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The Art of Unmaking
In 1922 York, England, Clara Bennett knows exactly who she's supposed to be. As a promising young artist at the prestigious Fleming Academy, she perfects her style through classical training. Her days are filled with strict rules, proper techniques, and the weight of her mother's expectations.
But when she encounters the mysterious Evelyn Price at a controversial exhibition, Clara's carefully ordered world begins to unravel.
Drawn into the mysterious Blackwood Society, Clara discovers art that defies reality itself. Torn between her rigid training and an intoxicating new freedom, she finds herself questioning everything she once believed. But the price of this freedom may be higher than she ever imagined, and the person she's becoming could be her very own undoing.
Clara will have to decide how much she's willing to sacrifice for greatness. Because as her art transforms, so does her heart—but nothing in the Society is quite what it seems, and some secrets are painted in shadows too dark to escape.
But when she encounters the mysterious Evelyn Price at a controversial exhibition, Clara's carefully ordered world begins to unravel.
Drawn into the mysterious Blackwood Society, Clara discovers art that defies reality itself. Torn between her rigid training and an intoxicating new freedom, she finds herself questioning everything she once believed. But the price of this freedom may be higher than she ever imagined, and the person she's becoming could be her very own undoing.
Clara will have to decide how much she's willing to sacrifice for greatness. Because as her art transforms, so does her heart—but nothing in the Society is quite what it seems, and some secrets are painted in shadows too dark to escape.
256 pages, Paperback
Published February 4, 2025
13 people are currently reading
4000 people want to read
About the author
Parker Lennox
10 books927 followersBree Grenwich and Parker Lennox are two platonic soulmates who have been nearly inseparable since meeting at 19. Their shared love of fantasy, badass heroines, and steamy romances fueled their dream of co-authoring a novel, which they've finally achieved with their debut, Riftborne. When they're not conjuring worlds filled with female empowerment and swoon-worthy relationships, they’re binge-watching reality TV or obsessing over the last Dungeons and Dragons session.
Bree enjoys spending time with her boyfriend, who she claims is indeed a man written by a woman. A true Pisces, Bree finds solace in weekends by the sea or lake, engrossed in a book with music drowning out the world. She also holds a fascination with the paranormal and all things witchy, a love that undeniably creeps into her writing.
Parker, on the other hand, splits her time between the Southern US and the beautiful wine-country of Bordeaux, France, where she visits her boyfriend (living proof that romance novels can mirror reality!). An artist at heart, Parker expresses her creativity through graphic design, photography, and delectable culinary adventures, always with a sourdough starter bubbling away in the background.
Together, they weave addictive Romantasy novels for the New Adult audience.
Bree enjoys spending time with her boyfriend, who she claims is indeed a man written by a woman. A true Pisces, Bree finds solace in weekends by the sea or lake, engrossed in a book with music drowning out the world. She also holds a fascination with the paranormal and all things witchy, a love that undeniably creeps into her writing.
Parker, on the other hand, splits her time between the Southern US and the beautiful wine-country of Bordeaux, France, where she visits her boyfriend (living proof that romance novels can mirror reality!). An artist at heart, Parker expresses her creativity through graphic design, photography, and delectable culinary adventures, always with a sourdough starter bubbling away in the background.
Together, they weave addictive Romantasy novels for the New Adult audience.
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Displaying 1 - 30 of 53 reviews
January 15, 2025
“𝘚𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘩𝘦𝘳 𝘥𝘳𝘦𝘸 𝘮𝘦 𝘪𝘯, 𝘭𝘪𝘬𝘦 𝘢 𝘮𝘰𝘵𝘩 𝘵𝘰 𝘧𝘭𝘢𝘮𝘦, 𝘢𝘯𝘥 𝘐 𝘸𝘢𝘴𝘯’𝘵 𝘴𝘶𝘳𝘦 𝘐 𝘸𝘢𝘴 𝘤𝘢𝘱𝘢𝘣𝘭𝘦 𝘰𝘧 𝘳𝘦𝘴𝘪𝘴𝘵𝘪𝘯𝘨 𝘢𝘯𝘺𝘮𝘰𝘳𝘦.”
Parker’s writing never fails to enthrall me so deeply, and so The Art of Unmaking was everything it promised. The portrayal of art in this was something I thought was exceptional. Parker really did her research because I felt so entranced by it all, even as much as the characters. It was as if I could truly FEEL it, and it sounds cheesy, it was beautiful.
Clara, our MC, had many layers to her that I’m glad we explored. As this is a story of self-discovery, her character’s complexities were so lavish. Clara loves for the approval of others; she dresses for others, she paints for others, she ignores her true wants for others, and while it’s painful to see, it makes the journey to her freedom all the better. We see her gain confidence, and it’s the most satisfying transformation. As for Evelyn, she’s a mystery this whole book, and while it’s unexpected, I felt it nicely added to the convoluted, moody atmosphere of The Art of Unmaking!!
WOW, the romance, the slow burn was PERFECT. And before you ask, no, it wasn't a cheap slow burn because everything good about slow burns was executed amazingly. The longing looks, lingering touches, almost kisses!! Clara and Evelyn had the most deliciously evocative tension and chemistry ever 😩 I was giggling and kicking my feet the entire time because it was SO palpable. Also, it was fun seeing how Evelyn challenged Clara to break down her artistic walls and let her passion come out. They made for an amazing ying-yang couple!
My only thing was the ending. My heart absolutely plummeted at that reveal, so the shock factor worked. But, it was such a crazy plot twist that I wished we had more time for it to develop so things could be smoothed over again. I would definitely read an extended version of this or even a sequel 👀
The Art of Unmaking is an unforgettable gem! GO READ IT!!
Thank you ONYX Publishing, Netgalley and Parker Lennox for this ARC in exchange for my honest review.
Parker’s writing never fails to enthrall me so deeply, and so The Art of Unmaking was everything it promised. The portrayal of art in this was something I thought was exceptional. Parker really did her research because I felt so entranced by it all, even as much as the characters. It was as if I could truly FEEL it, and it sounds cheesy, it was beautiful.
Clara, our MC, had many layers to her that I’m glad we explored. As this is a story of self-discovery, her character’s complexities were so lavish. Clara loves for the approval of others; she dresses for others, she paints for others, she ignores her true wants for others, and while it’s painful to see, it makes the journey to her freedom all the better. We see her gain confidence, and it’s the most satisfying transformation. As for Evelyn, she’s a mystery this whole book, and while it’s unexpected, I felt it nicely added to the convoluted, moody atmosphere of The Art of Unmaking!!
WOW, the romance, the slow burn was PERFECT. And before you ask, no, it wasn't a cheap slow burn because everything good about slow burns was executed amazingly. The longing looks, lingering touches, almost kisses!! Clara and Evelyn had the most deliciously evocative tension and chemistry ever 😩 I was giggling and kicking my feet the entire time because it was SO palpable. Also, it was fun seeing how Evelyn challenged Clara to break down her artistic walls and let her passion come out. They made for an amazing ying-yang couple!
My only thing was the ending. My heart absolutely plummeted at that reveal, so the shock factor worked. But, it was such a crazy plot twist that I wished we had more time for it to develop so things could be smoothed over again. I would definitely read an extended version of this or even a sequel 👀
The Art of Unmaking is an unforgettable gem! GO READ IT!!
Thank you ONYX Publishing, Netgalley and Parker Lennox for this ARC in exchange for my honest review.
February 28, 2025
This was a fun, easy to read book! I liked the plot, and the FMC so much.
It felt a little disjointed in the end, but I overall really enjoyed this, and am extremely impressed considering this is not one of my usual genres.
If you want a sapphic, gothic romance set in the 20’s in York, this book will be for you! It also took a turn that I did not see coming.
3.75 stars ⭐️
It felt a little disjointed in the end, but I overall really enjoyed this, and am extremely impressed considering this is not one of my usual genres.
If you want a sapphic, gothic romance set in the 20’s in York, this book will be for you! It also took a turn that I did not see coming.
3.75 stars ⭐️
May 13, 2025
I enjoyed this! Loved the character development and the ending 👀☕️🫖
February 4, 2025
I find it insane how many high scores this book has, considering all the flaws it has. I read the only 1 star review it had and thought, before reading: "Oh, that's mean. Probably an exageration."
But man, how right that person was!
This book is like sapphic After with gothic vibes and I'm about to explain you why.
This is going to be a rant (with sense, don't cancel me yet). So for those who don't want to read a will, I'll summarize what you're going to find in this book:
💀 Clichés in nearly every dialogue
💀 A Predictable plot
💀 Nothing historical, just vibes
💀 Nothing artistic, more vibes
💀 Characters without personality
💀 Romantized toxic behaviour
💀 The most straight sapphic romance I´ve ever seen
That being said, allow me to ellaborate.
It´s true the narration reads very clumsy. I wouldn´t compare it to a fic, but only because I´ve read fanfiction better than this one. However, the style -and also the plot- could very well fit a teenager that began to write recently.
I had an ARC of this book via Netgalley (and for that, I thank the author and the website), and I understand the copy I got is not the finished manuscript. However, there were so many details that were badly done, that truly don´t think they´d be able to fix it all for the final product.
