Anna Lee Huber’s Verity Kent novels have continuously exhibited the best literature offers readers, and her latest, A Moment’s Shadow, is no exception. Her mysteries are suspenseful and gripping; her characters layered, detailed, and engaging; and her historical research and attention to detail commendable, yes. But what continues to draw me to Huber’s Verity Kent series is her refusal to allow the reader a comfortable seat of righteousness from which to draw clear lines of right and wrong in a very troubled historical period. From the moment we meet Verity, she grapples, and with her, British society, with what it means to survive a cataclysmic world event. What it means to forgive others, much less yourself. How to do the next right thing when every moment, the “right” thing becomes less clear.
In A Moment’s Shadow, set in an Ireland desperately seeking freedom from British rule, I didn’t have a dog in the fight as an American in 2025. What Huber does with great dexterity, however, is write characters with whom I relate and empathize. Suddenly I want them very much to succeed in their aims—the problem is, for me as the reader, these characters are on both sides of the conflict or, like Verity and Sidney, caught in the middle. It is clear Huber’s point is that the human tendency to draw thick black lines between the sides and decide which is good and which evil is in our nature but is not reality.
Where she is quite clear is that no one wins with violence. Many lose their lives, particularly the innocent, all lose their humanity, and none of the cost is worth the pitiful so-called “gains.” In all the ways only the best literature can, this lesson drawn from a fictional story set in a very real past tells us an awful lot about our present.