Actual rating 1 1/2 stars.
I found "Ava" - despite its appealing cover and interesting premise - to be at best an incomplete and ultimately unsatisfying mish-mash of a story. I struggled to finish it - noting I nearly quit reading several times in frustration - owing primarily to extremely poor editing. I found this to be a real shame, as somewhere in all this, there was AT LEAST one good story waiting to be told.
Unfortunately, the author rushes through this book, trying to cram far too much into far too little space, all the while failing to execute any of the key plot lines to any degree! I could imagine this to have easily fit into a worthwhile and interesting trilogy, taking the time to flesh out each of these interesting "worlds" and situations we find ourselves in. But for whatever reason, we are given this abbreviated version. Certainly you could tell the author wanted to deliver a very Orwellian tale - even mentioning Big Brother resp. big brother at different times - but fell well short of this target.
In addition, I found the writing to be very clunky, with far too many run-on sentences, tense disagreements, and vocabulary mistakes (check your homonyms folks!), all of which just made matters worse. Adding to all that was the repeated lack of well-conducted transition from one scenario to another, with multiple gaps in the plot just screaming out to be filled. And for the very limited character development we see, there was truly no one with which to feel anything approaching sympathy. Even the main protagonist herself said it best: she was hateful, full of anger and bitterness. And perhaps even worse, she was just melodramatic as heck!
Even the basic logic of the story ultimately falls apart. We never learn how or why the Barrier or even Mtech arose. In fact, in the case of the latter, their role fades far into the background past a certain point in the book. But so many questions remain. For example: these all-powerful Mechs can find and catch anyone they want to but somehow someone gets ahold of a gun in more than one scene? It says the children left… well, where did they go? Why would the "plotters" decide to meet exactly where Ava had already been caught, even if at that point they didn't realize Jackson was on their side? Speaking of which, on page 196, we are led to believe Jackson is black? Maybe? And on the outside: why is everyone worried about starvation yet deer and other animals seem to be abundant? Finally, here's a big one: did this entire story take place in or near London or not? That city is mentioned exactly ONCE in the entire book! And there are more points like this, too numerous to list here.
But really what sealed my opinion was simply that the editing mistakes just grow in number as the book progresses to a withering and lifeless end. Either this novel was not sufficiently edited or, even worse, it was released without at very least a sufficient beta review and/or "table read". Just a few examples:
- You give some a wide berth, not birth;
- "Despite the growing fear in my guy…" (gut)
- "making the long, drawn-out nights easier to bare" (bear)
- "DiDi’s relaxed slightly." (her what relaxed?)
- "…until I could take it no longer and sort comfort in the familiarity of my boots." (no clue)
- "Why shouldn’t we extend the same curtsey?” (courtesy)"
- "He thought for a moment thinking,…" (yes, that makes sense… sigh)
There were so many more, but I just quit, well, caring after a while. I know that it's difficult to produce and release a book, yes. But I also I know what it takes to support a team reviewing a book prior to release. In fact, I just finished a beta review for a duo of writers and their book was not bad, yet I filled over 70 pages with notes, from spelling and punctuation errors to plot issues. For "Ava", I would have had to take twice that amount of notes. Again, I find it a shame because the book - and its readers - deserved more.