EXCERPT: As the audience filed out, Colin Matheson leaned across. 'I'm so sorry about that,' he said. 'Derek Abbott is an absolutely vile human being. He works for Charles Le Mesurier, advising him on his investments and various financial matters. You saw the two of them come in together? I don't know why he was here. He hardly ever appears in public and quite frankly, if I'd known he was going to be in the cinema, I might have declined to take part. He lives on the island and he's pure poison.'
'What did you say his name was?'
'Derek Abbott.'
Suddenly everything was clear. This was the reason Hawthorne had been so keen to come to Alderney. Derek Abbott! He was the child pornographer who had 'fallen' down a flight of stairs while Hawthorne was escorting him to the interview room. And he lived here! What was in Hawthorne's mind? Was he pursuing some sort of vendetta? Did he mean to have a second go at finishing him off? And why hadn't he told me? The bastard! Didn't he think I'd find out?
ABOUT ' A LINE TO KILL': When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past.
Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line.
When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who?
MY THOUGHTS: Hawthorne just loves to wind Horowitz up, and he falls for it every time! It's really the relationship between these two that keeps me reading this series, although I also like the fact that I haven't yet guessed the murderer in any of the three books I have read.
I thought I might have a better chance with A Line to Kill with it being a veritable 'locked room' mystery, taking place on an island. But no. Not even close. Not even with just a handful of suspects.
There are some delicious red herrings which made for interesting reading. A Line to Kill is really a slow burn. There's a lot of scene setting before the murder takes place, but once it does hold on to your hats! A second murder follows quickly and several scandals and scams are exposed.
And the ending? I loved it. It is obviously leading into a 4th book which I simply can't wait to get my hands on.
Best read as a series from the beginning.
⭐⭐⭐⭐.3
#ALinetoKill #WaitomoDistrictLibrary
THE AUTHOR: Anthony Horowitz's life might have been copied from the pages of Charles Dickens or the Brothers Grimm. Born in 1956 in Stanmore, Middlesex, to a family of wealth and status, Anthony was raised by nannies, surrounded by servants and chauffeurs. His father, a wealthy businessman, was, says Mr. Horowitz, "a fixer for Harold Wilson." What that means exactly is unclear — "My father was a very secretive man," he says— so an aura of suspicion and mystery surrounds both the word and the man. As unlikely as it might seem, Anthony's father, threatened with bankruptcy, withdrew all of his money from Swiss bank accounts in Zurich and deposited it in another account under a false name and then promptly died. His mother searched unsuccessfully for years in attempt to find the money, but it was never found. That too shaped Anthony's view of things. Today he says, "I think the only thing to do with money is spend it." His mother, whom he adored, eccentrically gave him a human skull for his 13th birthday. His grandmother, another Dickensian character, was mean-spirited and malevolent, a destructive force in his life. She was, he says, "a truly evil person", his first and worst arch villain. "My sister and I danced on her grave when she died," he now recalls.
A miserably unhappy and overweight child, Anthony had nowhere to turn for solace. "Family meals," he recalls, "had calories running into the thousands. I was an astoundingly large, round child." At the age of eight he was sent off to boarding school, a standard practice of the times and class in which he was raised. While being away from home came as an enormous relief, the school itself, Orley Farm, was a grand guignol horror with a headmaster who flogged the boys till they bled. "Once the headmaster told me to stand up in assembly and in front of the whole school said, 'This boy is so stupid he will not be coming to Christmas games tomorrow.' I have never totally recovered." To relieve his misery and that of the other boys, he not unsurprisingly made-up tales of astounding revenge and retribution.
Anthony Horowitz is perhaps the busiest writer in England. He has been writing since the age of eight, and professionally since the age of twenty. He writes in a comfortable shed in his garden for up to ten hours per day. In addition to the highly successful Alex Rider books, he has also written episodes of several popular TV crime series, including Poirot, Murder in Mind, Midsomer Murders and Murder Most Horrid. He has written a television series Foyle's War, which recently aired in the United States, and he has written the libretto of a Broadway musical adapted from Dr. Seuss's book, The 5,000 Fingers of Dr. T. His film script The Gathering has just finished production. And, oh yes, there are more Alex Rider novels in the works. Anthony has also written the Diamond Brothers series.