Fundamentalism, institutional and societal misogyny, homophobia, political corruption, abusive relationships, loss of parents, and more influence this whirlwind of a novel, which follows Katmé, wife of the rising star in the fictional country of Zambuena’s ruling party. Her best friend, Samuel, a gay artist whose work is overtly political and whose sexuality becomes fodder for her husband’s political enemies, while she gets stuck in the middle of two worlds. She siphons off what she can from her husband’s considerable resources to help her friend, while withstanding abuse from her husband and harsh critique from her elite entourage. Not only can Katmé not alleviate Samuel’s suffering in prison or calm the nationwide smear campaign, her being married to the prefect of the capital city is actually costing her beloved Samy his freedom.
Haunted by the death of her mother twenty years ago, by her husband’s threats and violence, by her best friend’s imprisonment, by the specter of being a divorcee and social outcast or losing custody of her children, each struggle she grapples with in the novel shows a new facet of Katmé’s character. Both her and Samuel’s personal development is revealed through many microscopic observations, despite serving as a microcosm for some of the biggest, most complicated issues in Africa today.
Not every well-written story with characters real enough to walk off the page and plot lines as intricate as gossamer webs also feels this monumental. One of the many subjects at hand is literally life-and-death for many queer people across the world, and the fact that this story takes place in a fictional country doesn’t undermine its depth.