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Scapegoat: What the Invasive Species Story Gets Wrong
Not yet published
Expected 3 Mar 26The problem with invasive species is a problem of capitalism.
A caste of plants and animals, labeled "invasive species," are charged with being a key cause of habitat degradation that must be eradicated at any cost—an ethically questionable and often futile approach. While some invasive species cause great environmental damage, recent developments in the study of ecology have found that intervention efforts themselves have frequently proved more harmful than helpful to their local ecosystems. Yet the outdated narrative of “species management” persists in both public belief and conservation policy, distracting from and even justifying a far greater threat to biodiversity: the global capitalist system that is destroying our planet.
Drawing on environmental science and semiotics, Scapegoat recounts how the use of biased rhetoric and inaccessible language has created support for a popular but misleading war of “native” against “invasive” that does nothing to address the root cause of biodiversity loss. Instead, these are "plastic words" that lose their precise scientific origins with their introduction to everyday language yet still carry the weight of authority—becoming persuasive and dangerously malleable. In her surprising and clear-eyed polemic, Clare Follmann challenges the received wisdom on invasive species in light of the true ecological crisis we face. This book poses moral and political questions to make us rethink our relationship with nature (and each other) in a rapidly changing world.
A caste of plants and animals, labeled "invasive species," are charged with being a key cause of habitat degradation that must be eradicated at any cost—an ethically questionable and often futile approach. While some invasive species cause great environmental damage, recent developments in the study of ecology have found that intervention efforts themselves have frequently proved more harmful than helpful to their local ecosystems. Yet the outdated narrative of “species management” persists in both public belief and conservation policy, distracting from and even justifying a far greater threat to biodiversity: the global capitalist system that is destroying our planet.
Drawing on environmental science and semiotics, Scapegoat recounts how the use of biased rhetoric and inaccessible language has created support for a popular but misleading war of “native” against “invasive” that does nothing to address the root cause of biodiversity loss. Instead, these are "plastic words" that lose their precise scientific origins with their introduction to everyday language yet still carry the weight of authority—becoming persuasive and dangerously malleable. In her surprising and clear-eyed polemic, Clare Follmann challenges the received wisdom on invasive species in light of the true ecological crisis we face. This book poses moral and political questions to make us rethink our relationship with nature (and each other) in a rapidly changing world.
224 pages, Paperback
Expected publication March 3, 2026
45 people want to read
About the author
Clare Follmann
3 books8 followersMy name is Clare. I am an author, editor, tea-leaf reader, and grants coordinator located in Olympia, WA.
My work engages with themes of landscape and sense of home, semiotics and language, politics and social critique, and magic and folklore. I use experimental non-fiction, memoir, poetry, fiction, and critical interdisciplinary essay to explore material of interest. I have published articles and prose in Oak Journal, Innersleeve, and Elderly Mag. I was the artist-in-residence at Sou’Wester in the spring of 2020.
b. 1991 Alexandria, Virginia
My work engages with themes of landscape and sense of home, semiotics and language, politics and social critique, and magic and folklore. I use experimental non-fiction, memoir, poetry, fiction, and critical interdisciplinary essay to explore material of interest. I have published articles and prose in Oak Journal, Innersleeve, and Elderly Mag. I was the artist-in-residence at Sou’Wester in the spring of 2020.
b. 1991 Alexandria, Virginia
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