In this atmospheric and bewitching novel, Louisa Morgan reimagines the story of Morgan Le Fay, one of the most enigmatic and powerful women in Arthurian legend.
To the other priestesses of the Nine, a powerful council at the Lady’s Temple, Morgana is haughty and arrogant as she performs feats of magic no human should be capable of. Rumors start that she must be a fearsome fae.
To King Arthur, Morgana is a trusted and devoted advisor, but his court is wary of her and her prodigious talent at divination. But his wife sees Morgana as a rival and a malevolent witch.
To Braithe, Morgana’s faithful acolyte, she is simply the most powerful priestess Camelot has seen.
Morgana doesn’t know why she’s so different from everyone else, and she doesn’t much care. But when she aids Arthur to ascend the throne before his time, she sets off a series of events that will change everything Morgana believes about her power.
Louisa Morgan is the author of A Secret History of Witches, The Witch’s Kind, and The Age of Witches. She's looking forward to the publication of The Great Witch of Brittany in 2022!
Louisa is a yogini, a musician, a mom, and a dog lover. She lives in scenic Northern Idaho with her family and her spirit familiar, Oscar the Border Terrier. Visit her at www.louisamorgan.net.
I’ve been on a quest for quite some time to find a book that truly does Morgana justice, so I approached this one with high hopes. Unfortunately, it fell short of my expectations.
The book is divided into three distinct parts, and I was captivated by the first section. Sure, it had a slow pace, but I genuinely enjoyed the portrayal of Morgana as an arrogant, powerful figure, and I appreciated Braithe’s loyalty to her. The dynamic between them had promise, and I found myself invested in their relationship.
However, everything changed in the second part of the story, and it felt like everything unraveled. Despite being marketed as Morgana's tale, the narrative remains centered around Arthur. From Morgana's perspective, she comes across as exceedingly passive—so much so that she feels like a mere statue in the backdrop of a story that should revolve around her.
The Morgana of legend is a character rich with complexity—powerful, independent, and filled with a fierce passion, whether she aligns herself with good, evil, or remains neutral. In stark contrast, the version presented here seems to be reduced to a mere tool for the men around her, particularly Arthur and Blackbeard ( Merlin). Her primary purpose appears to be using her powers to aid Arthur, and at one point, she even states that her life’s meaning is to protect him. This portrayal strips her of the depth and intrigue that define her legendary status.
Furthermore, while the narrative informs us that characters either revere or fear Morgana, we are never shown this complexity through her actions or experiences. Instead, this incarnation of Morgana is depicted as excessively good—so much so that she bears little resemblance to the original character from the legends and comes off as an entirely different, less compelling figure.
Braithe, though an original character created by the author, initially drew me in with her touching admiration for Morgana. However, when she developed romantic feelings for Arthur, my interest in her perspective quickly faded. It felt contrived and detracted from her earlier charm, making her thoughts unbearable to endure.
Meanwhile, Arthur and Blackbeard (Merlin) come across as flat characters with no discernible personalities, adding to my disappointment. Guinevere is presented as the stereotypical mean girl, depicted so negatively that I found it almost laughable.
Overall, the plot felt like an extended filler, lacking the substance and urgency needed to form a compelling narrative. I had such high hopes for the continuation after the strong beginning, but I was left profoundly disappointed. Ultimately, this feels more like an original story with newly created characters rather than a reimagining of Morgana le Fey’s legendary tale.
i didn’t realize one of my favorite witchy authors louisa morgan wrote this arthurian retelling! i’m not familiar with arthurian tales so this was a decent retelling, full of magic and betrayal.
i also listened to the audio and the narratoe did a great job!
I enjoyed this, however, the slow parts in this book were slooooooow.
I really liked the growth Morgana shows over time, her character is so complex and the layers of her relationships with those closest to her is very endearing.
Also I don’t think I’ve hated a villain in a book as much as I hated the antagonist. Like, I was MAD!
Anyways, the side characters were great, and the plot was really fun for the most part. Very fun, traditional fantasy.
3.7 - I really enjoyed the prose and character work, but unfortunately the story itself fell short. I enjoyed Morgana and Braithe’s character arcs; their relationship is truly the heart of this story. All the other supporting characters felt flat and one dimensional. The story itself was slow and did not captivate me, it was challenging to feel invested in what was at stake. If you enjoy character driven stories, with whimsical prose you might want to give this a go.
I loved the mix of historical tales of King Arthur with the twists created in this tale. It lent a sense of familiarity while still wondering what might happen next. I did predict some of the twists but they were well done and there were two big twists that I did not predict and they actually left me with chills as I was reading. Braithe was likely my favorite character but there were a lot of characters I was rooting for throughout the story. I liked that the story was divided into three parts and while part one seemed a bit slow to me I do think that the world building was well done to set us up for parts two and three. If you enjoy adventure, magic, and the intersection between legendary tales from history and witchy twists, you will love this book.
