Deborah O'Hara loves her life, leading her troupe of actors. But when she becomes entangled in a web of secrets spun by the rakishly handsome Damian Beaumaris, Duke of Cirencester, she is forced to play the hardest role of her life: that of the stunning but disloyal Paulette, the duke's widowed sister-in-law.
To regain the honor of his family, Beau needs Deb's help. But despite his intentions to let nothing distract him from his plan, he doesn't bargain on the forbidden sparks that fly with his beautiful leading lady….
"Outrageous, interesting and tremendous fun." —Fresh Fiction on The Outrageous Belle Marchmain
This book felt really schizophrenic. The two main characters sine-waved back and forth between different extreme behaviors with no in-story justification for the shifts. And the plot felt extremely contrived in places, like the author really wanted to portray a particular scene and jumped through whatever hoops were necessary to make it happen, regardless of what it did to the flow of the narrative. And the ending got so saccharine that it would have been right at home in a cozy romance.
This was such a bizarre book. So many things happened that could have been used to set up dramatic events but then were just glossed over. And what few things did happen, didn't make a whole lot of sense. The ending was especially lame because there was basically no final conflict. The romance was lame because of the radical emotional shifts undergone by both characters that weren't justified by narrative. All in all, just not a strong showing.
A girl in disguise manages to ensnare a duke traveling incognito. With this play off Shakespeare’s “Twelfth Night”, the stage is set for misunderstandings, betrayals, bitterness, sibling love, misplaced love, escapades and escapes.
There’s no mention of the Bard in the blurb, making this reader’s discovery of the similarities a delightful surprise. The novel’s take on its Shakespearean theme is subtly and masterfully done and, much like “Shakespeare in Love”, the storyline almost seems to inspire the play (portions of which appear intermittently throughout the novel) rather than vice versa.
The sparks between the two leading characters fly sharp and fast, mainly due to his anger towards another member of her sex. Throughout their interactions, the attraction between them gets even more heated, in part because they both are determined to stay away from each other. The nature of their bargain, the trouble it creates and the test of Deborah’s acting ability (she not only knows her lines but learns to improvise on the sly) make for a clever and telling plotline. This is a Regency romance with a difference and one that will appeal to people who like a hint of classical theater in their reading.
So I’m 1 for 2 with my Harlequin Historicals experience, which I guess is par for the course, but I was hoping this would be another good one, but alas this was more of a dud.
The opening scenes were pretty good and starts out with really the most action of the whole novel. There is a theft, a near escape, and a kidnapping by bumbling idiots that was rather enjoyable. However, once Beau drags Deb into his game of subterfuge, I began losing interest. The first half of The Rake’s Bargain feels a little like an overplayed rom-com (I personally kept drawing parallels to 90’s favorite She’s All That), which I could get behind if done right: guy uses unsuspecting girl to achieve his end game and doesn’t care what happens to the girl along the way, only for them to fall in love at the end. Unlike the rom-com though, I couldn’t find much of anything romantic or comedic about it. I actually kept wondering all the way through to the end how the heroine could find the guy to be even remotely interesting or could redeem himself. The way he treats her is not something I could overcome regardless of how beautiful he might be. She knows he is using her for an outcome that she can’t justify. I just couldn’t buy into the romantic element, that didn’t even begin to develop until over halfway through the book, because the guy was such an ass all the way through. I kept waiting for something more to happen, particularly for the woman she is supposed to be (Paulette) to show up, now that would have made things interesting!
I did like the heroine though. From the very beginning Deb is looking out for the good of her acting troupe and is willing to put her personal reputation on the line over and over to better their lot. It isn’t everyday that the main character is an actress and it was refreshing to see her use her skills both to delight audiences onstage and to move through this twisted mess with Beau more smoothly.
Ultimately I feel like there was a solid premise here, but it got lost in the details and ultimately wasn’t that enjoyable of a read for me in the end. With a romance you really need to buy into the motives of both of the characters involved and I certainly didn’t find that here.
Audiobook Discussion: The saving element for this book was the audio presentation because, without that, I would have probably put it down despite its short length. While I was originally thrown off by the narrator’s accent, it fits appropriately with the setting and after a little bit I grew to accept it. Strevens does make an effort to create different voices for her various characters and pulls off her male voices acceptably (I’ve certainly heard worse!). Her reading pace I found to be appropriate and kept the plot moving. I did find that the pauses between tracks felt longer than necessary; I kept checking my iPod to make sure that it hadn’t accidentally paused on me only to have it then move on to the next track.
This review was previously posted on The Maiden's Court blog and a copy was received for review.
A quick but entertaining book The heroine was young but intelligent. The hero was less likeable but believable. Interesting story with a couple of diverting plot twists. I would have enjoyed having another chapter or two to be see how happily ever after was actually achieved.