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512 pages, Paperback
First published September 16, 2025
⭐ ⭐ ⭐ ⭐ ⭐ (5.0 / 5)
Something Is Killing the Children is not interested in reinventing monsters. Its true innovation lies in how it frames belief, denial, and institutional secrecy as horror mechanisms. The Omnibus format strengthens this by allowing the slow accrual of dread, character trauma, and mythological structure to breathe.
Where many contemporary horror comics lean into spectacle or shock, Tynion builds terror through withheld information. Violence is present, but it is never indulgent; it is accusatory. The book asks not “what is the monster?” but “why do children see it, and why do adults choose not to?”
Erica is a subversion of the horror “chosen warrior.” She is competent but not empowered, skilled but not free. Her life is defined by rules she did not write and trauma she cannot resolve.
She is not a power fantasy. She is a containment strategy with a human face.
Both interrogate belief as reality-shaping force. Something Is Killing the Children is more intimate, focusing on localized trauma rather than national mythologies.
Where Locke & Key treats childhood imagination as wonder tinged with danger, SIKTC treats it as a liability adults exploit.
Harrow County mythologizes rural horror through folklore. SIKTC modernizes it through institutional secrecy and bureaucratic violence.
Both weaponize childhood fear. Snyder leans into visceral terror; Tynion leans into ethical dread.
The art deserves special mention. Dell’Edera’s distorted anatomy and negative space make monsters feel wrong, not just threatening. Children’s faces often appear half-erased, reinforcing the theme of fading belief.
The scariest thing in this book is not what children see — it’s what adults refuse to.
Something Is Killing the Children: Omnibus Vol. 1 is one of the strongest horror comics of the last decade, not because it frightens easily, but because it indicts quietly. It understands that monsters are temporary — systems endure.
This is horror built on trust, betrayal, and the cost of pretending everything is fine.