4.5! So grateful to receive an ARC of this book! absolutely loved The Faerie Morgana. The author takes the tale of King Arthur and turns it into her own creation. The story had a slow-build that pulled me in completely, and I was especially moved by the emotional depth of the relationships; Morgana’s bond with Braithe was both beautiful and heartbreaking. I also really appreciated Braithe’s own growth and development as a woman throughout the book. Louisa Morgan’s writing is gorgeous and immersive; even though it’s a long novel, I was never bored and felt that every page truly mattered.
I’ve always loved Louisa Morgan for the way she writes novels that weave together magic and historical fiction. Her stories often feature witchy themes even when they are grounded in real-world settings, which makes perfect sense for her to tackle the Arthurian legend in her latest book, The Faerie Morgana.
Our eponymous protagonist’s tale begins in the Lady’s Temple, where she had been sent as a young girl after the birth of her half-brother, Arthur. There, she comes under the tutelage of the Blackbird, a Merlin-like figure, and quickly develops a reputation for her extraordinary powers to heal and scry. Though many expect her to become one of the priestesses of the Nine, rumors fly that her uncanny abilities are the result of magic, or that she may even carry the blood of the Fae. That speculation earns her as much suspicion and envy as it does admiration, leaving Morgana with few friends. One exception is Braithe, a younger girl who arrives later as an acolyte and grows to see Morgana as her mentor and role model.
Eventually, Morgana’s role expands to Camelot. In the years since she last saw him, her younger half-brother Arthur has become a man and succeeded his father Uther Pendragon as king. When the time comes for him to marry, he calls upon Morgana, now a full-fledged priestess herself, to officiate the wedding. But when she arrives at the palace, with her loyal assistant Braithe by her side, both of them find themselves unsettled by the bride. Guinevere, a strikingly beautiful young noblewoman, seems to hold the entire court in a kind of spell, Arthur included. Morgana can’t shake the feeling that something is wrong, that there might be a more sinister edge to Guinevere’s captivating charm. But prophecy demands Arthur be protected, and if that means staying in Camelot to guard him from harm, Morgana and Braithe will do whatever it takes—even if the greatest threat comes from his own queen.
Most people familiar with the Arthurian legend will also know of Morgana, though her role has always been one of the murkiest. In countless interpretations over the centuries, she’s been cast as faerie, sorceress, and even a goddess. Sometimes she’s a benevolent force, other times she’s a villain. But for all her potential to be either good or evil, more often than not she’s sidelined while Arthur and his knights dominate the narrative. What I found so refreshing in The Faerie Morgana is how Louisa Morgan recenters and reimagines this mythological figure, giving off strong The Mists of Avalon vibes. The Morgana in this story is a fully fleshed out character whose strengths and flaws make her equally compelling. She’s obviously powerful, but that doesn’t shield her from very human faults like pride and arrogance. Neither is she immune to the effects of her ostracization by the other suspicious or envious women at the temple, making her deeply lonely, driving her to retreat behind a shell of aloofness out of self-preservation.
That’s why I loved her relationship with Braithe. Another outsider, Braithe could have easily secured her own acceptance into the social folds at the temple by also turning against Morgana, but of course she would have none of that. Remembering the kindness the older woman showed her when she first arrived, Braithe responds with fierce loyalty, and in turn Morgana makes her a trusted confidante. Their alliance eventually grows into a friendship and partnership, becoming one of the most enduring and memorable elements in the story.
As for the writing itself, Louisa Morgan’s prose is fantastic. This is my fifth novel by her, and there’s a reason why I keep coming back. Her style is artful but never pretentious, elegant but easy to read. Even the quieter moments feel purposeful, as everyday actions and conversations are still filled with meaning that deepen our understanding of the characters’ backstories, motivations, and connections. The atmosphere that she builds feels alive and immersive, giving genuine life to the Lady’s Temple on Avalon, gleaned from the many affectionate mentions of apples that grow on the island. Like I said, this is not a action-heavy story, with much of it unfolding through reflection and politicking, both at the temple and in the court of Camelot. However, the slower pacing was not a negative to me, as it gives readers a chance to settle into the characters. Only then could the tensions tighten around them gradually and naturally.
On the world-building front, I think Morgan assumes that Arthur’s story is so ingrained in our culture that readers will be able to fill in any blanks, because rather than weighing the book down with dense detail, she paints the setting with broad impressions, relying heavily on mood creation. There’s just enough to anchor readers to the world, an example being the glimpses we get into the superstitions surrounding the Fae. Ordinary people sought out the magic and ritual of the priestesses for all kinds of complicated reasons—protection, prophecy, or healing—and what I appreciated most was how these background tidbits never came in the form of lore dumps. Instead, history and myth came together seamlessly, allowing Morgan room to add her own interpretations and flourish.
All in all, The Faerie Morgana is a beautiful and thoughtfully written reimagining of the character. That said, I can also understand how it might not be to everyone’s tastes, especially since it does run kind of slow. But for those who enjoy mythic retellings with a historical touch, or character-driven fantasies entered on witchery and enchantresses, this could prove a rewarding read. Or, if you are new to Louisa Morgan’s work, you may wish to check out her books in general, for all of them tend to go hand-in-hand with this novel’s themes of history, magic, and strong unforgettable women.
