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Mega Milk: Essays on Family, Fluidity, Whiteness, and Cows
A sparkling, funny, and often wrenching portrait-in-essays on the dairy industry, queer intimacy, family, fluidity, whiteness, and cows.
For decades, Megan Milks has wondered what it means to share a last name with the classic white American beverage. Now, Milks takes on their namesake subject in all its dimensions, venturing into the worlds of small dairies, bovine genetics, and manure while also turning their eye on their family and themself. The resulting essays connect the dots between human lactation, Big Dairy, being queer and lonely, climate change, transmasculinity, the bull semen industry, the milky roots of white supremacy, and the best practices for giving and receiving a hug. With Mega Milk, Megan Milks confirms their place as one of our most exciting queer thinkers and writers.
For decades, Megan Milks has wondered what it means to share a last name with the classic white American beverage. Now, Milks takes on their namesake subject in all its dimensions, venturing into the worlds of small dairies, bovine genetics, and manure while also turning their eye on their family and themself. The resulting essays connect the dots between human lactation, Big Dairy, being queer and lonely, climate change, transmasculinity, the bull semen industry, the milky roots of white supremacy, and the best practices for giving and receiving a hug. With Mega Milk, Megan Milks confirms their place as one of our most exciting queer thinkers and writers.
336 pages, Paperback
Published January 13, 2026
20 people are currently reading
444 people want to read
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April 13, 2026Full review up now at Sinister Wisdom!
An excerpt:
As a constellation of essays on milk’s many meanings and potentialities, Mega Milk is deeply, powerfully uncomfortable. At times, I felt impatient with the text, eager to move from moments of observation and reflection to critical analysis, particularly regarding the nonhuman animals on whose bodily fluids the book relies. Particularly in moments where milk is present but its nonhuman producers, notably, are absent (such as in “Tres Leches”), it feels as though cows are a specter haunting a story that tries to be about something else—about gender, about economics, about family, about identity. While touching on the ethical and environmental urgency of critique, Mega Milk is persistently reflective in a way I did not expect, and struggle to collect my feelings about.
An excerpt:
As a constellation of essays on milk’s many meanings and potentialities, Mega Milk is deeply, powerfully uncomfortable. At times, I felt impatient with the text, eager to move from moments of observation and reflection to critical analysis, particularly regarding the nonhuman animals on whose bodily fluids the book relies. Particularly in moments where milk is present but its nonhuman producers, notably, are absent (such as in “Tres Leches”), it feels as though cows are a specter haunting a story that tries to be about something else—about gender, about economics, about family, about identity. While touching on the ethical and environmental urgency of critique, Mega Milk is persistently reflective in a way I did not expect, and struggle to collect my feelings about.
May 5, 2026
At times, this book activated my speech coaching core…this book felt like me in the depths of researching for a POI idea. Taking a subject and looking at it from every possible angle. Imbuing personal experience and rhetorical and critical analysis. Megan covers it all. Thoughtfully and creatively. Their voice is of a strong substance, ok!!! Milk!!! I really loved this entire read. Made me think of writing a collection of essays in a completely new and fun way.
October 9, 2025
Pardon my French, but holy shit. After reading the first few pages of this book, I jumped out of my bed to snatch a pen and highlighter off of my desk because I knew Megan Milks was about to take me on a milky journey (don't worry, I gagged myself while typing that, but for purposes of this review, it must be done). "Mega Milk" is a collection of essays (written in honor of the author's namesake), discussing all things milk, cow, and beyond. Now, this isn't a vegan propaganda book (I do not say this with hate, as a former vegan of several years). Milks essays cover various spanning topics such as Big Dairy, their personal experiences being queer, connections to one's legal last name, white supremacy, and so much more. I wasn't aware how much of an emotional journey Milks was going to take me on.
Megan Milks writes with a rawness and vulnerability that I find as admirable as it is terrifying as a writer myself. This book was beyond inspiring. I was expecting to sit down and learn some lore on dairy farms and milk symbolism, and WHILE YES I DID GET THAT, I also was getting debriefed on incredibly impactful and introspective retrospectives on Milks own life. It was at times bizarre, boundary-pushing, and beautiful. I absolutely adored it. "Mega Milk" immediately cemented itself as one of my favorites of the year.
Thank you so much to Feminist Press for sending me a free copy in exchange for a fair and honest review!
