A book that doesn't know what it wants to be
"750 album covers that made history" is the subtitle. And it's a lie. Really. I've never heard of about a third of the albums in this collection (and I lived in part of the period covered). What you get is the authors' idea of 750 albums they like. And that's okay. Just don't pass this effort off as dealing with records that "made history" when it's far from the truth.
The authors give us four criteria by which they made their selections: classic rock; rarities; aesthetics; good background stories. You rarely get all four at once, especially since only a third of the covers come with an explanation of any sort; the rest are simply just covers with names responsible for the art. Sometimes you do get a backstory on the art; others, you get a backstory on the record. It's not consistent, and the information is scant, in any case.
What you ultimately have is a Taschen art book. And I love Taschen, so it's not their fault here, exactly. If you are looking for something deeper -- and an effort that removes "rarities" that are most often nothing but obscure records the authors liked, period -- you'll have to look elsewhere. The book ends with a number of critics listing their favourite 10 albums. Perhaps unsurprisingly they're all men, as are most of the music creators.
A disappointment.