“Maggie Estep is the bastard daughter of Raymond Chandler and Anaïs Nin. Her prose is hard-boiled and sexy; she turns a good phrase and shows some leg. Love Dance of the Mechanical Animals is one hell of a great book! By the way, when Chandler and Nin left her at the orphanage, she was adopted by Charles Bukowski and Dick Francis.” —Jonathan Ames, author of What’s Not to Love?
Charting Life at Its Most Bizarre . . . is an obsession for Maggie Estep, and in Love Dance of the Mechanical Animals this obsession reaches a fever pitch that is as readable and as entertaining as it is strange.
Here is your chance to experience the world according to one of our most original and honest voices. Love Dance of the Mechanical Animals showcases some of the best of what Maggie Estep has to offer. Here, gathered together for the first time, are Maggie’s infamous spoken word pieces—including “Sex Goddess of the Western Hemisphere,” “Hey Baby,” and “I’m an Emotional Idiot,”—that landed her on MTV and HBO’s Def Poetry Jam. This varied collection also brings together a myriad of writing styles, such as diary-style magazine columns, articles highlighting Estep’s friends and heroes—from punk godfather Iggy Pop to Permanent Midnight author Jerry Stahl—and short stories that feature Maggie’s own brand of original fiction.
From her many smoking relapses, to her obsession with horses and horse racing, to her manic love life, to her motley assortment of friends, to her battles with an onslaught of killer attack “biker” fleas, to an epistolary short story that is a collaboration with Rick Moody, Maggie Estep offers a humorous if twisted view of reality in Love Dance of the Mechanical Animals.
Maggie Estep grew up moving throughout the US and France with her nomadic horse trainer parents. She attended the Jack Kerouac School of Disembodied Poetics in Boulder, Co. and received a B.A. in Literature from The State University of New York.
Before publishing her first novel, Maggie worked as a horse groom, a go-go dancer, a dishwasher, a nurse's aide, and a box factory worker. Maggie has published seven books, DIARY OF AN EMOTIONAL IDIOT (Harmony Books 1997, Soft Skull 2003) SOFT MANIACS (Simon and Schuster 1999) LOVE DANCE OF THE MECHANICAL ANIMALS (Three Rivers Press 2003) HEX (Three Rivers Press 2003) GARGANTUAN (Three Rivers Press 2004) FLAMETHROWER (Three Rivers Press 2006) and ALICE FANTASTIC (Akashic Books 2009). HEX, the first book in Maggie's trilogy of crime novels, was chosen by the New York Times as a notable book of 2003.
Maggie has recorded two spoken word CD's, NO MORE MR. NICE GIRL (Nuyo Records 1994) and LOVE IS A DOG FROM HELL (Mercury Records 1997).
She has given readings of her work at cafes, clubs, and colleges throughout the US and Europe and has also performed her work on The Charlie Rose Show, MTV, PBS, and HBO's "Def Poetry Jam". Her writing has appeared in The New York Post, Self Magazine, Village Voice, New York Press, Harpers Bazaar, Spin, and Nerve.com, as well as in dozens of anthologies including but not limited to BROOKLYN NOIR, THE BEST AMERICAN EROTICA, and HARD BOILED BROOKLYN.
She is currently at work on The Angelmakers, a novel about female gangsters in late 19th century New York.
(from MaggieEstep.com 2-4-09)
Estep suffered a heart attack on February 10, 2014 and died from complications of it on February 12, 2014. She was 50. [Wikipedia]
Collection of previously published journal articles, poetry slams, and other items not previously published. I enjoyed many of these tremendously. Some I didn't like. And others simply puzzled me. Estep had such a different life from mine and was fascinated by things I'd find horrifying. But I wish I could have known her. I like her voice.
Maggie Estep was a very talented author. I did enjoy one or two of her short stories in the last chapters of this book but overall I didn't really have an interest in what she writes about. I would totally recommend this book to anyone who likes poetry and gossip columns.
The late Maggie Estep is a true heroine. Her candid, bare confessions are cathartic and familiar; equally comfortable with her love of horses as she is uncomfortable meeting a beat literature icon, she keeps her eyes open for all of us to take in her world. News of her passing saddened me deeply, knowing we would never hear her fresh, original voice again.