Megan Milks writes with a rawness and vulnerability that I find as admirable as it is terrifying as a writer myself. This book was beyond inspiring. I was expecting to sit down and learn some lore on dairy farms and milk symbolism, and WHILE YES I DID GET THAT, I also was getting debriefed on incredibly impactful and introspective retrospectives on Milks own life. It was at times bizarre, boundary-pushing, and beautiful. I absolutely adored it. "Mega Milk" immediately cemented itself as one of my favorites of the year.
Thank you so much to Feminist Press for sending me a free copy in exchange for a fair and honest review!
Review of advance copy received from Publisher
𝐈 𝐚𝐛𝐬𝐨𝐥𝐮𝐭𝐞𝐥𝐲 𝐀𝐭𝐞. 𝐓𝐡𝐢𝐬. 𝐔𝐩.
I'm lactose intolerant, yet I did nottttt want to put this down—it still felt so applicable.
𝙈𝙚𝙜𝙖 𝙈𝙞𝙡𝙠 is about milk, yes, but it's also about 𝘦𝘴𝘵𝘳𝘢𝘯𝘨𝘦𝘮𝘦𝘯𝘵, 𝘮𝘰𝘵𝘩𝘦𝘳𝘩𝘰𝘰𝘥 & 𝘣𝘳𝘦𝘢𝘴𝘵𝘧𝘦𝘦𝘥𝘪𝘯𝘨, 𝘭𝘪𝘵𝘦𝘳𝘢𝘵𝘶𝘳𝘦, 𝘱𝘰𝘭𝘪𝘵𝘪𝘤𝘴, 𝘤𝘰𝘮𝘮𝘦𝘳𝘤𝘦, 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘢𝘭𝘪𝘴𝘮, 𝘮𝘪𝘴𝘪𝘯𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯 & 𝘮𝘪𝘴𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘢𝘯𝘥 𝘲𝘶𝘦𝘦𝘳 & 𝘵𝘳𝘢𝘯𝘴 𝘭𝘪𝘧𝘦.
This is the kinda nonfic that makes of you an annoying fun fact machine (my fav kind 😏). I kid you not, 𝙈𝙚𝙜𝙖 𝙈𝙞𝙡𝙠 had me pointing out all the cows on my fam's road trip to TN, telling my husband what kind they were & the likihood they were for dairy. & again, 𝘐 𝘥𝘰𝘯'𝘵 𝘦𝘷𝘦𝘯 𝘥𝘳𝘪𝘯𝘬 𝘮𝘪𝘭𝘬!
I say this w so much love, bc both Megan & their writing are friggin awesome—I spent so much time baffled by how much I was enjoying 𝙈𝙚𝙜𝙖 𝙈𝙞𝙡𝙠. To say it lived up to its cover would be an understatement, I couldn't get enough.
Essay collections, in my experience, can lose propulsivity in seconds. 𝐓𝐡𝐚𝐭 𝐰𝐚𝐬 𝐧𝐞𝐯𝐞𝐫 𝐭𝐡𝐞 𝐜𝐚𝐬𝐞 𝐡𝐞𝐫𝐞.
I can confidently say I recommend this to literally anyone. Megan's writing is 🤌🏻, it's v obvi they also write fiction bc wowww this is great.
𝕋𝕙𝕒𝕟𝕜 𝕪𝕠𝕦 𝕓𝕦𝕟𝕔𝕙𝕖𝕤 𝕥𝕠 @feministpress 𝕗𝕠𝕣 𝕥𝕙𝕖 #gifted 𝕒𝕕𝕧𝕒𝕟𝕔𝕖𝕕 𝕔𝕠𝕡𝕪, 𝕝𝕠𝕧𝕖 𝕪𝕠𝕦 𝕒𝕝𝕝 𝕥𝕚𝕞𝕖𝕤 𝕒 𝕞𝕚𝕝𝕝𝕚 ❤️🔥 !
I'm lactose intolerant, yet I did nottttt want to put this down—it still felt so applicable.
𝙈𝙚𝙜𝙖 𝙈𝙞𝙡𝙠 is about milk, yes, but it's also about 𝘦𝘴𝘵𝘳𝘢𝘯𝘨𝘦𝘮𝘦𝘯𝘵, 𝘮𝘰𝘵𝘩𝘦𝘳𝘩𝘰𝘰𝘥 & 𝘣𝘳𝘦𝘢𝘴𝘵𝘧𝘦𝘦𝘥𝘪𝘯𝘨, 𝘭𝘪𝘵𝘦𝘳𝘢𝘵𝘶𝘳𝘦, 𝘱𝘰𝘭𝘪𝘵𝘪𝘤𝘴, 𝘤𝘰𝘮𝘮𝘦𝘳𝘤𝘦, 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘢𝘭𝘪𝘴𝘮, 𝘮𝘪𝘴𝘪𝘯𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯 & 𝘮𝘪𝘴𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨, 𝘢𝘯𝘥 𝘲𝘶𝘦𝘦𝘳 & 𝘵𝘳𝘢𝘯𝘴 𝘭𝘪𝘧𝘦.