Narration was just a tiny piece of the overall issue: Not only it is full of scenes that are cliché and repetitive, but a lot of times there was something lacking in it for the reader to get the full picture. An example of this? Well, If I remember correctly, Clara, the protagonist, was living at a house with some Mrs Pembroke... My guess it´s that house was a student´s residence. But it´s just a guess because neither the premises nor who works there and how, ever gets described.
(In fact, I finished this book with the impression that there was only one employee at Pembroke´s, and also only one employee at Fleming´s, precisely because we never get to see anyone else in charge.)
Also, narration often tries to be more flourished without really accomplishing it, especially when it comes to art or a developing romance. As if the author is trying really hard to tell us something, but ends up sounding quite cringey. Example:
Ah... So much text just to say the character has black hair in a bob style and green eyes.
Which reminds me: There´s no slow burn in this story. Not really. This I just showed is the first time Clara sees Evelyn and, as you can see, she´s inmediately attracted to her.
They have some banter in the following chapters, for sure. Because just like in After, there is that dynamic of "I´m going to pretend to be enemies with you, just because I don´t like your personality... although I do actually feel attracted since the beginning".
Characters in this novel are annoying.
Or well... Clara and Evelyn (especially Evelyn) are. The rest of the people is more like background noise: They are there, they have to be there, but they´re blurred figures without a defined personality.
Clara is the stereotype of a nerd, of a good girl who always tries to get the highest scores and do what is expected of her (funny this, considering in that time -1922- what was expected of women was not to pursue a higher education at all).
The only personality Clara has is: She likes to paint. And she likes to be perfect in such thing, doing it always in the traditional way (whatever that means). Although we get so see that through the novel she abandons this goal of hers in order to become more rebellious (???). So I suppose by the end of the book, she just has half personality.
No, seriously, the woman is terrible naive. And since the author failed in providing a proper background for her (the only thing I know for sure about her is that her mom is hella annoying and must have used the TARDIS to live in 1870. Because, good God, the ideas she´s got...), it´s hard to have empathy for her.
Evelyn is the worst. I´m not exagerating when I say she is the most disgusting character I´ve read in a while. She is the stereotypical bad girl: Smokes, makes rude coments about Clara and manipulates her at every chance possible, she´s condescending and believes her ways are the best.
When I met her, in the first scene, I wanted someone to throw her in a pit.
Now that I´ve finished the novel I want someone to throw her in a pit and cover the hole so she´ll never torment anyone ever again.
The romance was toxic. Very manipulative on Evelyn´s part.
Take a look at this:
I mean, hello? Am I the only one seeing the mansplaining?
During the entire story, the only thing Evelyn does is cancel Clara´s perspective, telling her that Evelyn´s ways are better, so things must be done her way. No questions nor doubts allowed.
I find amazing that this kind of books that perpetuate damaging stereotypes in romance (not only in sapphic books) keep being published and sometimes even praised. This is not good.
I will avoid talking, in this review, about the art. The whole art career.
Because I didn´t study that and, although if you read the story is pretty clear the author hasn´t either, I think I can be a better critic of other things... Like the historical context.
Because you see, this book´s historical context is all over the place.
We are supposed to be in 1922, but...
❎Here, characters wear gowns, as if we were in the Victorian era. In fact, there´s something very wrong with clothes: I remember a scene of a Ball (a ball in 1922! omg) where Evelyn came dressed in a suit. That is not normal, no matter how rebellious you are.
❎There is no electricity (cue: in 1922, there was electricity)
❎Women at that time couldn´t get to an academy/university so easily, they had to be wealthy and lucky. Not all could get to the studies they wanted and, even if they did, they suffered discrimination. Usually they weren´t able to study in the same classes as men. Yet... in this novel there is absolutely no mention of such discrimination, and Clara can study with the rest of the students regardles of gender.
❎The book fails to tell you, in regards of this, what is Clara (and the others) social status. My guess is that they come from a wealthy family but, who knows? Everything is written as if it were a YA book set nowadays.
❎Clara´s mother insists on her to find a husband at a Ball. Balls were a thing in the Victorian era. Edwardian at most. But in 1922... that was not the style anymore.
❎ Speaking of misses, there is no mention of jazz (of course, that would kill the gothic aesthetic) and neither we mention Europe had gone through a Great War on the year prior (I mean, no need to mention this one but, idk, maybe you could get to see the consequences in people if you set something in this year and place?)
❎ There is a live broadcast mentioned, but in the book never tells you if it´s on TV or the radio, so the reader has to guess (I´ll help you: it´s the radio)
❎ The descriptions of York in 1922 get reduced to imposing building and fog at all hours. No, literally, every time Clara went on to the streets there was fog. No matter the time of the day.
To summarize, this book is NOT historial.
In fact, I´m pretty sure all the author did in regards of getting info for the novel was to check wikipedia for a couple of names and then go straight to pinterest to see "gothic dresses".
The ending of the book was also... Not just abrupt, plainly ridiculous. So I´ll just leave here the spoiler hidden (read on your own discretion). And I´ll end this up here: If you wanna read this book, go ahead. You´ve been warned.
But man, how right that person was!
This book is like sapphic After with gothic vibes and I'm about to explain you why.
This is going to be a rant (with sense, don't cancel me yet). So for those who don't want to read a will, I'll summarize what you're going to find in this book:
💀 Clichés in nearly every dialogue
💀 A Predictable plot
💀 Nothing historical, just vibes
💀 Nothing artistic, more vibes
💀 Characters without personality
💀 Romantized toxic behaviour
💀 The most straight sapphic romance I´ve ever seen
That being said, allow me to ellaborate.
It´s true the narration reads very clumsy. I wouldn´t compare it to a fic, but only because I´ve read fanfiction better than this one. However, the style -and also the plot- could very well fit a teenager that began to write recently.
I had an ARC of this book via Netgalley (and for that, I thank the author and the website), and I understand the copy I got is not the finished manuscript. However, there were so many details that were badly done, that truly don´t think they´d be able to fix it all for the final product.
Narration was just a tiny piece of the overall issue: Not only it is full of scenes that are cliché and repetitive, but a lot of times there was something lacking in it for the reader to get the full picture. An example of this? Well, If I remember correctly, Clara, the protagonist, was living at a house with some Mrs Pembroke... My guess it´s that house was a student´s residence. But it´s just a guess because neither the premises nor who works there and how, ever gets described.
(In fact, I finished this book with the impression that there was only one employee at Pembroke´s, and also only one employee at Fleming´s, precisely because we never get to see anyone else in charge.)
Also, narration often tries to be more flourished without really accomplishing it, especially when it comes to art or a developing romance. As if the author is trying really hard to tell us something, but ends up sounding quite cringey. Example:
Through the window, a woman passed through a pool of gaslight—black hair cut in a striking bob, moving with unusual grace through the evening crowd. Our eyes met briefly, and I caught a glimpse of sharp cheekbones and green eyes that seemed to see right through me. Her gaze held mine with an almost predatory intensity before she disappeared into the darkness. I foundmyself analyzing the shade of her hair, trying to decipher the blue hues from the stark onyx of her finger waves. The light caught it like liquid metal, the sort of color that would require a complex mixture of mars black and indigo—perhaps a drop of raw umber, though that still wouldn’t do it justice.
Ah... So much text just to say the character has black hair in a bob style and green eyes.
Which reminds me: There´s no slow burn in this story. Not really. This I just showed is the first time Clara sees Evelyn and, as you can see, she´s inmediately attracted to her.
They have some banter in the following chapters, for sure. Because just like in After, there is that dynamic of "I´m going to pretend to be enemies with you, just because I don´t like your personality... although I do actually feel attracted since the beginning".
Characters in this novel are annoying.
Or well... Clara and Evelyn (especially Evelyn) are. The rest of the people is more like background noise: They are there, they have to be there, but they´re blurred figures without a defined personality.
Clara is the stereotype of a nerd, of a good girl who always tries to get the highest scores and do what is expected of her (funny this, considering in that time -1922- what was expected of women was not to pursue a higher education at all).
The only personality Clara has is: She likes to paint. And she likes to be perfect in such thing, doing it always in the traditional way (whatever that means). Although we get so see that through the novel she abandons this goal of hers in order to become more rebellious (???). So I suppose by the end of the book, she just has half personality.
No, seriously, the woman is terrible naive. And since the author failed in providing a proper background for her (the only thing I know for sure about her is that her mom is hella annoying and must have used the TARDIS to live in 1870. Because, good God, the ideas she´s got...), it´s hard to have empathy for her.
Evelyn is the worst. I´m not exagerating when I say she is the most disgusting character I´ve read in a while. She is the stereotypical bad girl: Smokes, makes rude coments about Clara and manipulates her at every chance possible, she´s condescending and believes her ways are the best.
When I met her, in the first scene, I wanted someone to throw her in a pit.
Now that I´ve finished the novel I want someone to throw her in a pit and cover the hole so she´ll never torment anyone ever again.
The romance was toxic. Very manipulative on Evelyn´s part.
Take a look at this:
“You’re going to paint.” She said simply.
I reached for my familiar tools—ruler, pencil for preliminary sketches,but Evelyn’s hand caught mine.
“No,” she said, moving behind me. “Not like that.”
