Note: This book was provided by the author in exchange for an honest review. Slight spoilers to assist in further detail of thoughts.
I would like to start off by saying that this book does not serve as a standalone. One must read the first two books to be able to follow the characters in this one.
Normally, I would do a whole spiel of pros and cons but I’m not in that head space. Instead, I will give my overall viewpoint, in the hopes that it will make sense.
The things in Right Click that stood out the most was (1) the immaturity in behavior and (2) the strange tackling of a number of issues that surfaced.
One of my favorite characters in the series was Mark. Despite all the cattiness of the others, he appeared to be above the fray and possessed a sense of maturity. That image got smashed to bits in Right Click.
During the crux of his heartache, instead of dealing with Cassidy’s persistence in a mature way, he suggested the idea to stick Shelley on Cassidy—knowing the two women don’t like each other. Next thing you know, Renee is getting blind copied on tumultuous interactions between Cassidy and him. Through his Cassidy experience, he mimics Ashley’s back and forth with her dysfunctional relationship in Click. For me, Mark was one of the saving graces and to see him cave in to the peer pressure was a letdown to me.
Renee’s depiction has been the most baffling of all. On one end, the author paints Renee out as this person who is insecure about her looks, particularly in how she feels about her weight. This is why Shelley has to remind her that she is “Supermodel Renee”. Yet, her mannerisms do not match a person of that ilk. Her fits of low self-esteem are in correlation to unpleasant events. If it was related to Renee’s body image, then the feelings would be there regardless. However, because there has been no narrative whatsoever in the series—not much in the way of background detail, other than people in Renee’s past popping up to make amends or revelation—there is nothing to substantiate that Renee’s is worthy of sympathy. On the contrary, she perpetuates more mean girl tendencies than most, Ashley included—the female she and Shelley are friends with, despite criticizing said person for being judgmental.
Shelley has shown the most mobility upward in terms of character development, and even that isn’t much. In Right Click, she is less crass in terms of oversharing her sexual adventures through adolescent nicknames and excessive use of puns. If anything, being in a relationship as well as a new location, has molded her. Yet, she does have fits of the old, especially in the email showdown between she and Cassidy.
What are we, and where are we? In middle school? None of the behaviors resonated from individuals who are in their thirties. Yes, the email language is there but I can’t help but wonder why certain things are conveyed in email and not through phone conversation or face-to-face meetings. Whatever face-to-face meetings happened were told through e-mail. One is never shown through narrative what occurs and it is an experience that the reader misses out on. As for me, if my best friend just lost his loved one, I would be more prone to call than the e-mail banter back and forth, if there is a true friendship intimacy there. I just found the back and forth between Mark and Renee when the pain was fresh a bit strange, not even fitting a real life experience. Also, the email bit during the passing away of a loved one seemed unusual—that’s the time when phone calls and the character interaction should really be in play, for it gives the reader an opportunity to emotionally connect.
In Right Click, there were some serious issues brought up that were not really addressed. I’m not sure whether it was because the research wasn’t done with some of these topics, or if it was due to the attempt of keeping the overall trilogy light.
One was the subject of depression. Ashley demonstrated signs of the postpartum variety but it was brushed over, just peeking out here and there through mentions of medication and the email kerfuffle (I can’t really call it confrontation) between her and Renee. Renee also experienced depression where one of her coping mechanisms was to eat, also leading to fluctuations in her weight. Yet, I couldn’t help but ponder: if weight is such a struggle for Renee, why would her friends adorn her with frosting and chocolate? Isn’t that enabling? If anything, they should have advised her on ways to get healthier, as well as have a serious talk with her from the gate on counseling for the depression. Rather than do so, the author takes this as an opportunity to bring back tirades of puns, advocating that as the key to cure all which ails. It’s just a lack of sophistication if you ask me.
I could go on and on about the other fallacies, like how the characters seems to fight and then make up instantly. This happened so often one almost forgot what they were beefing about in the first place. Also, how new characters get put in the email mix with minimal, sometimes absolutely no description, of why or what they have to do with the story. Even how the possibility of one character in the 1st book gets dangled all through the trilogy and it is all for naught, wondering why he was even included. Let us not forget about lack of narrative, physical descriptions of characters, no dialogue, no setting … basically the items which make a book a book.
But … I won’t. I will just pause here and deliver my verdict.
Verdict: 1.75, rounded up to a 2
If you are a person who loves reading page after page of e-mails, with puns, suggestive language, and drama throughout, I suppose this entire trilogy is your ticket. As for me, if I have that much to email to a friend, I’d rather pick up the phone and have a conversation. This trilogy just wasn't for me but if anyone else wants to give it a whirl, don't say you weren't warned.