This is the kinda nonfic that makes of you an annoying fun fact machine (my fav kind 😏). I kid you not, 𝙈𝙚𝙜𝙖 𝙈𝙞𝙡𝙠 had me pointing out all the cows on my fam's road trip to TN, telling my husband what kind they were & the likihood they were for dairy. & again, 𝘐 𝘥𝘰𝘯'𝘵 𝘦𝘷𝘦𝘯 𝘥𝘳𝘪𝘯𝘬 𝘮𝘪𝘭𝘬!
I say this w so much love, bc both Megan & their writing are friggin awesome—I spent so much time baffled by how much I was enjoying 𝙈𝙚𝙜𝙖 𝙈𝙞𝙡𝙠. To say it lived up to its cover would be an understatement, I couldn't get enough.
Essay collections, in my experience, can lose propulsivity in seconds. 𝐓𝐡𝐚𝐭 𝐰𝐚𝐬 𝐧𝐞𝐯𝐞𝐫 𝐭𝐡𝐞 𝐜𝐚𝐬𝐞 𝐡𝐞𝐫𝐞.
I can confidently say I recommend this to literally anyone. Megan's writing is 🤌🏻, it's v obvi they also write fiction bc wowww this is great.
𝕋𝕙𝕒𝕟𝕜 𝕪𝕠𝕦 𝕓𝕦𝕟𝕔𝕙𝕖𝕤 𝕥𝕠 @feministpress 𝕗𝕠𝕣 𝕥𝕙𝕖 #gifted 𝕒𝕕𝕧𝕒𝕟𝕔𝕖𝕕 𝕔𝕠𝕡𝕪, 𝕝𝕠𝕧𝕖 𝕪𝕠𝕦 𝕒𝕝𝕝 𝕥𝕚𝕞𝕖𝕤 𝕒 𝕞𝕚𝕝𝕝𝕚 ❤️🔥 !
July 16, 2025
A work of udder genius, Milks makes a splash into the personal essay form and bursts open our understanding of our most fundamental form of nourishment with this hilarious and profound book. Deleuze and Guattari might have proposed becoming-animal, but Milks puts it into practice with unparalleled commitment and unique, full-bodied immersion. Examining nurturance, and politics through a milky lens, this book has something to offer anyone who has ever swum in the murky waters of what it means to have a body, to be in relation to others both human and animal, to forge a fluid identity, to have been a baby. Get Mega Milk!
April 22, 2026
-The author trying to impress their PerFoRmEr partner by agreeing to letting them inseminate them with bull semen was not something I expected.
-Their writing inhabiting animal perspectives left a lot to be desired
-I appreciate their awareness of being “a demanding and entitled old baby”
-I firmly dislike the third person in autobiographical works
-I am doing this to myself and need to read less autobiographical books
-Their writing inhabiting animal perspectives left a lot to be desired
-I appreciate their awareness of being “a demanding and entitled old baby”
-I firmly dislike the third person in autobiographical works
-I am doing this to myself and need to read less autobiographical books
Read
May 5, 2026I had the pleasure of hearing Megan Milks read the “Tres Leches” essay at my neighborhood bookstore where I also got to see the 2011 It’s All Butch calendar in the flesh - the whole room was cracking up and I knew I had to read the whole, not the skim version, of this book and it was really great
April 2, 2026
slurp slurp
February 26, 2026
The clever nameplay title marks Milks' delve into the realm of journalism-meets-personal-essay, which is kind of the genre that they're meant for outside weird fiction. They are concerned with the world, with power, and with transmutation and empathy within capitalism's ravages of the body and land. I feel uncertain about my own allegiance to this kind of book, which has increasing genre popularity because of its personable marketability-- a comp I can think of is Kate Lebo's "Difficult Fruit", which I find deeply enjoyable and also felt frayed around the edges at times as she attempted to stretch her topic into an artistic shape, eg when she tried to eat a durian and make that something that was tied to her life, personally. Another perhaps closer comp is Adam Zmith's history of poppers where the author frequently goes on digressions about their own identity. It's a very queer way of writing a book, and it can make it more interesting. I breezed through this latest Milks, and I do like their style.