Her free hand settled on my waist, and I watched as she reached past me for a wide brush—the kind I’d never use for a first layer. She pressed it into my hand, her fingers lingering over mine. A jar of deep blue paint sat open on the table, its surface like black glass in the darkness.
“This isn’t how—” I started, but she tightened her grip slightly.
“Look,” she said, directing my gaze over the balustrade. The city sprawled below us, cathedral spires rising like shadows against the starscattered sky. Gas lamps traced the streets in threads of gold, their lightreflecting off the river in broken pieces. “Really look.”
Her breath was warm against my neck as she guided my hand to the paint.
I mean, hello? Am I the only one seeing the mansplaining?
During the entire story, the only thing Evelyn does is cancel Clara´s perspective, telling her that Evelyn´s ways are better, so things must be done her way. No questions nor doubts allowed.
I find amazing that this kind of books that perpetuate damaging stereotypes in romance (not only in sapphic books) keep being published and sometimes even praised. This is not good.
I will avoid talking, in this review, about the art. The whole art career.
Because I didn´t study that and, although if you read the story is pretty clear the author hasn´t either, I think I can be a better critic of other things... Like the historical context.
Because you see, this book´s historical context is all over the place.
We are supposed to be in 1922, but...
❎Here, characters wear gowns, as if we were in the Victorian era. In fact, there´s something very wrong with clothes: I remember a scene of a Ball (a ball in 1922! omg) where Evelyn came dressed in a suit. That is not normal, no matter how rebellious you are.
❎There is no electricity (cue: in 1922, there was electricity)
❎Women at that time couldn´t get to an academy/university so easily, they had to be wealthy and lucky. Not all could get to the studies they wanted and, even if they did, they suffered discrimination. Usually they weren´t able to study in the same classes as men. Yet... in this novel there is absolutely no mention of such discrimination, and Clara can study with the rest of the students regardles of gender.
❎The book fails to tell you, in regards of this, what is Clara (and the others) social status. My guess is that they come from a wealthy family but, who knows? Everything is written as if it were a YA book set nowadays.
❎Clara´s mother insists on her to find a husband at a Ball. Balls were a thing in the Victorian era. Edwardian at most. But in 1922... that was not the style anymore.
❎ Speaking of misses, there is no mention of jazz (of course, that would kill the gothic aesthetic) and neither we mention Europe had gone through a Great War on the year prior (I mean, no need to mention this one but, idk, maybe you could get to see the consequences in people if you set something in this year and place?)
❎ There is a live broadcast mentioned, but in the book never tells you if it´s on TV or the radio, so the reader has to guess (I´ll help you: it´s the radio)
❎ The descriptions of York in 1922 get reduced to imposing building and fog at all hours. No, literally, every time Clara went on to the streets there was fog. No matter the time of the day.
To summarize, this book is NOT historial.
In fact, I´m pretty sure all the author did in regards of getting info for the novel was to check wikipedia for a couple of names and then go straight to pinterest to see "gothic dresses".
The ending of the book was also... Not just abrupt, plainly ridiculous. So I´ll just leave here the spoiler hidden (read on your own discretion). And I´ll end this up here: If you wanna read this book, go ahead. You´ve been warned.
March 11, 2025
Received an arc from NetGalley in exchange for honest opinion, thanks!
The Art of Unmaking is fascinating case of a book wrapped in such thick atmosphere of danger, that when you arrive at the center of it you find asking yourself "is that really all?". The story is quite simple – a young woman on a painting scholarship, approached by an artistic society, finds not only a new style, but also a deeply awaiting desire to another soul.
Let me tell you, the vibes are immaculate. The way Clara and Evelyn flirts, how they behave like starving lions fighting for the last piece of meat, unsure whether they will dive in each other's flesh or bury themselves in kisses. And this passion leads to nothing, it's just a romance that starts greatly, but later changes the direction, leaving all those emotions behind. It was a bit sad, actually.
Besides that, I think it's a rather good novella. It's not particularly wrong, and while the setting and surroundings seems to not play the major role to the overall narration, I would not say it's disappointing. The twists are present, the intrigue isn't the simplest, the gothic is gothicing. I admit, I have wanted something more once I found myself buried deep into the story, but overall it was not a wasted time.
The Art of Unmaking is fascinating case of a book wrapped in such thick atmosphere of danger, that when you arrive at the center of it you find asking yourself "is that really all?". The story is quite simple – a young woman on a painting scholarship, approached by an artistic society, finds not only a new style, but also a deeply awaiting desire to another soul.
Let me tell you, the vibes are immaculate. The way Clara and Evelyn flirts, how they behave like starving lions fighting for the last piece of meat, unsure whether they will dive in each other's flesh or bury themselves in kisses. And this passion leads to nothing, it's just a romance that starts greatly, but later changes the direction, leaving all those emotions behind. It was a bit sad, actually.
Besides that, I think it's a rather good novella. It's not particularly wrong, and while the setting and surroundings seems to not play the major role to the overall narration, I would not say it's disappointing. The twists are present, the intrigue isn't the simplest, the gothic is gothicing. I admit, I have wanted something more once I found myself buried deep into the story, but overall it was not a wasted time.
June 15, 2025
“I think… deep down, we always know. It’s just a matter of being ready to listen to that part of ourself.”
The Art of Unmaking was an enjoyable and quick read, mixing historical (1920s), (queer) romance and a tad of paranormal. I loved seeing Clara evolve, pass from the young woman just out of her teenage years to a self-confident adult. She expresses doubts since the beginning of the story, and I loved that her “soul-searching” happened through her art, as she confronts what she believes she has to do/be (something/someone “perfect”) to what she believes she hates –or at least disdains.
She closes herself, rebels, re-adjust, locks herself again (with the one who triggers as much rejection as fascination) as if she wove a chrysalis around herself to be reborn, new, like a new butterfly, free and nuanced.
But I also liked the more general plot, that mystery around the secret society, its ambitions, and the powers of a ritual, no matter their source. Truly an interesting read!
Thank you to the authors for the eARC on NetGalley. My opinions are my own.
The Art of Unmaking was an enjoyable and quick read, mixing historical (1920s), (queer) romance and a tad of paranormal. I loved seeing Clara evolve, pass from the young woman just out of her teenage years to a self-confident adult. She expresses doubts since the beginning of the story, and I loved that her “soul-searching” happened through her art, as she confronts what she believes she has to do/be (something/someone “perfect”) to what she believes she hates –or at least disdains.
She closes herself, rebels, re-adjust, locks herself again (with the one who triggers as much rejection as fascination) as if she wove a chrysalis around herself to be reborn, new, like a new butterfly, free and nuanced.
But I also liked the more general plot, that mystery around the secret society, its ambitions, and the powers of a ritual, no matter their source. Truly an interesting read!
Thank you to the authors for the eARC on NetGalley. My opinions are my own.
June 4, 2025
3.5 ✨
This was a nice palette cleanser between all of the dark romance and fantasy I’ve been reading. I do think I wasn’t necessarily in the mood for it though, because I didn’t love it. I think the concept being art focused lost me a little bit and I felt bored at times, however, I am not an artist so I could have just been outside of my element.
The slow burn was done very well, and Parker’s writing is amazing. I loved the journey of Clara stepping outside the confines that have been set by society as not only an artist, but a woman in the early 20’s. The self-discovery was inspiring and made me look inwards at myself and who I am.
This was a nice palette cleanser between all of the dark romance and fantasy I’ve been reading. I do think I wasn’t necessarily in the mood for it though, because I didn’t love it. I think the concept being art focused lost me a little bit and I felt bored at times, however, I am not an artist so I could have just been outside of my element.
The slow burn was done very well, and Parker’s writing is amazing. I loved the journey of Clara stepping outside the confines that have been set by society as not only an artist, but a woman in the early 20’s. The self-discovery was inspiring and made me look inwards at myself and who I am.
February 6, 2025
This book was definitely out of my normal reading element, but as readers is always fun to expand our horizons and pick up books we usually wouldn’t.
This book is set in 1922 and depicts what society thinks is proper for women. It follows Clara who is a student at a prestigious art school in York, and Clara isn’t a rule breaker, she like structure, she’s not one to step outside the box, and her overbearing mother thinks her “art” is just a fun little hobby. She is constantly trying to secure her a husband throughout the book, and expects her to settle down and run a household.
Evelyn is a color outside the lines free lance artist, who is part of a society that is full of secrets…some that are deadly. When she meets Clara at an exhibition she is honestly downright rude, and basically tells her that her art has no substance and is just all around lacking.
When Clara keeps showing up and is asked to be part of their society…or should I say she is strategically poached to be part of their society by their leader Victoria. Evelyn and Clara find themselves having a moment that results in a joint work of art that leads them to being commissioned for a joint piece where they’re forced to work together. Evelyn eludes confidence but quickly finds herself being unraveled by Clara. In a time where anything outside of the “normal” is frowned upon, and leads to being outcast by society they find themselves in a dangerous game of stolen glances, and mounting tension.
Evelyn’s entire put together persona may all be a farce, the society a dark lie, and a mentor out to steal. Who knew art could be so deadly…
This sapphic romance was beautiful, the only reason this wasn’t a 5 star read from me is because I wanted more. I love Parker’s descriptive writing style, but I feel like this could have been longer, I would have enjoyed more little details because the world was beautiful and the ending just felt slightly rushed. Clara’s forgiveness was rushed, and that’s all I’ll say without adding any spoilers. Overall this was a fantastic read though!
