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The Collected Poems of Robert Louis Stevenson
At last – a complete new edition of the poetry of Robert Louis Stevenson.
During his lifetime Stevenson published A Child's Garden of Verses (1885), Penny Whistles, Underwoods (1887) and Ballads (1890). There were also various private press adventures in poetry with his stepson Lloyd Osbourne, and the posthumous Songs of Travel (1895), and New Poems (1918). This new edition contains these collections and also some of Stevenson's printed and manuscript poems that have never been published in any collection. The edition also identifies and restores various poems assembled by Stevenson in his Notebooks, many of which were mutilated by members of The Boston Bibliophile Society.
The editor, Roger Lewis, has carefully studied Stevenson's manuscripts and letters, identifying many variants in individual poems and in orders of his collections, as well as in the editorial procedures of a succession of RLS's literary associates who claimed to be fulfilling his intentions or acting on his authority.
The ordering of this edition will follow Stevenson's own final arrangement over unauthorised editorial rearrangments or strict considerations of chronology. Complete and accurate dates of composition and publication of individual poems and of collections are given wherever possible.
Appendices include bibliographical description and location for manuscript and printed sources of all poems in the edition; 'poems in process' – how Stevenson sketched and revised during composition; notebooks – bibliographical history and significance; chronology and ordonnance of poetic units. There are also explanatory and textual notes. Scots poems are glossed and annotated using The Concise Scots Dictionary and web resources of the SNDA.
During his lifetime Stevenson published A Child's Garden of Verses (1885), Penny Whistles, Underwoods (1887) and Ballads (1890). There were also various private press adventures in poetry with his stepson Lloyd Osbourne, and the posthumous Songs of Travel (1895), and New Poems (1918). This new edition contains these collections and also some of Stevenson's printed and manuscript poems that have never been published in any collection. The edition also identifies and restores various poems assembled by Stevenson in his Notebooks, many of which were mutilated by members of The Boston Bibliophile Society.
The editor, Roger Lewis, has carefully studied Stevenson's manuscripts and letters, identifying many variants in individual poems and in orders of his collections, as well as in the editorial procedures of a succession of RLS's literary associates who claimed to be fulfilling his intentions or acting on his authority.
The ordering of this edition will follow Stevenson's own final arrangement over unauthorised editorial rearrangments or strict considerations of chronology. Complete and accurate dates of composition and publication of individual poems and of collections are given wherever possible.
Appendices include bibliographical description and location for manuscript and printed sources of all poems in the edition; 'poems in process' – how Stevenson sketched and revised during composition; notebooks – bibliographical history and significance; chronology and ordonnance of poetic units. There are also explanatory and textual notes. Scots poems are glossed and annotated using The Concise Scots Dictionary and web resources of the SNDA.
672 pages, Paperback
First published August 13, 2003
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About the author
Robert Louis Stevenson
7,065 books7,094 followersRobert Louis Balfour Stevenson was a Scottish novelist, poet, and travel writer, and a leading representative of English literature. He was greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling and Vladimir Nabokov.
Most modernist writers dismissed him, however, because he was popular and did not write within their narrow definition of literature. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the Western canon.
Most modernist writers dismissed him, however, because he was popular and did not write within their narrow definition of literature. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the Western canon.
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