In Mega Milk, Megan Milks talks about whiteness, milkiness, the dairy industry, the diet industry, breastfeeding, transness, purity, and land ownership-- all salient, deeply relevant topics in a landscape , and all ones that they can put their interpretive shoulder to with relative ease. I like that they're working on this book that can stomach both Temple Grandin's squeeze machine and the imaginary internal life of a bull whose semen is sold in freezey vats that you can order online (though I wish the bull semen section had been, as their ex suggested, bolder in its use of the contents of that freezey vat). Their essay about Nazis and milk is one of the only longform pieces I've seen addressing the odd openly white-supremacist dairy fervor; likewise, their essay about their MAGA brother is a sensitive, interesting approach to queer family estrangement and the ways that similar conditions can produce such different people. I like that humans' relationship to the animals we live with is a topic Milks is interested in and turning their dream-fiction reveries toward (and that Lonesome George appears), and I appreciated the connections between the way we treat cats vs cattle, though I also felt that if Milks were going there, they could have gone deeper into the thorny ethical questions around meat consumption, labor, animal welfare, and anti-indigenous land destruction that are at the heart of the colonization. Vegans and radical feminists both point to the dairy industry as a site of perpetual rape, and you can't really argue that it's not; the question of how much of this industry is needed for humanity is sort of an important one, and the more you see animals as sentient individuals, the more spiritually unsettling it is, but Milks mainly lingers on the consumption rather than the animal-end production of this food, while highlighting at times the sadness of calf-loss that adult cows regularly experience. Meat and dairy is what created the geo-segmented monocultures of America's plains, amplified insect and forest destruction, and which tie so deeply to broader climate destruction in our time. The position of American farm workers vs farm owners is a topic that can and should be taken up by creative fiction and nonfiction writers; it still defines almost all our food consumption. Most of our non-fuel emissions come from animal waste. Most land use is for animals or feed. Adulteration of formula and its expense is a safety issue facing queer parents and poor working parents alike in a climate of deregulation and snake oil and false science. Abuse of children and adults working in meatpacking plants deserves its own essay; the effects of hormones used on cattle on milk-consumers' bodies is another direction that plays out in suggestion rather than actuality within the book. The overall feeling I have with this book, as with similar personal-essay-journalism type books, is that we are halfway to a serious journalistic approach to about fifteen different topics. The parts which are rigorous are my favorites-- documenting visits to farms, conversations with farmers, and examination of family history.
They found one of the most interesting knots in our psyche to work with, and they point to all the places its nervous shocks can take us. I think it's definitely a good read for people examining their own white childhoods in milki-land.
In Mega Milk, Megan Milks talks about whiteness, milkiness, the dairy industry, the diet industry, breastfeeding, transness, purity, and land ownership-- all salient, deeply relevant topics in a landscape , and all ones that they can put their interpretive shoulder to with relative ease. I like that they're working on this book that can stomach both Temple Grandin's squeeze machine and the imaginary internal life of a bull whose semen is sold in freezey vats that you can order online (though I wish the bull semen section had been, as their ex suggested, bolder in its use of the contents of that freezey vat). Their essay about Nazis and milk is one of the only longform pieces I've seen addressing the odd openly white-supremacist dairy fervor; likewise, their essay about their MAGA brother is a sensitive, interesting approach to queer family estrangement and the ways that similar conditions can produce such different people. I like that humans' relationship to the animals we live with is a topic Milks is interested in and turning their dream-fiction reveries toward (and that Lonesome George appears), and I appreciated the connections between the way we treat cats vs cattle, though I also felt that if Milks were going there, they could have gone deeper into the thorny ethical questions around meat consumption, labor, animal welfare, and anti-indigenous land destruction that are at the heart of the colonization. Vegans and radical feminists both point to the dairy industry as a site of perpetual rape, and you can't really argue that it's not; the question of how much of this industry is needed for humanity is sort of an important one, and the more you see animals as sentient individuals, the more spiritually unsettling it is, but Milks mainly lingers on the consumption rather than the animal-end production of this food, while highlighting at times the sadness of calf-loss that adult cows regularly experience. Meat and dairy is what created the geo-segmented monocultures of America's plains, amplified insect and forest destruction, and which tie so deeply to broader climate destruction in our time. The position of American farm workers vs farm owners is a topic that can and should be taken up by creative fiction and nonfiction writers; it still defines almost all our food consumption. Most of our non-fuel emissions come from animal waste. Most land use is for animals or feed. Adulteration of formula and its expense is a safety issue facing queer parents and poor working parents alike in a climate of deregulation and snake oil and false science. Abuse of children and adults working in meatpacking plants deserves its own essay; the effects of hormones used on cattle on milk-consumers' bodies is another direction that plays out in suggestion rather than actuality within the book. The overall feeling I have with this book, as with similar personal-essay-journalism type books, is that we are halfway to a serious journalistic approach to about fifteen different topics. The parts which are rigorous are my favorites-- documenting visits to farms, conversations with farmers, and examination of family history.
