Overall Vibe: Not a big fan–the way he treated female characters and his propensity towards pretention soured the experience for me, despite my interest in the plot (which kept me going)
What I liked:
- One of my favorite things with these kinds of thrillers/mysteries is that even if you start midway through the series, you’ll never be behind–they come with built in previously ons throughout the first few chapters
- The main plot! I’m into thrillers that give me a look at the villain throughout, and thrillers that throw a connection to the past in (Mary Higgins Clark’s On the Street Where You Live comes to mind)
- Especially *spoiler alert* a connection to the wild west!
- He knows how to write a thriller, pacing and language-wise
- THE PROFESSOR Listen, I’m pretty sure he wrote this woman as a joke, or to make fun of her, I’m not totally sure, but I’m lowkey in love with this one character who probably has 30 pages tops. She’s wonderful. She’s eccentric. She has pictures of George Clooney in her office. She’s a national hero.
What I didn’t like:
- The narrator was unlikable from the start–he grew on me, but he started out pretentious as hell and used the word “nubile” which… is a red flag for me
- It seems the pretention may’ve come from the author because it came through in other aspects of the book–specifically pretention about music, which seemed in poor taste or at least misplaced, since it was almost exclusively brought up in the context of the pop star who was murdered
- Seriously, her blood hadn’t dried and they were talking about how bad her music was.
- There was one paragraph where a character throws out every slur they can think of. It comes out of nowhere, it’s not justified by the plot, and even though it wasn’t painted in a positive light, it ticked me off.
- we were on page 295 before one female character was nice to another. Of 368. and the conversation didn’t even end well. I also didn’t understand most of the female characters’ motivations, even when they were incredibly plot important
- it switched between first person PoV (w/Parker) and third person PoV (w/everyone else)– I always lilke thrillers better with multiple PoVs, but not switching between PoV types
- Small thing, but: New Mexico isn’t the South, it’s the West. I will accept Southwest. I won’t accept this dude’s interpretation of it.
Anyway, I honestly enjoyed it through my bitterness, but I can also look past stuff like this easier when I’m reading. I won’t be reading any more of Henry Parker’s adventures, though
Trigger Warning for: homophobic and racist slurs, casual misogyny, attempted sexual assault, and other violence
Especially recommended for: people who can overlook a book’s flaws and prefer their murders come with some history