... well.
i really enjoyed the dialogue, felt real af, the dynamic between the two main characters was also real. i can see myself, my friends, i don't know. it just felt like reading a memory, from my journal, somewhere between 2010 and 2017.
it was like a documentary.
speaking of memories. as i worked in a restaurant for like almost 10 years, i don't know what i felt reading all those scenes that happened in a restaurant. sometimes i missed it, other times it was just triggering ? i guess it was also very real. sketchy boss, yelling at each other during rush, waiters messing around with kitchen staff, after a shift, over a beer... i know people like that, i've been someone like that.
good old memories. stay memories.
but it good sometimes to read about it and realise how much you've grown.
anyway. this isn't the topic.
lee lai.
i really liked stone fruit. but i absolutely loved cannon.
After Stone Fruit, I longed for Lai’s second graphic novel about Cannon, a cook, and Trish, a writer, from Lennoxville. Every week, the best friends—“on the uncool side of [their] twenties”—watch a scary film until distance threatens their bond of 14 years. Opening in a trashed Montreal restaurant with a regretful Cannon, the story returns to three months prior. Featuring mostly black-and-white art, I devoured this, obsessed with the use of color, horror influences, and complex relationships. As I reread this stunning meditation on breath, intimacy, and care, I observed what appears in red, which frames birds populate, and how they converge.
INCREDIBLY good. I don’t often find literary comics that I really love, but this was so absorbing and so beautifully constructed, every panel essential.
Cannon and the ways every character treat her feel so specific and palpable. Cannon’s writer friend is perfectly infuriating and believable - the story she’s writing, ‘I envy you, your life is so straightforward,’ the man she’s sleeping with she can only see as ‘some man’, just the lack of interiority she considers in others - but we still see other sides of her emerge as the story goes on. The restaurant guy is so awful and perfectly observed, and the thorny tangle of cannon’s grandfather’s care and the long implied history with her mother all feel so real, simply told but layered with meaning.
I was completely sucked in and surfaced hours later very emotional - just spectacular, so kind and real and affecting.
Cannon’s grandpa is ill, her mom isn’t helping, her best friend is secretly using her life as writing fodder, and her job sucks. Cannon is just a ticking bomb. Lai is the new champ on quiet memoir comics, this rocked. Cannon is dealing with so many pressures, and Lai uses imagery and overlapping speech balloons to racket up the tension between her and her circumstances. Also, if you’ve ever worked a shitty job in the service industry, you will wonder if Lai was there taking notes, because the restaurant scenes are spot on. This novel is lazy and introspective when it’s not shrieking with anger and ratcheting up the tension. Another 10/10.
Vijf sterren voor een zo goed als perfecte graphic novel. Het recept is even simpel als vakkundig: een heerlijke tekenstijl, een ingenieus verhaalritme, onderkoelde humor, emotionele zeggingskracht, twee ijzersterke en bijzonder innemende personages (Cannon en Trish) en hedendaagse thema’s (racisme, gender, identiteit). Top!
everyone sees everyone in this book and there is still story leftover. what a gift lai gives us: a demonstration of how to handle rage and forgiveness and the nuance in between.
i love, love the way she draws bodies and bikes. read for that, too.
This was amazing. Like a breath of fresh air. It’s been yeaaaarrsss since I’ve read a graphic novel, but what a way to start again. Summer in Montreal is just around the corner. There is something about the summer heat that releases all the emotions that aren’t quite ready to be squeezed out in the cold.
Binged the graphic novel in one sitting. It’s an easy read and I did enjoy the little snippets of Canada woven throughout. I had a satisfying “aha” moment when I finally understood the book's title - t'was simple.
i read this together with blu in his bed while he recovers from his herniated disc. it was so beautiful, we both laughed, we (almost) cried, and talked about which pages we want prints of. cannon is a complex character who is relatable and the relationships are beautifully portrayed.
Lee Lai er SÅ GOD til at fortælle en historie og skabe karakterer. Der doseres information i en meget nænsom rytme, som gør mig nysgerrig og føles naturlig og virkelig. Tegnestilen er meget flot og stregen tilpasses fortællingen eminent. Talebobel-metoden er også genial. Jeg er helt på røven også med denne bog. Ligesom med Stone-Fruit har jeg bare lyst til at blive hos karaktererne❤️
An absolutely stunning, poignant story about grief, queer friendship, messy family relationships, and trying desperately to claw your way through your early adult years with the limited tools under your belt. Above all else, beautifully and painfully human.