Half Portraits Under Water is a collection of ten loosely interlinked stories that explore love, loss, and the interconnected nature of human experiences. In Kenya, a politician is murdered in broad daylight and several testimonies narrated to an unseen commissioner tries to get to the truth; a mother desperately tries to protect her freedom-fighting son from a ruthless and vindictive government regime; a young boy in a slum heads to a football pitch with his friend for what would be the last time as his country shifts politically to a new power; in an elite school for gifted young adults, a girl with a despotic father disappears and soon her three friends have to make a deal with the devil in order to hold on to their dreams. Through these stories set against the moving backdrop of sociopolitical changes in different countries, discover the profound connections that shape our lives, intertwining themes of love, grief, and what it means to be deeply, unflinchingly human.
This is a book club selection.... we're trying to read more Kenyan authors.
I enjoyed this short story collection that traversed various countries including Kenya, Nigeria and the UK. Also, as a fan of historical fiction, the stories about Tom Mboya and Wangari Mathai were just wonderful. They were my favourites!
I also like that there were two stories about Eastleigh (very nostalgic as this is where I grew up) and a story about male friendship as well. Very interesting.
The most touching story was about grief. I think he really did a good job with it and is where the name of the collection is derived. Might reread in future. Also, looking forward to reading the author's books should he write more.
Side note, this book wasn't on Goodreads so I found the author on Instagram and asked him to add it and he did! Thanks 😊
The thing about this book and its collection is that after reading each story and taking a moment to process it, you feel their weight. They linger in equal parts heartbreak and beauty.
Each story carries traces of loss, guilt, betrayal, freedom, and the quiet importance of family. While not every story left a lasting mark on me, a few truly did. My favorites are:
• The Fallen World of Appearances: A Minister is shot and killed, and as the investigation unfolds through witnesses and close friends’ testimonies, you’re left questioning: to what extent will a man go just to be free?
• The Only One I Have Not Lost: This story follows a mother who would do anything to protect her son, a boy whose fierce boldness fills her with both pride and fear. Set against the backdrop of police brutality in a land that isn’t their home, it’s a story that grips your heart.
• Half Portraits Underwater: The loss of a sibling and a child leaves a family fractured and yearning for what once was. It’s a quiet, aching story about grief and remembrance.
• Spalding: A moving tale of betrayal and broken dreams. A young boy’s dream of becoming a basketball player is abruptly cut short when he’s left off the team a simple but powerful story.
Dennis Mũgaa’s writing is tender, unpredictable, and deeply human. You never quite know what to expect, and that’s part of its charm. If you enjoy short stories with delicate writing and beautifully flawed characters, this is one collection you’ll want to add to your reading list.
Dennis did an excellent job with this literary work. He beautifully and engagingly narrated these stories, which intertwined effortlessly. Each story had me on the edge of my seat, eager to know what would happen next.
The theme of love was captured beautifully, particularly in the first and last stories. It's heartbreaking to see how the grandmother and granddaughter missed out on true love due to self-doubt, sabotage, and fear of the unknown.
It's safe to say that this is a book worth investing in. A great read!
The book had so much potential, but ultimately, it left me feeling unsatisfied. While the concept of weaving historical moments and the diaspora into the stories was intriguing, it wasn’t explored to its full depth. Many of the short stories felt underdeveloped, leaving me wanting more, but not in a good way.
The title story was the standout for me—it was beautifully written and deeply engaging. It showcased the kind of storytelling I wished the rest of the collection had achieved. The grief section in the latter half of the book was stronger and more compelling than the first part, but overall, the collection as a whole didn’t quite hold my interest. Despite its promising themes, the book fell flat for me.
This book is definitely for the curious type of reader. Every short story has, in fact, historical or cultural relevance, which make how the stories are told even more compelling if you explore what those ‘relevances’ are.
Great quick read.
This entire review has been hidden because of spoilers.