I picked up this book in a thrift store because I thought the cover art was pretty neat and the title was kind of bizarre. The front cover also carried the legend "THE GREAT SCIENCE FICTION CLASSIC."
The blurb on the back cover sealed the deal:
"THE THING ALL STARTED IN THE MOST TRIVIAL WAY... Albert Weener, a door-to-door salesman with most of the instincts of a roach, answered a Help Wanted ad, and found himself working for Josephine Spencer Francis, who looked like an unmade bed and had discovered a formula for increasing the fertility and growth of grasses. Miss Francis' fatal formula was applied to the most decrepit lawn in town, consisting largely of diseased devil grass.
"The was hell to pay the next morning. The dead devil grass had come to lush, powerful and vigorous life and was pursuing its happy way across the sidewalk.
"When asked what would stop it, Miss Francis replied, 'So far as I know, nothing.'"
It's an interesting book, but I would classify it more as a sci-fi curiosity than a classic.
From the blurb and the title, I got the impression that it was sort of a comedic sci-fi story, and it certainly has those elements — at least early on. But then it just sort of drops those and plods on interminably, like so much out-of-control Bermuda grass. I'm surprised that I read an edition that was "revised and abridged by the author." My copy clocks in at 185 pages. Other editions have more than twice that in page count (though this could be because of type size and spacing). Still, if this paperback had been much longer, I might have given up on it.
It's a long, rambling story (and in honor of it, so is this review!). As per the blurb, Weener answers a help-wanted ad placed by a brusque, rude scientist with no social graces (who would likely be described today as having Asperger's Syndrome or high-functioning autism). Weener applies the formula to one lawn, and from that one application, the Bermuda grass grows out of control, and over the course of the book, devours Los Angeles, California, the Western US, all of the US, North America, South America, and eventually the rest of the world.
• Albert Weener comes across as sort of an average Joe early on. But as he succeeds in business thanks to the grass, he becomes increasingly more of a self-absorbed jackass, a fact to which he seems oblivious. He's not nasty, or a mustache-twirling villain, per se. It's just that all of his negative qualities become magnified and he becomes more and more cluelessly condescending, self-centered, misogynistic and inconsiderate. He grows less and less likable as the book goes on, and he didn't exactly start out as a particularly nice guy. I'm guessing this was Moore's intention.
• Miss Francis is unpleasant as well but Moore makes a point that this is an intelligent woman who will not waver from her convictions, so she's got that redeeming quality. But the fact that she's the one who created the formula and then gave it to a salesman to sell before thoroughly testing it shows how irresponsible she is. Considering this, the story would make more sense if it was she who unleashed the grass on mankind, just by testing it outside herself. I guess Moore didn't want to tell the story from the point of the scientist, though, and thus Weener was born.
• Jacson Gootes is a newspaper reporter early in the story who shadows Weener at first and then is sort of paired up with him. He's given to idly displaying sleight-of-hand tricks while chatting and going into silly accents. He's a fun character, but the accent bit is odd at first — the dialogue is written phonetically and it's hard to understand what he's trying to say (especially before I realized it was Gootes' shtick, and that he'd switch dialects constantly). Because of this, I first started this book, I thought maybe the author was British, trying to write a book set in America. But Gootes is the book's most likable character, and sadly perishes very early on. When he seemed to meet his doom, I was still within the first quarter of the book, and misinterpreted the tone of the book. I thought for sure the story was kind of going in an over-the-top goofy sci-fi direction, and that despite all the 'destruction' that the grass would die or recede and Gootes and the others lost in the grass would emerge a little worse for wear, but unscathed. Nope!
• If Gootes is the most likable character, newspaper editor W.R. Le ffaçasé is the most fun. He constantly spits out hateful but ultimately harmless venom at everyone, but directs most of it at Weener. He might be the stock character of a typical gruff, angry newspaper editor, but he's still a delight. I presume he's given such an unwieldy name as a joke. Removing the first 'f,' it translates into English as "the facade." Okay. I guess I get it. He's all bluster and nastiness, but it's all a front. We learn later on, after he quits the newspaper business, there's rumors that he dedicated the last years of his life as a sort of wandering monk, tending to the sick.
There's a handful of other characters as well — General Thario, his son, his daughters, his unpleasant wife. Preblesham — a former religious zealot Weener manages to employ. And a mysterious and gorgeous woman that Weener crosses paths with a few times.
Aside from Thario and his son, they're not really developed. The mysterious woman is the most frustrating because there's absolutely no payoff to her few mysterious appearances. (Did Moore abridge her part in the story for the edition I read?)
I love mid-twentieth century fiction. This certainly has that flavor at the beginning. And the early part of the book, set in 1940s Los Angeles, was fun to read, as someone who lives there.
But there's a lot of problems, too. To go from a comedic book with almost a pulp-y detective story feel to something much loftier isn't easy, and Moore doesn't really succeed. It just drags on and on.
He makes a lot of commentary on society. Francis is constantly dismissed and belittled by other characters (including Weener) because of her sex. A headstrong, dedicated (albeit misguided) woman more interested in science than accepted 1940s lady-like things was reason enough for derision by almost all the characters she comes in contact with.
Moore certainly touches on race and ethnicity and even illegal immigration near the end. That's pretty interesting from a 2019 perspective. Weener's perceptions of how various ethnicities reacted to the invading grass is certainly of note:
"But the utmost severity of local and national officials, even when backed by the might of the World Government, could not cope with the waves of migrants from the East nor the heedlessness of law they brought with them. As the Grass pushed the Indians and Chinese westward, they in turn sent the Mongols, the Afghans and the Persians ahead of them. These naturally warlike people were displaced, not by force of arms, but by sheer weight of numbers; and so, doubly overcome by being dispossessed of their homes—and by pacifists at that—they vented their pique upon those to to west." Oh my.
As to the very end — it's unclear whether Weener is hallucinating on the last page or not, so the ending is left intentionally vague. I was fine with that. But frankly, this book could have used some serious editing! (And copy editing, too — there are a lot of typos throughout. And for some reason, Ballantine Books' press of the early 1960s evidently didn't have a hyphen, so every hyphenated term just runs awkwardly together as one word.)
I'm always interested in seeing how books are translated into other, more visual media. "Greener Than You Think" was, as far as I can tell, never turned into a movie. It would have been all but impossible to do so until the advent of CGI. But now it could be done pretty easily.
I think they'd really have to take a pair of pruning shears to the source material, though!