Absolute Batman has established himself as an extremely large force to be reck-oned with. But how did he get to this point? How did he push himself? And how did the tragic events of his childhood, and the advice of his father, shape the man who he became…literally? Guest artist Gabriel Walta joins for this essential origin issue of Absolute Batman to explore Bruce Wayne’s past, and his inevitable future to go BIGGER. Don't miss this pivotal issue!
Scott Snyder is the Eisner and Harvey Award winning writer on DC Comics Batman, Swamp Thing, and his original series for Vertigo, American Vampire. He is also the author of the short story collection, Voodoo Heart, published by the Dial Press in 2006. The paperback version was published in the summer of 2007.
This Batman still maintains the essential characteristics, but embodies a new and excellent mythology. Snyder has constructed a brilliant and effective backstory that informs everything Bruce stands for in a way we haven’t really seen before, which is no small feat. Little moments throughout this issue really illustrate how much Snyder has always understood Batman.
I think this series isn't do big things for me like everyone else. Another decent issue, I enjoyed the stuff with Bruce and his dad a lot but the stuff with Batman was just okay. It just lacks the punch and interest I had since issue 1. A 3 out of 5.
I was worried that this would be a rushed origin story - and parts of Bruce becoming Batman do go by pretty quickly - but this works super well because Snyder and Dragotta weave Bruce’s backstory into themes and plot points already well established from the first couple issues. It feels like a natural extension of the story, though I’m eager to get Dragotta back on art and Alfred back as narrator.
This issue also doubles as Snyder’s mini thesis on the absolute universe - what is something at its core?
I'm loving the world-building and plotting in this story of a very young, very different, and, in several ways, a less tragic alternate Bruce Wayne/Batman. The pacing is well-balanced. The art is perfectly decent. The writing, however, leaves me with much to be desired. In this issue, there are three or 4 individual narrators, divided between two or 3 distinct time periods, developing and knitting together intertwining plotlines, and at least one of the narrators is never even identified. There are typos, grammatical errors, awkward, clumsy, and sometimes totally non sequitur dialogue.
I admit that some of my complaints are about no more than idiosyncratic characteristics of Scott Snyder's style, and that's fine, but I can't help but notice that some of his previous work (such as his long, memorable run on the New 52 Batman title) is more polished and narratively cohesive.
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Not his Rebirth-era run on Justice League, though. The less said about that visually nauseating, often incomprehensible, train wreck of sequential storytelling, the better. 😬
In so much of Batman media, we see Bruce fearing bats. He chose a bat as his symbol because he was afraid, and he wanted to bring that fear to those that would threaten Gotham. However, in this universe, Bruce chooses the bat because he is fascinated by them. They are versatile and adaptable— qualities he wants for himself. When he tells his father that a bat is the only mammal that can fly, the reader knows this is foreshadowing. He becomes the bat to make wings for himself. It is transcendence more than it is about intimidation, and I think there’s something really beautiful about the way the author spun the meaning on its head.
Snyder redeems himself in this book after the earlier issue, which turned out to be quite lacklustre overall. We dive deep into Bruce's childhood in this book, with a special focus on the day of his father's death, how he takes it all in, and his earlier days as Batman. All in all, it is a solid issue that reimagines the Batman origins like never before.
The absolute books have been clearly inspired by the new ultimate universe. But what makes it special is what it does differently. Taking away Bruce’s advantages seems like it wouldn’t change much, but what is created instead is a fascinating, angry man. I cannot wait to see more of this Batman and his origin.
(beziehe mich auf #4-6) Die Story ist genauso spannend weitergangen und es hat sich ziemlich gut angefühlt. Dabei sind leider die Hefte kürzer geworden und der Style von #4 sagt mir leider nicht zu. Ist also schlechter als die ersten drei aber trotzdem noch auf einem sehr hohen Level. Die Story beginnt gerade erst 🥹
Probably the weakest part of the story so far. That doesn’t discount it too much though. I just feel like there’s a break in rhythm. This could also be from the fact I binged the series up until this one. Still stoked for the last issue for the Zoo story.
A guest artist for this issue in Gabriel Walta which serves well here as the change lends to the issues focus that is soley on Bruce's very early days as batman and the trial of his father's killer.
An emotional issue that found the right artist to deliver the style that really elevated the scenes.
This is the only issue in the first part of “The Zoo” that has a different artist. Showing things from Bruce’s perspective almost feels out of focus and the art definitely feels rougher around the edges. Regardless of it being deliberate or not, I like it; it’s a nice touch
I liked this Batman. He takes it simple. Uses the tools that he can find around him, and is always evolving to be a better fighter. Money won't save him here and that is a good thing. I would have liked to see a continuation from the previous chapter. Now I have to wait one more month.
This series (and Absolute Superman) just are not doing it for me. The radical reinterpretation is just not what I’m looking for. I’m still digging Absolute Wonder Woman and have high hopes for the Green Lantern book, but I think this is my last issue of Batman.
একই সমান্তরালে ব্রুসের অতীত, বর্তমান ফুটিয়ে তুলা হয়েছে এ পর্বে। কীভাবে অ্যাবসোলিউট ব্যাটম্যানের স্যুটের ডিজাইন হলো, ঠিক কী ব্রুসকে ব্যাটম্যান হওয়ার দিকে তীব্রভাবে ধাবিত করেছে এবং দুর্নীতিগ্রস্থ গথামে হাই কর্পোরেশনের সাথে কোন প্রক্রিয়ায় ব্যাটম্যান ডিল করবে এসবই আছে ইস্যু #৪ এ। ব্রুসের বাবার সাথে কথোপকথনের সাথে প্রাসঙ্গিক রেখে বর্তমানের প্যানেল সাজানোর কাজটি গ্যাব্রিয়েল হার্নান্দেজ ওয়াল্টার শিল্পকর্মে প্রকাশ পেয়েছে।
Where the absolute superman comic has made some significant changes to the backstory, as well as the current version, this is just a different version of the guy we’ve already known.
Batman is a great character, but the story is just starting to drag on now. This was an entire flashback episode, which is dragging the story down.
I’ll probably follow this comic till the end of this current story, but if it continues past that, I probably won’t pick any more up.