Thank you so much to Parker Lennox for sending me your beautiful book in exchange for my honest review
This book is set in 1922 and depicts what society thinks is proper for women. It follows Clara who is a student at a prestigious art school in York, and Clara isn’t a rule breaker, she like structure, she’s not one to step outside the box, and her overbearing mother thinks her “art” is just a fun little hobby. She is constantly trying to secure her a husband throughout the book, and expects her to settle down and run a household.
Evelyn is a color outside the lines free lance artist, who is part of a society that is full of secrets…some that are deadly. When she meets Clara at an exhibition she is honestly downright rude, and basically tells her that her art has no substance and is just all around lacking.
When Clara keeps showing up and is asked to be part of their society…or should I say she is strategically poached to be part of their society by their leader Victoria. Evelyn and Clara find themselves having a moment that results in a joint work of art that leads them to being commissioned for a joint piece where they’re forced to work together. Evelyn eludes confidence but quickly finds herself being unraveled by Clara. In a time where anything outside of the “normal” is frowned upon, and leads to being outcast by society they find themselves in a dangerous game of stolen glances, and mounting tension.
Evelyn’s entire put together persona may all be a farce, the society a dark lie, and a mentor out to steal. Who knew art could be so deadly…
This sapphic romance was beautiful, the only reason this wasn’t a 5 star read from me is because I wanted more. I love Parker’s descriptive writing style, but I feel like this could have been longer, I would have enjoyed more little details because the world was beautiful and the ending just felt slightly rushed. Clara’s forgiveness was rushed, and that’s all I’ll say without adding any spoilers. Overall this was a fantastic read though!
Thank you so much to Parker Lennox for sending me your beautiful book in exchange for my honest review
March 9, 2025
This was fine. Category 5 5/10 book.
Things I liked: the paintings that got described sounded cool (why couldn't the art at the front been in the style described in the book?). The way the two leads had sex via painting at least twice was great; I love a good sex scene that's not a sex scene.
Unfortunately, that's about it for things that I actively liked. I was mostly neutral on the rest of this book. It didn't have anything particularly groundbreaking to say about queerness, found family, or feminism, but I didn't find any of that actively obnoxious to have to sit through. The sentence-to-sentence prose was fine; nothing to write home about but not actively incompetent, aside from a few anachronisms that I found particularly annoying. When Peggy said "'Earth to Clara'", I almost lost it (I've only done some light googling on this, so I could be wrong, but it feels weird). The story was interesting enough, though the pacing felt a bit off towards the end. The sex scenes, while good on a technical level, worsen this, because I skimmed through them wanting to figure out what was going to spark the climax. The supporting cast was unremarkable to the point where I confused two of the Fleming's girls.
For active dislikes, I really didn't like Evelyn for most of the book. I didn't find her mean in a particularly charming or funny way; she just came off as rude, and I was not routing for her and Clara's relationship for much of the book. I was resigned to it more than anything. I found the way that Clara would flip flop dramatically on things within the same scene (e.g. going from absolutely not ok with Evelyn's past to being absolutely ok with it over the course of 5 or so pages) a little odd and unlikely, but she does do it enough that it could be considered a character trait.
I don't consider myself a wlw scholar, particularly of romantasy wlw, but you could certainly do worse. You could do better, but you could do worse.
Thank you to NetGalley for the ARC.
Things I liked: the paintings that got described sounded cool (why couldn't the art at the front been in the style described in the book?). The way the two leads had sex via painting at least twice was great; I love a good sex scene that's not a sex scene.
Unfortunately, that's about it for things that I actively liked. I was mostly neutral on the rest of this book. It didn't have anything particularly groundbreaking to say about queerness, found family, or feminism, but I didn't find any of that actively obnoxious to have to sit through. The sentence-to-sentence prose was fine; nothing to write home about but not actively incompetent, aside from a few anachronisms that I found particularly annoying. When Peggy said "'Earth to Clara'", I almost lost it (I've only done some light googling on this, so I could be wrong, but it feels weird). The story was interesting enough, though the pacing felt a bit off towards the end. The sex scenes, while good on a technical level, worsen this, because I skimmed through them wanting to figure out what was going to spark the climax. The supporting cast was unremarkable to the point where I confused two of the Fleming's girls.
For active dislikes, I really didn't like Evelyn for most of the book. I didn't find her mean in a particularly charming or funny way; she just came off as rude, and I was not routing for her and Clara's relationship for much of the book. I was resigned to it more than anything. I found the way that Clara would flip flop dramatically on things within the same scene (e.g. going from absolutely not ok with Evelyn's past to being absolutely ok with it over the course of 5 or so pages) a little odd and unlikely, but she does do it enough that it could be considered a character trait.
I don't consider myself a wlw scholar, particularly of romantasy wlw, but you could certainly do worse. You could do better, but you could do worse.
Thank you to NetGalley for the ARC.
January 12, 2025
I want to start by saying wow. I don’t even know where to start tbh. I am going to be honest this is my first LQBTQ romance novel that I’ve read. It was definitely out my usual sort of reading. But it was refreshing and oh my the tension and slow burn was on point. Once Clara started to break out her perfect walls, seeing her flirt, change her style and be seductive and have Evelyn not composed. That was everything. I was squealing because who Clara became was everything.
The pacing was incredible and it progressed well. The character development was very evident and it is clear that it’s the central theme of this story.
When it came to Clara it was obvious that her perfectionism stemmed from society and the way her mother had always planned who she should be. Always criticizing her. “Sometimes constraints can enhance freedom rather limit it.” I saw myself in Clara. I related so much to how she always thought her words before speaking. Always trying to please others. Finding it hard to accept praise. I am so proud that Clara found herself and we have to thank Evelyn for that.
The unraveling was not only about Clara. It was clear Evelyn had a mask as well. And that last chapter. Everything made so much sense. I was worried that we weren’t getting into who Evelyn really was but even though it wasn’t until the last chapter, the timing was perfect and everything clicked. I screamed at that last chapter because oh my, I did not see that at all.
The pacing was incredible and it progressed well. The character development was very evident and it is clear that it’s the central theme of this story.
When it came to Clara it was obvious that her perfectionism stemmed from society and the way her mother had always planned who she should be. Always criticizing her. “Sometimes constraints can enhance freedom rather limit it.” I saw myself in Clara. I related so much to how she always thought her words before speaking. Always trying to please others. Finding it hard to accept praise. I am so proud that Clara found herself and we have to thank Evelyn for that.
The unraveling was not only about Clara. It was clear Evelyn had a mask as well. And that last chapter. Everything made so much sense. I was worried that we weren’t getting into who Evelyn really was but even though it wasn’t until the last chapter, the timing was perfect and everything clicked. I screamed at that last chapter because oh my, I did not see that at all.
This entire review has been hidden because of spoilers.
January 14, 2025
“The Art of Unmaking” by Parker Lennox is a wonderful historical fiction novel about two women from opposite sides of the art world. Clara is trapped in a traditional school, traditional values, and traditional expectations. And Evelyn belongs to a world promising innovation, illumination, and freedom. The book reminisces of Gentleman Jack in Evelyn’s critique of normality and her pushing the usual boundaries of what’s expected of women and Portrait of Lady on Fire with its dive into artistry and creation paralleling a burgeoning relationship.
Lennox does a wonderful job of illustrating the artworks and life of Clara and her society with just her words. I was enthralled and fascinated every step of the way. I could picture the foggy streets just as much as the impasto paintings they created together.
The book was filled with yearning and longing both for a destiny and a person beyond expectation. These themes feel so valid and relatable even 100 years later. I got goosebumps from the pining and the chemistry.
The only thing about this novel I wish I could change is its scope and length. Only 268 pages and easily consumed (but not easily forgotten). I want to dive deeper into this world and the relationships held within. I could easily see this being a series, but I would have loved to read 600 pages.
As an art history nerd, this book scratched an itch I didn’t know I had. I highly recommend “The Art of Unmaking” to book and art lovers in addition to those who love romance and fantasy.
Bonus! In addition to the beautiful cover, the book includes a lovely piece of art depicting Clara and Evelyn that I can imagine they would be proud of.
Lennox does a wonderful job of illustrating the artworks and life of Clara and her society with just her words. I was enthralled and fascinated every step of the way. I could picture the foggy streets just as much as the impasto paintings they created together.
The book was filled with yearning and longing both for a destiny and a person beyond expectation. These themes feel so valid and relatable even 100 years later. I got goosebumps from the pining and the chemistry.
The only thing about this novel I wish I could change is its scope and length. Only 268 pages and easily consumed (but not easily forgotten). I want to dive deeper into this world and the relationships held within. I could easily see this being a series, but I would have loved to read 600 pages.
As an art history nerd, this book scratched an itch I didn’t know I had. I highly recommend “The Art of Unmaking” to book and art lovers in addition to those who love romance and fantasy.
Bonus! In addition to the beautiful cover, the book includes a lovely piece of art depicting Clara and Evelyn that I can imagine they would be proud of.
