Step into the golden age of cinema through the eyes of its brightest star—and discover the real Clara Bow like never before.
From the gritty streets of Brooklyn to the dazzling lights of Tinseltown, Clara Bow's autobiography takes you on a wild ride through her extraordinary life. Born into poverty in 1905, with a mentally ill mother and an absent father, Clara grew up with more than her fair share of scars. Yet, against all odds, she found her escape in the flickering glow of movie screens, dreaming of becoming a star.
At just 16, a movie magazine contest changed everything, launching her into the whirlwind world of silent films. But behind her iconic smile and carefree persona, Clara faced the dark side of exploitation, relentless pressure, and the heartache of caring for an unstable mother. From breakout roles in Down to the Sea in Ships and Black Oxen, to becoming the nation's beloved "It Girl," Clara's rise to fame was anything but glamorous.
Candid, raw, and unapologetically real, Clara's memoir dives deep into the highs and lows of her life—her secret struggles, scandalous love affairs, and the price of being a 1920s legend. This is more than just a Hollywood story; it's a journey of survival, resilience, and the enduring fight to keep shining, even when the spotlight fades.
I was recently watching a documentary about fashion in the 1920’s and Clara Bow was mentioned and I did some research on her. I was happy to see this book available to learn more about her life. Taylor Swift’s latest album, Life of a Showgirl has a song called Clara Bow, so it’s safe to say 100 years later Clara Bow is still making an impact.
I enjoyed this short 150 page novella, but that’s what I also had a problem with. The book just ended abruptly, it seemed unfinished. We only have Clara's life up to 22 years old and then the book just stopped at around the 63% mark. I was enjoying the story and wished it went longer. The end of the book is her filmography which we don’t get any information on. It’s hard to rate this one because I was enjoying the story, but wanted more.
Thank you Histria Books for an advanced copy of this ebook in exchange for an honest review.
“This town is fake, but you’re the real thing Breath of fresh air through smoke rings Take the glory, give everything Promise to be dazzling” -Taylor Swift lyrics to the song “Clara Bow”
Mary Pickford…Lillian Gish. These silent screen actresses had a ring of familiarity, Clara Bow, not so much for this reader until Taylor Swift’s song. Intrigued, I embarked upon a quest to learn more about Clara Bow.
Clara Bow: My Story is presented in three sections. The first, a biography. Attending the New York City premiere of “It” (1927) based upon a novella by Elinor Glyn, Clara Bow had achieved her acting dream. Born in Brooklyn, having endured a “difficult, unstable, and often painful childhood”, she now personified the “It” factor. Her style made her appear carefree, energetic and self-assured. “(Clara’s) instinctive acting style (was) so different from the more theatrical conventions of silent film.” A new archetype had been born. “Young women bobbed their hair to match hers. Dressmakers copied (her) slinky gowns…”. She smoked…danced the Charleston…listened to jazz.
Historian A. K. Brackob recounts the lonely, troubled upbringing of a child with a mentally ill mother and an often absent father. “Movies were her escape, her comfort, and the focus of dreams she kept largely to herself.” “Clara Bow’s life was a collision of extremes: It was a life defined by abandonment and adoration, poverty and excess, vulnerability and stardom, trauma and triumph.”
Clara’s story, in her own words, is shared with Adela Rogers St. Johns, journalist, novelist and silent movie screenwriter. During the 1920s and 1930s, St. Johns conducted celebrity interviews for Photoplay Magazine. Clara’s story was presented in three installments: February, March and April of 1928. She describes feeling older than her 22 years as a result of long time suffering. She was the third girl born to her parents. One lived two hours. One lived two days. Her mother was “broken in health and spirit”. She was terrified to bond with Clara. This was the beginning of her mother’s lifelong mental health issues. The family moved often as her father chased any available job. They barely scraped by, never having enough to eat.
Clara, a tomboy, felt at ease playing sports with the neighborhood boys. She was excluded from the circle of girls. Her teenage years were even more turbulent because she no longer “looked” like one of the boys. She spent most of her time in movie houses and dreamed.
At age 16, she entered the “Fame and Fortune” National Acting Contest of 1921. Her father gave her one dollar to have two snapshots taken for her entry. Wearing her only dress, she joined the other contestants in the waiting area. One of the judges noticed, “There’s an interesting face-that kind with the red tam and the gorgeous eyes…Me-little Clara Bow.” Securing a bit role, she was informed that she had to provide her own four dresses to play the part. She begged a relative for a small loan and was able to purchase four second-hand dresses. With the movie release, she proudly encouraged several classmates to view the film. How they laughed when it was discovered that Clara’s scenes were on the cutting room floor. How humiliating!
Clara Bow as trendsetter, an untrained actress with an intuitive sense for acting. She represented a challenge to the traditional roles for women. She was expressive, wild and magnetic. The audience loved her. Her impact was felt by an entire generation.
Clara Bow’s Filmography is a silent film lover's delight, a list of each movie complete with director and cast members. Starting in the 1920s, the movie industry transitioned from silent films to talkies. Clara’s first talkie was an early Paramount Sound Film called “The Wild Party” (1929). By the 1930s, sound film became the industry standard.