They found one of the most interesting knots in our psyche to work with, and they point to all the places its nervous shocks can take us. I think it's definitely a good read for people examining their own white childhoods in milki-land.
January 23, 2026
Real Rating: 3.5* of five
The Publisher Says: A sparkling, funny, and often wrenching portrait-in-essays on the dairy industry, queer intimacy, family, fluidity, whiteness, and cows.
For decades, Megan Milks has wondered what it means to share a last name with the classic white American beverage. Now, Milks takes on their namesake subject in all its dimensions, venturing into the worlds of small dairies, bovine genetics, and manure while also turning their eye on their family and themself. The resulting essays connect the dots between human lactation, Big Dairy, being queer and lonely, climate change, transmasculinity, the bull semen industry, the milky roots of white supremacy, and the best practices for giving and receiving a hug. With Mega Milk, Megan Milks confirms their place as one of our most exciting queer thinkers and writers.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Milk, some form of it, is our first ever nourishment, and forms our first bonds with caregivers. In that case, what does having it as one's actual name portend, require, cause to occur?
Megan Milks takes her name to its apotheosis by exploring milk the first food of life, milk the metaphor of fluidity and change, milk the industrial product extracted from living beings through her deeply personal lens of Destiny In A Name. Enjoyable; well-made; not terribly profound to my readerly sensitivities. Would gift to any trans person I know.
The Feminist Press charges $17.95 for all admissions to the read.
The Publisher Says: A sparkling, funny, and often wrenching portrait-in-essays on the dairy industry, queer intimacy, family, fluidity, whiteness, and cows.
For decades, Megan Milks has wondered what it means to share a last name with the classic white American beverage. Now, Milks takes on their namesake subject in all its dimensions, venturing into the worlds of small dairies, bovine genetics, and manure while also turning their eye on their family and themself. The resulting essays connect the dots between human lactation, Big Dairy, being queer and lonely, climate change, transmasculinity, the bull semen industry, the milky roots of white supremacy, and the best practices for giving and receiving a hug. With Mega Milk, Megan Milks confirms their place as one of our most exciting queer thinkers and writers.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Milk, some form of it, is our first ever nourishment, and forms our first bonds with caregivers. In that case, what does having it as one's actual name portend, require, cause to occur?
Megan Milks takes her name to its apotheosis by exploring milk the first food of life, milk the metaphor of fluidity and change, milk the industrial product extracted from living beings through her deeply personal lens of Destiny In A Name. Enjoyable; well-made; not terribly profound to my readerly sensitivities. Would gift to any trans person I know.
The Feminist Press charges $17.95 for all admissions to the read.
March 23, 2026
I loved this book! The way that Milks meanders through the essays was really interesting. They'd start each section with something about milk or cows or both, then link it to their own family or life experiences, to historical events, and to politics, gender, and/or race. I thought that the book moved cleverly through its subjects, and it gave an interesting portrayal of milk, cows, and the dairy industry: it was at one at the same time a critique and a love letter to milk, cows, and the relationships between cows and humans. Milks doesn't necessary think that the dairy industry has to go away, but they also acknowledge the colonial history of dairy and cows in the Americas, the way that the USDA disadvantages farmers, and the ways that factory farming and other handling of cows is cruel. Like their complicated relationship to their body and their name, Milks is amazing at critically interrogated this subject, and I would recommend this book to everyone who's even peripherally interested in the cultural history of milk, cows, and dairy. An amazing queer read, I was entertained and disgusted at all the ways that milk has moved across the Americas.
***spoilers below***
The thing I was most intrigued by was the idea that Milks, as they wrote the book as a trans person, felt a kinships with cows, especially in this contemporary America. Milks discusses how their own existence, the squeeze of their struggle, the way that people use their body to advance racist and settler colonial missions, the removal of their milk ducts in top surgery, and more aligns them with the cows and milk that they write about throughout their book. Instead of trying to humanize cows, Milks offers a re-consideration of peoplehood, where cows and humans exist on a similar plane to one another rather than in separate realms. This rhetorical move isn't always present in queer literature, which sometimes pushes towards human-centered rherotic because of the conservative dehumanizing of queer people. In doing so, Milks gives a more radical reconsideration of this relationship between humans and cows, understand justice in a more encompassing way.