January 24, 2025
Parker’s storytelling always pulls me in, and The Art of Unmaking was no exception. The way art is described felt so immersive, like I was experiencing every critique and creation alongside the characters. It’s evident that a lot of thought and research went into this, which I appreciate so much from an author.
Clara, our FMC, is layered in a way that resonated deeply with me. As a Virgo and self-proclaimed perfectionist, I saw so much of myself in her journey—constantly striving for approval, putting others first, and slowly learning to embrace her own desires. Watching her grow and find her confidence was so satisfying, and every step of that process felt authentic and earned.
And the romance? Absolute perfection. The slow burn had all the best elements—stolen glances, fleeting touches, and that underlying tension that builds so naturally. Clara and Evelyn’s dynamic was so beautifully written; their chemistry was undeniable, and their differences made their connection even stronger.
My only wish? A little more time to process that ending. I’d absolutely devour an extended version or a sequel in a heartbeat.
The Art of Unmaking is a beautiful, unforgettable read. I love a story that blends self-discovery, romance, and the beauty of art in a way that feels true to any artist.
Thank you, Parker, for the opportunity to read this ARC!
Clara, our FMC, is layered in a way that resonated deeply with me. As a Virgo and self-proclaimed perfectionist, I saw so much of myself in her journey—constantly striving for approval, putting others first, and slowly learning to embrace her own desires. Watching her grow and find her confidence was so satisfying, and every step of that process felt authentic and earned.
And the romance? Absolute perfection. The slow burn had all the best elements—stolen glances, fleeting touches, and that underlying tension that builds so naturally. Clara and Evelyn’s dynamic was so beautifully written; their chemistry was undeniable, and their differences made their connection even stronger.
My only wish? A little more time to process that ending. I’d absolutely devour an extended version or a sequel in a heartbeat.
The Art of Unmaking is a beautiful, unforgettable read. I love a story that blends self-discovery, romance, and the beauty of art in a way that feels true to any artist.
Thank you, Parker, for the opportunity to read this ARC!
February 2, 2025
This book was so different for me. I'm not usually one for historical fiction but I thought I would dive in and try. I love the setting the story is in. 1900s, old style dress, art galleries, prim and proper women with the rebels on the side. Beautiful.
This story was wonderfully written. Clara, a girl that has always been proper, following the societal norms, when she meets a woman who intrigues her. Clara goes on to fight a battle not just within societal norms, but also within herself. Who is Clara? Can Clara escape this cage that her family but also herself has stuck her in?
Clara explores who she is within her artistic debate with Evelyn and it's beautifully written. The Art of Unmaking truly shows how someone with such a harsh and critical background, can come to life when given a chance to unravel a little bit.
Tropes:
historical romance
rivals to lovers
art student
This story was wonderfully written. Clara, a girl that has always been proper, following the societal norms, when she meets a woman who intrigues her. Clara goes on to fight a battle not just within societal norms, but also within herself. Who is Clara? Can Clara escape this cage that her family but also herself has stuck her in?
Clara explores who she is within her artistic debate with Evelyn and it's beautifully written. The Art of Unmaking truly shows how someone with such a harsh and critical background, can come to life when given a chance to unravel a little bit.
Tropes:
historical romance
rivals to lovers
art student
February 15, 2025
⭐️: 4.5/5
🌶️: 1/5
This book was so unexpected in so many ways! The themes of self discovery and breaking out of societal expectations is something I think will resonate with everyone in some way. Clara and Evelyn had such a unique love story with a slow burn and tons of character development. Outside of the soul-soothing plot, I loved the setting/world. This takes place in York in the 1920s, and the ways it's described is so immersive. I loved how I basically know nothing about art, but I felt like I was in on that culture while reading this. The touch of paranormal elements also made this book super unique. So happy I read this!! (The audio is also incredible).
🌶️: 1/5
This book was so unexpected in so many ways! The themes of self discovery and breaking out of societal expectations is something I think will resonate with everyone in some way. Clara and Evelyn had such a unique love story with a slow burn and tons of character development. Outside of the soul-soothing plot, I loved the setting/world. This takes place in York in the 1920s, and the ways it's described is so immersive. I loved how I basically know nothing about art, but I felt like I was in on that culture while reading this. The touch of paranormal elements also made this book super unique. So happy I read this!! (The audio is also incredible).
January 21, 2025
I had the pleasure of reading the ARC of the art of unmaking and am so grateful for that!
This book took me back to my love of art growing up, the way Parker writes is beautiful and I felt like I was there and could smell the paint and feel the longing between Clara and Evelyn. The plot was full of intrigue and kept me guessing as to what was really going on in the Blackwood society and also what Evelyn’s life story was.
I really enjoyed the development of Clara and seeing her struggles and how she evolved, I’d loved if the last quarter of the book had been longer as I would have enjoyed reading more of the relationship development as well as more of the secrecy behind the society unfolding. The twist at the end I was not expecting! Which is great because usually I have some kind of inkling where a story is going. Looking forward to more Parker Lennox in the future!
This book took me back to my love of art growing up, the way Parker writes is beautiful and I felt like I was there and could smell the paint and feel the longing between Clara and Evelyn. The plot was full of intrigue and kept me guessing as to what was really going on in the Blackwood society and also what Evelyn’s life story was.
I really enjoyed the development of Clara and seeing her struggles and how she evolved, I’d loved if the last quarter of the book had been longer as I would have enjoyed reading more of the relationship development as well as more of the secrecy behind the society unfolding. The twist at the end I was not expecting! Which is great because usually I have some kind of inkling where a story is going. Looking forward to more Parker Lennox in the future!
March 24, 2025
This was a refreshingly different read for me…
More to come ✨
More to come ✨
April 22, 2025
3.5 ⭐️ Eerie art schools and a slow burn sapphic romance.
If you’re here for gothic vibes and art school Sapphics, this has both. 🙂↕️I enjoyed the romance aspect of it, and the way the MC has to come to terms with her sexuality during the time period.
I did feel like some of the historical side needed more fleshing out & research and would have liked more from the class structures of the time which did go briefly mentioned. I would say it’s more gothic romance leaning
There is also a dash of spice, but only a tiny bit so a good choice if you don’t want a spice heavy romance.
Rep// sapphic woman MC, sapphic woman MC, central relationship is WLW / sapphic.
Set// York, 1922.
TWs listed below, please skip if you don’t want vague spoilers.
TW// sex on page, alcohol, smoking, violence, emotional abuse, manipulation. Themes of death murder and suicide. Discussions around mental health, trauma. Period typical homophobia, social hierarchies, death of a parent (past.)
If you’re here for gothic vibes and art school Sapphics, this has both. 🙂↕️I enjoyed the romance aspect of it, and the way the MC has to come to terms with her sexuality during the time period.
I did feel like some of the historical side needed more fleshing out & research and would have liked more from the class structures of the time which did go briefly mentioned. I would say it’s more gothic romance leaning
There is also a dash of spice, but only a tiny bit so a good choice if you don’t want a spice heavy romance.
Rep// sapphic woman MC, sapphic woman MC, central relationship is WLW / sapphic.
Set// York, 1922.
TWs listed below, please skip if you don’t want vague spoilers.
TW// sex on page, alcohol, smoking, violence, emotional abuse, manipulation. Themes of death murder and suicide. Discussions around mental health, trauma. Period typical homophobia, social hierarchies, death of a parent (past.)
June 9, 2025
"The Art Of Unmaking" perfect title for a woman learning to find who she is and who she wants to be. I really enjoyed this read. It was short, and I almost wanted more because I enjoyed it so much. Overall the setting and vibes were so different from my normal reads and it was very refreshing.
February 3, 2025
Lennox’s stunning sapphic romance is a real delight for anyone who enjoys art, creativity, heart melting romance and an author who can beautifully turn a phrase. The verbal sparring between Clara and Evelyn is stimulating in the way only artistic debate can be, and there’s such a stunning authenticity to the way Lennox writes these women, and their world. Her prose is evocative, sumptuously rolling off her pen and into my mind and heart and she presents Clara, and her journey, with such sensitivity and humanity. Imagine the romanticism and poetry of classic fiction, but with spice. I’ve never read anything like this, but anything from Lennox lands squarely on my TBR at this point.
The Art of Unmaking will be available from 4 February 2025.
The Art of Unmaking will be available from 4 February 2025.
January 16, 2025
*Thanks to ONYX Publishing and Netgalley for the ARC copy in exchange for an honest review.
I've always been drawn to stories that blend art, mystery, and a touch of the forbidden, and The Art of Unmaking delivers on all fronts. The novel follows Clara Bennett, a young artist studying at the prestigious Fleming Academy in York, England. Clara's world is turned upside down when she meets the magnetic Evelyn Price and gets involved with the Blackwood Society, a group of boundary-pushing artists with secrets of their own.
From the very first page, the reader is drawn into the misty, cobblestoned streets of 1920s York. The prose is lush and sensory, filled with vivid descriptions that bring the world to life. You can almost feel the damp chill of the fog, smell the oil paint in the studio, and hear the murmurs of long-buried societal scandals.
The pacing of the novel is engaging, although I sometimes wished for a bit more detail and backstory for some of the secondary characters. But the slightly ambiguous nature of certain plot points also contributes to the book's mysterious atmosphere and leaves room for interpretation.