An excellent read for silent film buffs.
Thank you Histria A&E and Net Galley for the ARC in exchange for an honest review.
Clara Bow: My Story is a reprint of a three-part series originally published in Photoplay Magazine in 1928. It is a landmark in that studios at the time controlled their stars' public images and this was far more personal and real.
It had been ages since I had read these and I am so glad they are being published in a single volume, especially since her life and work has become popular again. I forget how old I am when I hear that people had never heard of her until they heard a contemporary pop song. But whatever works, her legacy should remain readily available for ages to come.
Bow is amazingly honest and straightforward for the time. Open about the hardships she faced without being petty or hateful toward those who made it difficult. The ability to remain positive and optimistic through trials and tribulation is a hard lesson to learn and she had it mastered by 22 years of age.
If this short book makes you want to learn more about her, I would recommend David Stenn's Clara Bow: Runnin' Wild rather than Joe Morella and Edward Epstein's The "It" Girl. Stenn is less sensationalistic and offers both a nice biography and some good analyses of her films and acting. These are the only biographies I've read so I can't speak to any others. It is also fun to go to Internet Archive and look at the original magazines for the few little images (and, frankly, the ads that were running at the time). If you're a film buff you might also find Greta Garbo's as-told-to story in the April issue.
Highly recommended both for people new to who Clara Bow was as well as film buffs who perhaps haven't read through the archives (admittedly, the only reason I read it years ago was because one of my film professors offered it as optional reading and it caught my attention). This can also be a very empowering testament for anyone who might be struggling with past trauma and current success and/or doubts.
Reviewed from a copy made available by the publisher via NetGalley.
Clara Bow, Clara Bow My Story, Histria Books|Histria A&E, February 2026.
Thank you, NetGalley, for providing me with this uncorrected proof for review.
The introduction is a joy to read – beautifully written, informative, and sensitive to the star whose story is told in the following pages. This too, is informative. Not only is it the story of a young woman whose distinctive appearance and behaviour questioned roles for women in both silent and talkie movies, but the story of that industry. To see the change from the silent era to advances in film technology through the way in which Clara Bow approached the changes, and succeeded, is a valuable way of learning this story as well as that of a remarkably engaging star.
I was slightly disappointed as, for me, the energy attributed to Clara Bow and her life was not reflected in her own narrative. It seemed that she took greater care about ensuring a public response untrammelled by her idiosyncrasies to telling her story. Here, she seems to depart from the people she chose to depict in film and her lively personality. Perhaps this distance arises because it is Bow’s story ‘As told to Adela St. Johns.’ This story was first published in Photoplay in 1928, so the version here is authentically the way in which Clara Bow was content to depict herself in that period. And, apart from the (to me) disappointing formality of the language in which the Clara Bow’s life is conveyed, the narrative is an engaging account of a woman whose life was lived to the full, resulting in an impressive collection of films in which she appeared.
The list of the films is a real treasure trove of knowledge about the films in which Clara Bow appeared. Beginning with Beyond The Rainbow in 1922 and ending with Hoopla in 1933, the information includes directors and others behind the camera, the origin of scripts, and the main cast.
I love the very old movies and I have found Clara Bow a delightful actress. I never would have guessed the pain of her childhood and her struggle as an adult with mental health issues.
The book, Clary Bow: My Story, reveals a vulnerable but determined woman who despite her success as a teenager had already lived a difficult life, surviving her mentally ill mother (and I mean that literally: at one point, her mother tried to kill Clara). poverty, and being bullied. A child who preferred the rough and tumble games with the neighborhood boys and was rejected by her female peers well into her adolescence. Despite being considered ugly, she turned into one of the great beauties of her times and despite her painful family situation she portrays her family, and in particular her mother, with a love and compassion that I found very moving.
Despite slander and condemnation from people as she emerged as the "It" girl--the ultimate flapper, in fact the defining image, of a lively, party girl of the 1920's. Bow exudes energy and a sense of fun. Her image leaps from the screen into my heart--that's honestly how I feel about her and why I was so excited to read this book (which did not disappoint).
Bow's voice is open, vulnerable and surprisingly (to me, for a writer with no training and no education in addition to a high school degree which it seemed she was so busy pursuing a career in acting she barely had time to show up for).
My only complaint is a minor one: the book is relatively short and I wanted to read more. However, the story is complete and did not feel unfinished in any way. Clara Bow: My Story will be released on February 10, 2026 by Histria Publishers. I am grateful to have received this book for free in exchange for an honest review. I thank NetGalley and the publisher for the opportunity to read it.
Clara Bow: My Story is a reprint of a three-part autobiographical series originally published in Photoplay Magazine in 1928. In these articles, a very young Clara Bow—only 22 at the time—talks about her life in her own words, offering a snapshot of her early years and meteoric rise in Hollywood. The book itself is quite short. The most engaging sections are the early ones: Clara’s difficult childhood and the story of how she landed her first movie job are genuinely interesting and give some insight into her drive and resilience. However, because these articles were written so early in her life, there’s very little here about her later career or personal life. The ending feels abrupt, and a significant portion of the book is taken up by her filmography rather than narrative content, which makes it feel more like a slim archival document. This might be of interest if you’re looking for a very brief introduction to Clara Bow or something to spark further reading—but it’s worth noting that these articles are also available online. For that reason, and despite its historical charm, this reprint earns a 2-star rating from me.
