A daring heist. A town thirsty for blood. A drifter caught in the crossfire.
Nash didn’t plan on robbing a bank. He certainly didn’t plan on being mistaken for the mastermind behind the bloody heist.
When Nash rolls into Ironwood, he’s just looking for a warm meal and a quiet night’s rest. But the dusty frontier town is anything but quiet. The Ironwood Savings Bank has been hit by a ruthless gang of bandits, leaving a trail of bodies and stolen gold. In the chaos, a drifter matching Nash’s description is named as the prime suspect. Before he knows it, Nash finds himself shackled and facing a lynch mob desperate for justice.
But when the gang returns to tie up loose ends, Nash seizes his chance to escape—and he’s not running away. He’s hunting down the real culprits to clear his name. The trail leads him deep into outlaw country, where every step brings danger and deceit. Along the way, he crosses paths with an unlikely a feisty, no-nonsense bounty hunter named Willa Callahan, who has her own reasons for taking down the gang.
As bullets fly and tensions mount, Nash must navigate shifting alliances, ruthless killers, and a town on the brink of collapse. The only way out is to bring the true criminals to justice—but not everyone in Ironwood wants the truth to come out.
In Judgement of the Gunfighter, Nash faces his toughest battle yet, where the line between hero and outlaw blurs, and the cost of justice could be more than he’s willing to pay.
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- You’re familiar with “popcorn movies?” These stories are the book equivalent of light entertainment. Pros include an interesting hero in the half-white, half-Apache cowboy. Although, one wonders how someone taught by their Apache mother to move like a ghost manages to make so much noise when tip-toeing through the night. Another plus, although probably not attributed to the writer, is the fine quality of the cover artwork for most- just like the novels of the 50s and 60s. Cons include continuity errors. In movies, you may see a red hanky in an actor's right shirt pocket and in the same scene, it has switched to the left pocket. With this author, the key character will hand his rifle to someone to cover him, then he’s running through a back-alley carrying his pistol and the rifle; or he jumps onto a horse bareback, but moments later is describing the saddle.(Say what?) I won’t get into the romance scenes, which fall into the eye-rolling category (and not in a good way). He should assume he’s writing for adults and skip the clutch-and-grab details. The high rate at which he’s cranking out these books likely accounts for these oversights plus similarity in plots. However, I do feel he has the potential to become a decent writer, but has a long way to go to reach the Louis L’Amour level. I’m pausing here, but may return if I’m in need of light reading.
Nash rides into town and gets mistaken for one of the gang that just robbed the bank and killed one of it's leading citizen. The town people try to hang him but the sheriff saves him and puts him in jail to go on trial. What happens next makes for good reading.