One of the things I loved most about this book was the chemistry between Clara and Evelyn. From their first meeting, the tension between them is palpable. Lennox does an amazing job of capturing the push-and-pull of their attraction, the way they challenge and inspire each other both artistically and personally, with charged dialogue and secret yearning that leave the reader breathless. The sensual scenes are tastefully written yet undeniably erotic. I might have read them over more than once. Or twice.
What makes their relationship even more poignant is the historical context of the 1920s. In a time when same-sex love was not only taboo but actively condemned, Clara and Evelyn's bond is a daring and defiant act. While Lennox doesn't necessarily depict the overt threats they face, she conveys the insidious power of societal judgment and internalized shame.
Yet despite these obstacles, their relationship feels timeless and universal. The tenderness, passion, and raw honesty they eventually find within each other transcends the specific era and speaks to the enduring power of bravery in the face of adversity. I found myself moved by the resilience of their relationship, and the way it affirms the validity and beauty of LGBTQ+ experiences across history.
But this isn't just a love story. It's also a novel about the struggle to find your authentic self in a world that wants you to fit a mold. Clara's journey of self-discovery and artistic awakening is at the heart of the book. Through her relationships with Evelyn and the Blackwood Society, she starts to question the rigid rules and expectations she's always lived by. There's a powerful scene where Clara and Evelyn paint together on a rooftop, and Clara finally allows herself to create freely without restraint. It's a beautiful metaphor for the way she's shedding her old, confined identity and embracing a more genuine version of herself, even if it's painful.
One of the most striking and thematically rich elements is the symbolism of the flowers in the Barnes commission. The image of violets climbing up the stone walls serves as a mirror to Clara's own growth and liberation. Just as the violets strain against the confines of the stone, Clara must push against the rigid expectations and limitations of the world around her. The choice of violets, with their traditional associations with sapphic love and feminine power, also wasn't lost on me.
The Gothic elements of the novel are almost sensory. Lennox uses the weather and natural elements to great effect, often reflecting the emotional states of the characters. The frequent mentions of fog, mist, and shadows not only contribute to the moody atmosphere but also serve as allegory for the blurred lines between truth and illusion, and even more generally, the muddled thoughts we all experience on our own journey to self-discovery.
But it's the Blackwood Society that truly embodies the seductive and sinister atmosphere of the novel. Lennox's descriptions of their candlelit gatherings, strange rituals, and air of exclusivity are both alluring and unsettling. There's a palpable sense of something dark and dangerous lurking beneath the surface.
Now, we have to talk about that ending.
In short, I highly recommend this book to anyone who enjoys beautifully written, thought-provoking fiction with complex characters, steamy romance, and a dash of the dark and mysterious. Parker Lennox has crafted a compelling and memorable novel that's sure to leave a mark.
I've always been drawn to stories that blend art, mystery, and a touch of the forbidden, and The Art of Unmaking delivers on all fronts. The novel follows Clara Bennett, a young artist studying at the prestigious Fleming Academy in York, England. Clara's world is turned upside down when she meets the magnetic Evelyn Price and gets involved with the Blackwood Society, a group of boundary-pushing artists with secrets of their own.
From the very first page, the reader is drawn into the misty, cobblestoned streets of 1920s York. The prose is lush and sensory, filled with vivid descriptions that bring the world to life. You can almost feel the damp chill of the fog, smell the oil paint in the studio, and hear the murmurs of long-buried societal scandals.
The pacing of the novel is engaging, although I sometimes wished for a bit more detail and backstory for some of the secondary characters. But the slightly ambiguous nature of certain plot points also contributes to the book's mysterious atmosphere and leaves room for interpretation.
One of the things I loved most about this book was the chemistry between Clara and Evelyn. From their first meeting, the tension between them is palpable. Lennox does an amazing job of capturing the push-and-pull of their attraction, the way they challenge and inspire each other both artistically and personally, with charged dialogue and secret yearning that leave the reader breathless. The sensual scenes are tastefully written yet undeniably erotic. I might have read them over more than once. Or twice.
What makes their relationship even more poignant is the historical context of the 1920s. In a time when same-sex love was not only taboo but actively condemned, Clara and Evelyn's bond is a daring and defiant act. While Lennox doesn't necessarily depict the overt threats they face, she conveys the insidious power of societal judgment and internalized shame.
Yet despite these obstacles, their relationship feels timeless and universal. The tenderness, passion, and raw honesty they eventually find within each other transcends the specific era and speaks to the enduring power of bravery in the face of adversity. I found myself moved by the resilience of their relationship, and the way it affirms the validity and beauty of LGBTQ+ experiences across history.
But this isn't just a love story. It's also a novel about the struggle to find your authentic self in a world that wants you to fit a mold. Clara's journey of self-discovery and artistic awakening is at the heart of the book. Through her relationships with Evelyn and the Blackwood Society, she starts to question the rigid rules and expectations she's always lived by. There's a powerful scene where Clara and Evelyn paint together on a rooftop, and Clara finally allows herself to create freely without restraint. It's a beautiful metaphor for the way she's shedding her old, confined identity and embracing a more genuine version of herself, even if it's painful.
One of the most striking and thematically rich elements is the symbolism of the flowers in the Barnes commission. The image of violets climbing up the stone walls serves as a mirror to Clara's own growth and liberation. Just as the violets strain against the confines of the stone, Clara must push against the rigid expectations and limitations of the world around her. The choice of violets, with their traditional associations with sapphic love and feminine power, also wasn't lost on me.
The Gothic elements of the novel are almost sensory. Lennox uses the weather and natural elements to great effect, often reflecting the emotional states of the characters. The frequent mentions of fog, mist, and shadows not only contribute to the moody atmosphere but also serve as allegory for the blurred lines between truth and illusion, and even more generally, the muddled thoughts we all experience on our own journey to self-discovery.
But it's the Blackwood Society that truly embodies the seductive and sinister atmosphere of the novel. Lennox's descriptions of their candlelit gatherings, strange rituals, and air of exclusivity are both alluring and unsettling. There's a palpable sense of something dark and dangerous lurking beneath the surface.
Now, we have to talk about that ending.
In short, I highly recommend this book to anyone who enjoys beautifully written, thought-provoking fiction with complex characters, steamy romance, and a dash of the dark and mysterious. Parker Lennox has crafted a compelling and memorable novel that's sure to leave a mark.
January 16, 2025
Clara Bennett has kept herself confined within the lines, both as an artist and as a proper woman in society. After being pursued to join the prestigious Blackwood society that empowers individuals to be themselves, Clara, with expectations set of who she should be and who she should become, questions who she is at the core. Society member Evelyn Price quickly pushes Clara's boundaries and makes her question everything she thought she knew about herself. Will she follow her heart or strengthen her facade as society's perfect woman?
The plot of this story excited me, but what really drew me in was Parker's writing. Every character description, the method of Clara creating her art pieces, the mood and setting was written so stunningly and eloquently I felt as though I was sucked into York in 1922 living this out as Clara. The pacing of the story was written perfectly, building up the slow burn and tension between Clara and Evelyn. I loved that this story also had an element of mystery and intrigue swirling around the Blackwood Society. The reader is given snippets of information about the Society that leads to a massive plot twist at the end of the book, which I was not anticipating at all.
The main character Clara goes through a few transformations during this story. Society and her own mother place this immense pressure for her to uphold certain standards of who to court, what to wear, and how to behave. Time and time again we see how her mother does not approve of her "spinster" ways, which we learn is really Clara coming to terms with her sexuality. In parallel, Clara is a classically trained artist who strives on control and sticking to the fundamentals in an almost OCD fashion. When Clara enters the Blackwood Society, she sees how free the members are and struggles with the idea of letting herself step out of the cage she has placed herself in. Taking bigger risks with her art transcends into taking bigger risks with her entire being, like entering a "forbidden" relationship with Evelyn. The parallels are quite stunning paired together - Clara loosening her art fundamentals so she can "feel" is a beautiful metaphor for her letting herself truly be who she wants to be.
Clara and Evelyn's story is a tension-filled "will they won't they" masterpiece. The longing looks, accidental and soft touches, and yearning created a palpable want and need between them. When they are commissioned to create a collaborative piece, their forced proximity had me kicking my feet, screaming for every stolen moment. They shared intimate details in conversations that made me understand they were truly seeing each other for their souls and that this was not lust, but love. This love story should bring hope to those that are struggling with their own sexuality because it embodies the idea that we deserve nothing less than being true to ourselves.
This book is ideal for those that love:
✨ sapphic romance
✨ period pieces / historical fiction
✨ rivals to lovers
✨ slow burn
✨ secret societies
✨ defying societal norms
Thank you to NetGalley and ONYX Publishing for this eARC in exchange for an honest review!
The plot of this story excited me, but what really drew me in was Parker's writing. Every character description, the method of Clara creating her art pieces, the mood and setting was written so stunningly and eloquently I felt as though I was sucked into York in 1922 living this out as Clara. The pacing of the story was written perfectly, building up the slow burn and tension between Clara and Evelyn. I loved that this story also had an element of mystery and intrigue swirling around the Blackwood Society. The reader is given snippets of information about the Society that leads to a massive plot twist at the end of the book, which I was not anticipating at all.
