The breakup of Yugoslavia provides the backdrop for this tale born of war, but driven toward redemption, mainly for the two principal characters; the roguishly handsome rebel leader named Ivan Đurić and the head of an American-based Children’s Writing Foundation, celebrated novelist, Tess Fordel.
In the process of reviewing submissions for a writing contest, Tess comes across a lengthy, but poignant story penned by a 7-year-old Croatian girl caught in the middle of the conflict. Since the little girl, Mara Jovanović writes no English, the story is translated and submitted—along with a cover letter—by the girl’s protector, a man called Iđy. Touched by Mara’s story, Tess decides Mara is not only the winner, but that she must present the prize to Mara in person. Against the advice of her publisher, she ventures to Belgrade to find Mara before the deadline. That’s her bit.
Ivan Đurić, on the other hand, is introduced as the non-Nationalist resistance fighter with a demonstrated ability to dispatch his enemies, if needs must, without a second thought. Ivan hates war and hates killing, but his leadership and God-fearing conscience guides his compassion as he prosecutes the war against the Nationalists and, by proxy, the outside influences of other nations. (On only one occasion, he executes a prostrated prisoner, but for a very specific reason.)
Before Tess’ arrival to Belgrade, Ivan is informed that a very beautiful American woman—a spy—is coming to try to locate and identify The Black Rebel (a.k.a. Ivan, a.k.a. Iđy). Ivan decides to intercept this woman, and if necessary, do what is required to ensure the safety of himself, his men and his Cause. This woman says she’s only here to inform Mara she won the writing competition and to present the little girl with her prize. In offering to help Tess find Mara, Ivan does his best to prevent that meeting from happening until he can determine if Tess is either the spy he was warned about or she is what she says she is. He never thought meeting Tess would awaken feelings he thought long dormant within his heart. That’s his bit.
From their initial meeting, Tess and Ivan gravitate towards each other, not fully knowing each other’s motives. The author’s use of omniscient third person helps the reader understand each character’s motivation, yet at times, the actions of the two main characters are in direct conflict with their respective trains of thought. This especially occurs each time Ivan and Tess commence an argument. As Ivan and Tess’ relationship grows, the overuse of this technique tends to get a bit maudlin and unnatural. Of course, it would be, if their budding relationship didn’t occur smack dab in the middle of a shooting war. When each character’s respective back story comes into focus, we can better appreciate their reticence to fully commit to feelings they can no longer deny.
There were times, when each got angry with the other for what appeared to be no logical reason, I wanted to climb into the pages and box their ears, myself. Upon reflection, it’s a true testament to the author’s ability to engender strong feelings within the reader for—or against—a character.