Darcy the doting daddy
Reading this variation is like sipping a cold glass of lemonade on a hot summer day—enjoyable, refreshing, satisfying. Darcy and Lizzy start from very different places than in cannon, but they remain the flawed and lovable characters we know. Low in angst, high in Lizzy/Darcy time, I enjoyed every page. The style is the usual Timothy Underwood quirky, though Col Fitzwilliam is far less boisterous than he often is in Mr Underwood’s work. I’m glad of this, as I think a more understated Col F was needed here.
Reading this book felt a little like reading a love letter to new fatherhood, so I think it is particularly suited to those who have, or have good memories of having, toddlers. If you like a hands-on Darcy and think Darcy interacting well with small children is swoon worthy, this book is for you! I particularly enjoyed his discussions on child rearing. I can absolutely see a single Darcy voraciously devouring every book on the subject and desperately wanting to discuss what he has learned with others, even if they have zero interest! I highly doubt a real Regency gentleman, even one as rich as Darcy, could have gotten away with this level of overt parenting in public, but it’s fiction and I suspect it reflects Mr Underwood’s personal brand of fatherhood, which to me makes it that much more endearing. Also, his descriptions of Emily’s antics are some of the best baby descriptions I’ve read. I get so annoyed when supposed ten year olds act like they’re six, or three year olds act like they’re seven. Emily is between one and two, acts like it, and continues to act her age as the book progresses and she gets a little older. How refreshing!
Another way this book shines is in the multifaceted nature of many of the characters. Because the story is hemmed so tightly around Darcy and Lizzy, much of the extraneous storytelling is excluded, allowing room for more in-depth perusal of characters most authors tend to gloss over. Jane is better-rounded than usual, for one, as is Anne de Bourgh, though her part is quite brief. I particularly appreciated the portrayal of Lady Catherine. Here she is no one-dimensional ogre; she’s a highly complex, deeply flawed but also sometimes surprisingly capable person.
Those who have suffered loss should be forewarned: there is all kinds of loss in this book. Probably best to put this on a shelf for a while and return later if you have recent loss of spouse, parent, unborn child, or anyone in a traumatic fashion. Also, if you get queasy easily, probably best to skip the prologue. It’s heart-wrenching and graphic. There is plenty within the rest of the text that you will not be lost without it.
I personally enjoy Timothy Underwood books immensely, with several of his variations appearing in my all-time top 10. This is definitely up there with his best works.