The main character Clara goes through a few transformations during this story. Society and her own mother place this immense pressure for her to uphold certain standards of who to court, what to wear, and how to behave. Time and time again we see how her mother does not approve of her "spinster" ways, which we learn is really Clara coming to terms with her sexuality. In parallel, Clara is a classically trained artist who strives on control and sticking to the fundamentals in an almost OCD fashion. When Clara enters the Blackwood Society, she sees how free the members are and struggles with the idea of letting herself step out of the cage she has placed herself in. Taking bigger risks with her art transcends into taking bigger risks with her entire being, like entering a "forbidden" relationship with Evelyn. The parallels are quite stunning paired together - Clara loosening her art fundamentals so she can "feel" is a beautiful metaphor for her letting herself truly be who she wants to be.
Clara and Evelyn's story is a tension-filled "will they won't they" masterpiece. The longing looks, accidental and soft touches, and yearning created a palpable want and need between them. When they are commissioned to create a collaborative piece, their forced proximity had me kicking my feet, screaming for every stolen moment. They shared intimate details in conversations that made me understand they were truly seeing each other for their souls and that this was not lust, but love. This love story should bring hope to those that are struggling with their own sexuality because it embodies the idea that we deserve nothing less than being true to ourselves.
This book is ideal for those that love:
✨ sapphic romance
✨ period pieces / historical fiction
✨ rivals to lovers
✨ slow burn
✨ secret societies
✨ defying societal norms
Thank you to NetGalley and ONYX Publishing for this eARC in exchange for an honest review!
March 4, 2025
In 1922 York, England, Clara Bennett knows exactly who she's supposed to be. As a promising young artist at the prestigious Fleming Academy, she perfects her style through classical training. But when she encounters the mysterious Evelyn Price at a controversial exhibition, Clara's carefully ordered world begins to unravel. Drawn into the mysterious Blackwood Society, Clara is torn between her rigid training and an intoxicating new freedom, and finds herself questioning everything she once believed.
This is not the typical story I read and I am having trouble reviewing it, but overall I did enjoy this, felt empathetic with Clara and was very much drawn in by Evelyn. This is the first time I have ever read a book that I would call seductive. Clara was absolutely being seduced by the freedom of the 20s and the modernist movement, but I felt like I was also being seduced, pulled into this world almost in a way that felt dark, verging on uncomfortable, like it was getting under my skin. I also think this was a great representation of the rise of modernism and jazz in the 20s, and how uncomfortable that must have felt to people so entrenched in the strict rules of society. I don't think that really gets analyzed a lot in popular novels set in the 20s.
Typically you're following characters that love jazz and are thrilled to be in speakeasies and feel very comfortable there. But this was eye opening, to follow a perspective where this would feel very unsettling, and the lack of control verging on upsetting, and I think that was shown really well. It reminded me of a scene in Mona Lisa Smile where she introduces modern art to her students and the feelings those pieces evoke in these very privileged girls.
However, the ending is quite abrupt and while there is an unsettling feeling throughout the novel in many ways, the finale comes on so quickly I wish there had been a little more explanation and build up. The beginning is a little slow, but in a good way, building tension, but around the 80% mark, the story felt like a runaway train and the second reveal, with only 5% left in the book, gave me whiplash. I think if they had been together a bit longer and there had been a little more of a lead in to the final situation it wouldn't have felt so out of nowhere. So I'm giving this 4 stars instead of 5, but it was a very unique story to me. Also, I think this was a great title. I often find titles very forgettable either having little to do with the story, or too boring or on the nose, but this was really good.
Thank you to Parker Lennox, ONYX Publishing, and NetGalley for the eARC of this novel in return for an honest review.
This is not the typical story I read and I am having trouble reviewing it, but overall I did enjoy this, felt empathetic with Clara and was very much drawn in by Evelyn. This is the first time I have ever read a book that I would call seductive. Clara was absolutely being seduced by the freedom of the 20s and the modernist movement, but I felt like I was also being seduced, pulled into this world almost in a way that felt dark, verging on uncomfortable, like it was getting under my skin. I also think this was a great representation of the rise of modernism and jazz in the 20s, and how uncomfortable that must have felt to people so entrenched in the strict rules of society. I don't think that really gets analyzed a lot in popular novels set in the 20s.
Typically you're following characters that love jazz and are thrilled to be in speakeasies and feel very comfortable there. But this was eye opening, to follow a perspective where this would feel very unsettling, and the lack of control verging on upsetting, and I think that was shown really well. It reminded me of a scene in Mona Lisa Smile where she introduces modern art to her students and the feelings those pieces evoke in these very privileged girls.
However, the ending is quite abrupt and while there is an unsettling feeling throughout the novel in many ways, the finale comes on so quickly I wish there had been a little more explanation and build up. The beginning is a little slow, but in a good way, building tension, but around the 80% mark, the story felt like a runaway train and the second reveal, with only 5% left in the book, gave me whiplash. I think if they had been together a bit longer and there had been a little more of a lead in to the final situation it wouldn't have felt so out of nowhere. So I'm giving this 4 stars instead of 5, but it was a very unique story to me. Also, I think this was a great title. I often find titles very forgettable either having little to do with the story, or too boring or on the nose, but this was really good.
Thank you to Parker Lennox, ONYX Publishing, and NetGalley for the eARC of this novel in return for an honest review.
February 4, 2025
The art of unmaking was such a pleasure to read, this is a master class in yearning and finding ones true self by shaking off the shackles of normalcy.
This is an historical tale set in York and the thriving art scene, we focus on Clara Bennet the straight laced 20 something art student who thrives on perfection who gets thrown into a new art form that challenges everything about who she believes she should be. We meat Evelyn and the ‘society’ who are shaking up the old world with new styles and ideas.
The whole tale really is around finding your true self and the art of self discovery, we see the world open up for Clara through her challenges on perception as well as a sapphic yearning that is so beautiful to read, the slow burn of slow burns. We see Clara slowly evolving into someone more who wants more for herself. A coming out story of self realisation mixed in with small looks and touches that do become something more and she breaks away from perfection. Finding the imperfect her perfection.
My only slight niggle was that the twist that plays out at the end feels quickly concluded and poorly executed, honestly I did think this was going to be something more occult to the tale but without spoiling anything it’s not something “Dorian grey” or vampiric it’s actually much more basic which I found a little disappointing.
This is quite a short quick read, beautifully wrote and overall a pleasure to read. I thank NetGalley, the publisher and the authors for an opportunity to read this. I would highly recommend you all add this to your tbr pile!
This is an historical tale set in York and the thriving art scene, we focus on Clara Bennet the straight laced 20 something art student who thrives on perfection who gets thrown into a new art form that challenges everything about who she believes she should be. We meat Evelyn and the ‘society’ who are shaking up the old world with new styles and ideas.
The whole tale really is around finding your true self and the art of self discovery, we see the world open up for Clara through her challenges on perception as well as a sapphic yearning that is so beautiful to read, the slow burn of slow burns. We see Clara slowly evolving into someone more who wants more for herself. A coming out story of self realisation mixed in with small looks and touches that do become something more and she breaks away from perfection. Finding the imperfect her perfection.
My only slight niggle was that the twist that plays out at the end feels quickly concluded and poorly executed, honestly I did think this was going to be something more occult to the tale but without spoiling anything it’s not something “Dorian grey” or vampiric it’s actually much more basic which I found a little disappointing.
This is quite a short quick read, beautifully wrote and overall a pleasure to read. I thank NetGalley, the publisher and the authors for an opportunity to read this. I would highly recommend you all add this to your tbr pile!
March 17, 2025
Rating: 3.5
Let me first state the obvious, this book was a lot of fun.
Entertaining characters, a genuinely lovable romance plot and a fast pace that made it a quick and easy read. The main plot was kept fairly straight forward – an artist breaking free from the confinements of tradition both in her art and life to find herself – mirroring in some ways Lex Croucher’s ‘Infamous’.
However, the ease of the novel proves to be both its merit in one aspect and it’s downfall in another. The fast pace left me feeling like I was bouncing from once scene to the next without pause, leaving little air to breath or understand most of the cast beyond their simplistic purpose within Clara’s journey and transformation – her friends in particular get little to no attention beyond their initial introductions and brief interactions when she’s attending her classes.
This flaw becomes most glaring in the final chapters, where the otherwise calm narrative takes a sharp turn as secrets are revealed, and dark intentions are brought to light. These revelations are given only a few chapters, each barely 10 pages in length, to settle before they’re resolved and we’ve moved on. Had the ending been allowed a little more time to breath and revelations had more space to exist before being quickly done with, then this book would have easily risen to 4 stars.
Let me first state the obvious, this book was a lot of fun.
Entertaining characters, a genuinely lovable romance plot and a fast pace that made it a quick and easy read. The main plot was kept fairly straight forward – an artist breaking free from the confinements of tradition both in her art and life to find herself – mirroring in some ways Lex Croucher’s ‘Infamous’.
However, the ease of the novel proves to be both its merit in one aspect and it’s downfall in another. The fast pace left me feeling like I was bouncing from once scene to the next without pause, leaving little air to breath or understand most of the cast beyond their simplistic purpose within Clara’s journey and transformation – her friends in particular get little to no attention beyond their initial introductions and brief interactions when she’s attending her classes.