Thank you to NetGalley and the publisher for the e-ARC in exchange for an honest review.
This slip of a book I was gifted by Histria Books and NetGalley in exchange for an honest review.
This book is an interesting concept and a good sociocultural exploration of life in America at the turn of the 20th Century. Bow narrates through Photoplay a traumatic childhood in Brooklyn with a distant mother and a put-upon father. It's written lightly and deftly as we reach Bow's 22nd year and how Hollywood changed her, but that she didn't lose sight of her identity. Tacked on is a brief interview she gave offering advice (very of its time) before Bow gave birth to her first child and a filmography in which Bow's appearance are given a brief description and whether the film still exists (haha) or is lost to the sands of time.
As I mentioned, this is a slip of a book that is worth reading, however, I do feel that perhaps there should be a brief outro, as opposed to an intro explaining a little more about Bow's life. I did think this was a worthwhile read and am on the hunt to see my first Bow feature, or, at the very least a YouTube video showing a reel of her most famous clips.
All things considered, she's very much a rags to riches story.
When Clara Bow was 22, she wrote her autobiography in three parts and published it in a magazine as a serial. That is now in the public domain, and this publisher has published it to profit off of it. Fair enough, I suppose, but this book really needs someone to finish telling her story since it just abruptly ends when she is 22. I also really wish there were photos.
It’s definitely a captivating story and well written, just be aware that it’s her little autobiography from a magazine series. It’s probably freely available plenty of places online but this is a good way to read her words from when she was young.
I know from snippets online that personal challenges led to her early retirement from movies in 1933 but I have no idea what they were. A brief introduction to the book does tell us that she married, retired and had two sons, and died at 65. I wish she’d written another autobiography later in life, as she did well on this early one.
First you have to realize when this story was written and second she wrote it when she was just 22. Understanding this will make you appreciate Clara's story much better. You will feel her innocence, naivety (at times), toughness (she was raised in Brooklyn lol) and her determination. Clara writes in depth about some aspects of her life and skims over others particularly her Hollywood years. It appears she does this as she believes her readers already know about this from all the fan magazines. The story does end abruptly and lived until 60 but unfortunately never wrote anything again. Thanks to the author, the publisher and NetGalley for an advanced copy in exchange for my honest opinion.
It’s important to note that this is a memoir of sorts that was published in three parts when Clara Bow was at the height of her fame, so it is not a complete biography.
The introduction does a great job contextualizing and providing a detailed, succinct biography of Bow before her own version of her story begins.
However, as it is not a complete biography I would only recommend this to the silent film fan, not someone new to Clara Bow, as it likely won’t provide as much information as you’d like. I personally really enjoyed this one, and it was a super quick read!
Do NOT purchase this book. Not counting the very short introduction, this is merely a reprint of a series of articles that appeared in the magazine PHOTOPLAY in 1928. Those articles are easily found online for free. (Here is one link: https://maxwelldemille.com/clarabow/c....) Years ago I read “Clara Bow: Runnin’ Wild” by David Stenn, and that remains a great biography of the famous It Girl. This “book” is a sad grift.
I received a copy of this book from NetGalley in return for an honest review.
I’ve always loved Clara Bow…what a look! This story that she gave to the writer is insightful and interesting. All I could think of is why is it that everyone I know who grew up in the 1950’s in Brooklyn had the same kind of life. I do have my thoughts on why. Anyway, I glad she was eventually a huge success in films in the 1920’s. She made a very large amount of films and this tiny and very short book names them all.
First off, thank you to NetGalley for the ARC in exchange for an honest review.
I’d like to start by saying I enjoyed the content, but it was so brief it felt like nothing more than a money-grab. It was little more than a reprint of a 3-article series Bow published when she was 22, and while it was extremely insightful, I could have gotten that same content elsewhere. I was expecting something like lost journals and research, and this wasn’t that. I’m glad I didn’t waste too much time on it.
A wonderful read especially for fans of the silent movie era. Clara Bow, in her own words, describes her life's journey with all the tragedies and successes. A rather short book, but the information contained within was very interesting. Thank you to NetGalley.
I requested the book through Netgallerry. It's disappointing because it's a republished book Clara printed in a paper in the 1920s, but it offers an interesting glimpse into her childhood.
thank you netgalley and histria a&e for providing me with a copy of this book in exchange for an honest review! if you know me, you know i LOVE old hollywood and i’m always looking for more media to consume about it! i was super excited to see this being published traditionally as it was originally a three-part series published in photoplay in 1928. it’s amazing getting to hear more about her life in her own words and i hope this means that more people will be exposed to her legacy! i’m only giving 4 stars because it’s short - i could read 150 more pages about her life!