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THIS REVIEW MAY HAVE SOME SPOILERS. I normally don't spoiler-hide my reviews or even warn for them, but there is some mystery/suspense in this novel, so be warned.
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Why I read it: I like mystery & suspense.
Thoughts: Terrible. Goes to the Donate pile as soon as I've posted this review.
Here is the plot in a nutshell: Hannah and Will lived in London up to the start of the novel. Hannah and Will can't have children. After dealing with that (tests + multiple rounds of IVF) for a while, prior to the start of the novel, they decide to adopt. They nearly get to adopt a little boy, but at the last second another family gets him. Hannah, who used to work for a charity and travelled/worked in war-torn countries, suddenly loses every single marble she was ever born with and fixates on impressing a social worker so much that she and Will buy a rundown manor house in Suffolk and move into it with two weeks to spare before the social worker is due to visit them again. Why she thinks this will fix things, I don't know. By all accounts, she and Will didn't do anything wrong when it came to the first adoption, and even prior to them up and moving to Suffolk, they had been approved for an adoption and they were simply waiting for an opportunity to come up.
So anyway, there they are, in Suffolk. The manor is old and needs a lot of repairs. Hannah has a renovation/redecoration schedule, which is basically just making sure the house has basic amenities (phone, water, power, internet) and slapping on a fresh coat of paint on every surface without going to any real depth. They paint over wallpaper, and in the kitchen they just paint over the cabinetry and don't clean the insides (described as dirty and greasy in Hannah's POV chapter). Hannah and Will are also going through Marital Issues™. Hannah is ultra-obsessed with getting Barbara, the social worker, to love her and the new house, to the point where it's an all-consuming fixation and I would say she needs not a crumbling manor to fix up, but mental health help. Will is super bummed out that Hannah doesn't want to have sex, which seemed selfish at first, but then it turns out she also flinches away when he just touches her or shows any other sign of physical affection, so I did feel a little bad for him. But only a very small amount, because he's a fucking prat. As for why Hannah thinks fixing up the manor in only the most superficial ways is enough to prove to social services that they're responsible adults with a completely safe home... who knows? The plot demands this, so she does it.
Two days after they move into the house, Will goes back to London (he still has to commute there for work until they set up his studio in the garage) and there is a massive snowstorm that blocks off the country and when it turns out he can't return home, he feels very relieved about not having to deal with Hannah's bullshit for a while. He then proceeds to drink himself silly and nearly have an affair with a coworker, all the while whingeing to himself about how Hannah used to be much cooler, braver, tougher, better, when she did all her NGO work, and now she's just terrible and he doesn't want to deal with her anymore.
In the meantime, weird shit is going on back at the house, and Hannah is all by herself. Her neighbours are either creepy AF or downright threatening, and the secret at the core of this book is that the people who used to own Hannah's new house basically took in an illiterate pregnant teenager and then manipulated her into staying as their servant forever, and then also kept her children in servitude for themselves and their neighbours. Every time a neighbour starts to figure out what's going on with the "help" they get cut into the deal and get to use them as well. It's really, really gross. And then Hannah and Will move in and while Will is away, Hannah not only has to deal with a bunch of terrible people as her neighbours, but she also gets to meet "Elvie", the current generation of illiterate house servant, and sniffs out that there is a mystery surrounding her house (and Elvie), and the more she digs, the more her neighbours turn on her and try to gaslight her. As a group, they successfully convince Will that Hannah cheated on him, to which I have to say: clearly he wanted out of the marriage, if he really believed his currently-sex-averse wife would just cheat on him with a stranger.
The solution to the mystery is interesting at first, while it starts to take shape in the novel, but it takes so damned long for the mystery to even show up in the first place. By the time Hannah finally starts to feel something is terribly off, the reader has spent a lot of time with her and Will, and they're both so fucking unbearable. She's obsessed with Barbara and her decorating plans (which are incredibly tedious to read about), and Will just reads like an absolute scumbag. The real mystery only shows up after Will has had a lot thoughts about how much Hannah sucks now and how trapped he feels with her and how he only agreed to buy the house in Suffolk because she wanted it and she was so depressed after losing the potential adoption that he wanted to fix it for her and blah blah blah. He blames himself not nearly as much as he blames her and it's insufferable. He also gets drunk/high with his coworker and they get emotionally and physically close and she kisses him and he lets her and then he runs off and he's somewhat wracked with guilt, but he also never tells Hannah about it. After his strange neighbours convince him that Hannah cheated on him, he abandons her again and he goes to hang out in London with his work acquaintance, not physically cheating but definitely kind of emotionally cheating on Hannah, in a childish, spiteful sort of way.
Meanwhile, Hannah's neighbours show up at her house, threaten her, and then eventually actually kidnap her and take her off to be drowned off the coast somewhere, because she's asking too many questions. I would say that from this point on, the book rushes to its conclusion, but honestly, this was doomed from the start:
1. The set-up took too damned long.
2. Hannah and Will are boring. Hannah's past job and Will's wild youth are mentioned over and over again until I was sick of them, and it was only because the characters were stale lumps who had nothing else going for them, so the author always brought up those two things to fill the dead air.
3. I couldn't make myself believe that any person is as gullible as Hannah is, especially when she's allegedly been in a lot of tough spots and met a lot of intimidating, dangerous people. Your gruff, temperamental, really strange neighbour just barges into your house and starts "helping" you (i.e. treating you like a servant and getting you to make him endless tea while he puts up your shelves), or he "gives you a lift to the coast" (i.e. basically kidnaps you and takes you off to help him to physical labour for the day) and you just shrug it off like, "I guess this is countryside hospitality"?????
4. Most of the solution to the mystery is delivered to Hannah via explanatory email, and she's still like, "Huh? I don't get it??"...
5. ...and then later a man has to explain it for her all over again. I've read plenty of mysteries that were just "meh" rather than suspenseful or mysterious, but a novel that spends most of its time chasing its own tail and then delivers the full solution via expository dialogue in the last handful of pages is not a mystery novel.
6. After all that... after Hannah nearly gets drowned and Elvie rescues her and they get chased back to the house and they hide in a weird under-floor recess and then she has to sneak into a taxi and make her own way to London in the middle of the night, having just escaped being murdered after her husband abandoned her in the countryside, you're telling me that not only Hannah still gave Will an ultimatum, but that they actually reconciled and went on to adopt a child?? I would've crawled back to London on my hands and knees just to kill my husband with my own two hands, never mind adopting a child with him!!
Would I read more from this author: After this? No.
Would I recommend it: No.