This flaw becomes most glaring in the final chapters, where the otherwise calm narrative takes a sharp turn as secrets are revealed, and dark intentions are brought to light. These revelations are given only a few chapters, each barely 10 pages in length, to settle before they’re resolved and we’ve moved on. Had the ending been allowed a little more time to breath and revelations had more space to exist before being quickly done with, then this book would have easily risen to 4 stars.
March 9, 2025
My experience with this book is one of discovery. For all of my love of MM romance, I've yet to read an FF romance until now, and it was beautiful.
Parker wrote such an enticing female duo. I was completely immersed in Clara's journey to embrace all that she'd kept bottled up, and I couldn't help but to be enchanted by the dark and seductive Evelyn. Seriously, I clung on to her every line! Every interaction was tastefully seductive and almost dangerous, for she forced Clara to think, disregard her formal education, and loosen the reins on her carefully composed facade.
I think anyone who has ever struggled with their identity or has wished to break free from expectations in any way can find great messages in these pages. A pinch of a thrilling twist and beautiful, captivating imagery - the paint, the art, the light, the music, the 1920s setting, and dark society vibes are captured vividly. Evocative and mysterious. I made quick work of The Art of Unmaking... couldn't put it down.
This really is a great solo-writing debut for Parker Lennox! It's a treat to distinguish Parker's voice, having formerly known her writing from her Fantasy title (Riftborne), co-written with Bree Grenwich. It's clear to me that I will continue reading whatever genre or trope she wishes to explore!
Parker wrote such an enticing female duo. I was completely immersed in Clara's journey to embrace all that she'd kept bottled up, and I couldn't help but to be enchanted by the dark and seductive Evelyn. Seriously, I clung on to her every line! Every interaction was tastefully seductive and almost dangerous, for she forced Clara to think, disregard her formal education, and loosen the reins on her carefully composed facade.
I think anyone who has ever struggled with their identity or has wished to break free from expectations in any way can find great messages in these pages. A pinch of a thrilling twist and beautiful, captivating imagery - the paint, the art, the light, the music, the 1920s setting, and dark society vibes are captured vividly. Evocative and mysterious. I made quick work of The Art of Unmaking... couldn't put it down.
This really is a great solo-writing debut for Parker Lennox! It's a treat to distinguish Parker's voice, having formerly known her writing from her Fantasy title (Riftborne), co-written with Bree Grenwich. It's clear to me that I will continue reading whatever genre or trope she wishes to explore!
January 12, 2025
WOW WOW WOW. I had the absolute pleasure of ARC reading The Art of Unmaking, and it’s been on my mind ever since. From the very first page, this book completely immerses you in its world. The atmosphere is so vividly crafted, you’ll feel like you’re walking the cobblestone streets of York right alongside Clara. Watching her grow as a character throughout the story was a highlight for me and I loved seeing her gain strength and clarity in all the things she wanted.
The tension between Clara and Evelyn is magnetic, and I found myself hooked by their dynamic. Watching Evelyn’s walls slowly come down over the course of the story was such a rewarding experience. Their relationship evolves in a way that feels both organic and deeply emotional, and I couldn’t get enough of it.
The artistic community of York was another highlight—I wanted to know each artist personally. The way the art is described is so vivid, I could almost see the pieces before me. And that TWIST at the end? Left me gasping. The Art of Unmaking is a perfect blend of art, mystery, romance, and magic—truly unforgettable.
The tension between Clara and Evelyn is magnetic, and I found myself hooked by their dynamic. Watching Evelyn’s walls slowly come down over the course of the story was such a rewarding experience. Their relationship evolves in a way that feels both organic and deeply emotional, and I couldn’t get enough of it.
The artistic community of York was another highlight—I wanted to know each artist personally. The way the art is described is so vivid, I could almost see the pieces before me. And that TWIST at the end? Left me gasping. The Art of Unmaking is a perfect blend of art, mystery, romance, and magic—truly unforgettable.
February 1, 2025
This book instantly transported me to the English art scene of days gone by, making me feel as if I've walked into the pages of a Sherlock Holmes novel. The Art of Unmaking is full of art imagery, historical references, and a mystery that ever so gently looms in the distance. The struggle between the desires of young adulthood and the pull back to the lifestyle of childhood plays into the struggle the FMC has between the allure of freedom and the security of the mundane. Anyone who has experienced deconstructing their religious upbringing will find they relate well to Clara's struggle. This concept, as well as the resolution of the mystery, is done expertly, with incredibly descriptive inner dialogue and atmospheric elements that put you right there in the studio, the gallery, and the boardinghouse.
I highly recommend this book for anyone who enjoys being transported to another place and time, and who values a gentle, steadily paced love affair that also has complexity and depth. The author creates an atmosphere that makes you feel like an artist yourself, if only for a moment.
I highly recommend this book for anyone who enjoys being transported to another place and time, and who values a gentle, steadily paced love affair that also has complexity and depth. The author creates an atmosphere that makes you feel like an artist yourself, if only for a moment.
February 4, 2025
I absolutely loved this book! The short, fluent chapters made it such an easy and engaging read, and the pacing was just right—fast enough to keep things interesting but never overwhelming. The writing itself is stunning, almost poetic at times. The descriptions and attention to detail really bring Clara’s world to life, making it feel so vivid and real.
The plot moves at a steady pace for most of the book, then picks up a bit toward the end, which I actually really enjoyed. The story flowed forward naturally, so I wouldn’t really change much. I do think an epilogue could be a nice touch—a little look into Clara’s future, maybe a few years later? Either way, it would be interesting, but the book still definitely feels complete without it.
Overall, this was such a beautifully written and well-paced story. I was completely pulled in from start to finish, and I’d definitely recommend it!
Thank you to the amazing author Parker Lennox for a Beta copy of this amazing book! All thoughts are my own.
The plot moves at a steady pace for most of the book, then picks up a bit toward the end, which I actually really enjoyed. The story flowed forward naturally, so I wouldn’t really change much. I do think an epilogue could be a nice touch—a little look into Clara’s future, maybe a few years later? Either way, it would be interesting, but the book still definitely feels complete without it.
Overall, this was such a beautifully written and well-paced story. I was completely pulled in from start to finish, and I’d definitely recommend it!
Thank you to the amazing author Parker Lennox for a Beta copy of this amazing book! All thoughts are my own.
February 11, 2025
Note: Thank you to ONYX Publishing and NetGalley for an e-ARC of The Art of Unmaking!
Are you looking for a fast, lesbian, dark academia-style mystery novel? Then this one, my friend, is for you.
Take the journey with Clara Bennett, traditional art student, as she discovers more of what her art can be. More of what she herself can be. Enter Evelyn Price, the enigmatic, infuriating artist challenging everything Clara thought she knew about art, and herself.
As Clara gets deeper and deeper into the art society of Evelyn’s world, what will break first, Clara, or the cage she’s built around herself?
I loved Clara and Evelyn. I loved the side characters, and I loved the central conflict. It’s just a fast, great time, and I loved it.
I thought the mystery could’ve been clued in more often, because it took me by surprise when everything came into light, but it wasn’t too much of a shock. Giving more time to the mystery would’ve been my only complaint. Just a great book doing what it says within the time it’s given.
Are you looking for a fast, lesbian, dark academia-style mystery novel? Then this one, my friend, is for you.
Take the journey with Clara Bennett, traditional art student, as she discovers more of what her art can be. More of what she herself can be. Enter Evelyn Price, the enigmatic, infuriating artist challenging everything Clara thought she knew about art, and herself.
As Clara gets deeper and deeper into the art society of Evelyn’s world, what will break first, Clara, or the cage she’s built around herself?
I loved Clara and Evelyn. I loved the side characters, and I loved the central conflict. It’s just a fast, great time, and I loved it.
I thought the mystery could’ve been clued in more often, because it took me by surprise when everything came into light, but it wasn’t too much of a shock. Giving more time to the mystery would’ve been my only complaint. Just a great book doing what it says within the time it’s given.
January 21, 2025
The plot of this story was what initially drew my attention, and I was not disappointed at all! I loved everything about this stunning book, and Parker Lennox is now on my auto-buy author list.
The pacing of this story was perfect and really helped to build the tension and slow burn between Clara and Evelyn. The little hints and bits of information we get throughout the book about the Blackwood Society were perfect and really helped lead to the incredible twist towards the end of the book.
Clara is such an interesting and fun character in this book because her character development throughout this book is phenomenal, and I just think it was beautiful watching her take more risks with her art and become the person she wanted to be. The relationship was gorgeous and had all the tension you could want.
I don't want to spoil the whole book, so just know this book was beautiful, and I can't wait for everyone to read it!
The pacing of this story was perfect and really helped to build the tension and slow burn between Clara and Evelyn. The little hints and bits of information we get throughout the book about the Blackwood Society were perfect and really helped lead to the incredible twist towards the end of the book.
Clara is such an interesting and fun character in this book because her character development throughout this book is phenomenal, and I just think it was beautiful watching her take more risks with her art and become the person she wanted to be. The relationship was gorgeous and had all the tension you could want.
I don't want to spoil the whole book, so just know this book was beautiful, and I can't wait for everyone to read it!
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