***spoilers below***
The thing I was most intrigued by was the idea that Milks, as they wrote the book as a trans person, felt a kinships with cows, especially in this contemporary America. Milks discusses how their own existence, the squeeze of their struggle, the way that people use their body to advance racist and settler colonial missions, the removal of their milk ducts in top surgery, and more aligns them with the cows and milk that they write about throughout their book. Instead of trying to humanize cows, Milks offers a re-consideration of peoplehood, where cows and humans exist on a similar plane to one another rather than in separate realms. This rhetorical move isn't always present in queer literature, which sometimes pushes towards human-centered rherotic because of the conservative dehumanizing of queer people. In doing so, Milks gives a more radical reconsideration of this relationship between humans and cows, understand justice in a more encompassing way.
Review of advance copy received from Publisher
This book kept me company as I navigated my tenth estrangement Thanksgiving. It gave me something to look forward to during a time of year I hate. It absorbed me so completely that the chronic pain I've been battling for months subsided for five blissful days. And I really can't give it higher praise than that. Maybe someday I'll have the words to leave a proper review, but for now-- that's what I've got. For five days, it made the pain go away.
Thanks to MM for writing this one, and thanks to Feminist Press for getting it to me early. It made all the difference for this lonely-ass queer pulling yet another solo holiday.
Thanks to MM for writing this one, and thanks to Feminist Press for getting it to me early. It made all the difference for this lonely-ass queer pulling yet another solo holiday.
July 12, 2025
Forthcoming in January 2026 from Feminist Press! I have enjoyed splashing around in the milk bottle of the personal essay with this project -- and pursuing on-the-ground and other forms of research through farm trips and a work exchange, attendance at a manure expo, fun with bovine semen, etc. I did not expect milk to take me in so many directions but it did - not all of them dairy-related.
Isn't she beautiful? Cover art by Xander Marro.
Isn't she beautiful? Cover art by Xander Marro.
January 29, 2026
It seemed like there were a lot of topics that Megan Milks wanted to write about that didn't really go together. I see now that "family" is part of the subtitle, but other than the fact that their family's name is Milks all the reflections on family didn't seem to fit with the theme of the book. The book in general felt meandering.
April 11, 2026
this is one of the worst books ive ever read. did big dairy pay for this shit? sure seems like it. love how this author has a COMPLETE lack of empathy for animals, cows especially and has absolutely no issues with using their bodies. i thought this would be a good read because feminist press published it and i love FP. guess not. if ur a vegan, stay away from this garbage of a book.
Read
December 28, 2025excellent, but doesn’t quite measure up to their other books (slug and margaret and the mystery of the missing body), both of which i could not recommended more highly.
Review of advance copy received from Edelweiss+
This is a Megan Milks stan account — they’re truly one of the most creative, generative authors writing right now 🐄🐌
Review of advance copy
I hate milk but I loved this book!
April 4, 2026
“oh, to be so sure of oneself. oh, to know one’s name! if only i shared this self knowledge.”
April 7, 2026
As a woman, a lover of cows, a cheese freak, this spoke to me on a spiritual level
April 17, 2026
Weird book. But you could probably tell that just from the cover.
April 11, 2026
4.5. Deeply clever and very fun!
May 1, 2026
“I'm an occasional milk consumer with a strained relationship to family. It's hard to imagine a scenario where I would be able to chug down cow milk or traditional family values and not bring the bulk of it back up.”
4.5 I am obsessed with this essay collection. Milks is such a talented writer and everything they write is so captivating - including this collection about milk! I loved the humor and lightheartedness of this book as well as the more personal and emotional stories. It was so well balanced and so well written. I love Megan Milks!
4.5 I am obsessed with this essay collection. Milks is such a talented writer and everything they write is so captivating - including this collection about milk! I loved the humor and lightheartedness of this book as well as the more personal and emotional stories. It was so well balanced and so well written. I love Megan Milks!
Review of advance copy
What an incredible collection of essays. I would expect nothing less from someone as talented, dedicated, and passionate as Megan Milks- Slug was perfection, Mega Milk was a peak behind the curtain! Recommending this to anyone and everyone who dares to udder (!) the word “milk” in my presence,,,
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