I found it a bit slow to start but after about 3 chapters it picks up - fast. Morgana is such a misunderstood (and often mischaracterized) person in the Arthurian legends and I really loved this interpretation. Actually I really loved all of the characters' interpretation: Arthur's is pretty aligned with the Malory version but The Blackbird? Lancelin? GWENVERE?? I devoured them.
If you're a fan of Arthurian legend (like I am!) or even interested in some historical fantasy, I highly recommend this one.
Thank you to Louisa Morgan & Redhook for an advanced copy in exchange for an honest review.
Thank you to NetGalley, Louisa Morgan, and Orbit Books for the eARC in exchange for an honest review!
The Faerie Morgana is beautifully written: lyrical and rich with atmosphere. From the very first page, I was drawn into its mythic world. It's a quiet reimagining of Arthurian legend that centers on Morgana, offering a fresh and introspective perspective.
While I enjoyed reading this book, I felt a bit empty. Despite the depth of feeling in the narration, not much actually happens. Major events occur off-page with filtered narrow perspectives that don't fully come alive. There is a lot of exposition and inner reflection with no dramatic action. The pacing is slow and some parts felt confusing, especially when real historical references were mixed with vague magical elements without much explanation. I think I expected more agency from Morgana but her arc felt muted by the end.
That said, readers who love lyrical retellings and thoughtful, character-driven fantasy might find this to be exactly their kind of book. (:
I enjoyed this very lyrical and immersive story about a key figure in Arthurian legend, until I got to the end, and realized that nothing really HAPPENED. When I finished, I was left unsatisfied, and wanting more for Morgana.
The author did a great job of drawing me into the story, even if some of the world-building was vague and characters were not quite fully realized--I assumed more would be revealed as the book went on. But that ended up being the problem: the reader saw everything from Morgana's (or Braithe's or the Blackbird's) POV, and important events happened off-page. Important characters were only seen from limited POVs and felt, sadly, two-dimensional.
When I finished the story, I realized I didn't really understand the "mythology" or society which made everything a bit confusing, as real historical elements were added to the plot. I really wanted Morgana to have more agency in her life in her story, and she actually had very little.
So, while I was reading the book, I enjoyed it, I realized when it was through that I was left very unsatisfied.
3.5 ⭐️’s This book is split into 3 parts. The first part a bit slow to get through but the 2nd and 3rd parts were very good. Morgana is an acolyte at the Lady’s temple. Her half brother Arthur is the true king. She later becomes a priestess and her handmaiden Braithe is one of my favorite characters. There is magic, fae, political/court intrigue, and romantic subplots. Overall, this was a unique, whimsical King Arthur re-telling. It did not turn out how I expected, which I quite enjoyed.
I found myself completely absorbed in this re-telling of Camelot. There's a lot of narration where nothing exciting is happening, but the writing is so engaging I didn't realize it until I finished the story. It was fun to read from Morgana's perspective - although I felt like Braithe was the true protagonist of the tale.
2025 Pippi Post Reader Roulette - Choose a Book with Flowers on the Cover
This is a version of the Arthurian tale focused on Morgana. It is well-written, but the plot is stripped down, with limited perspectives on many of the familiar events from the legend. The pace is somewhat slow in spots. I enjoyed the characterization of Morgana and felt the addition of Braithe as a character added life to the story.
ARC/Phenomenal Release From Louise Morgan-No Surprise There
(Quick side note: First off my extreme apologies for being late on this review. This was released yesterday. Unfortunately, and although I’ve had it up and ready to share, I’ve been suffering from a debilitatingly painful medical issue for the past couple of month.) But let’s not waste anymore time or thought on my issues, but rather let’s get this review rolling! I typically love anything written by Louis Morgan, and this one proved no different.
She is a master at her craft, with detail, paired together with excellent execution of building upon the characters and their world, and always in-depth with making you feel the story come to life on the pages through her masterfully descriptive language.
It’s obvious, Morgan has spent her career working on a depth of garnering knowledge and understanding when it comes to the type of books she writes.
This is definitely not one to be missed out on, especially if this is one of your top genres, and top authors. I could see this as a stand alone, but just as easily see it as the beginning of a new series.
It’s easy to become attached to the main character and the outcome, rooting for her to win.
The stories which already exist, the conjunctures pertaining to the circumstances, events, and influences surrounding Morgan Le Fay are plentiful and this is a nice turn of events, and retelling of one way it could’ve taken place.
As we all know, women of a certain age, in a certain time, exhibiting questionable tendencies, were so heavily persecuted. The desire to subjugate, repress, and quash any power, real or imagined, they may have possessed, was very much a deplorable truth for too long.
My favorite part of this is showing the younger side of Morgan as Merlin tries to train, teach, and help mold her. But instead of dutifully following along, (and are we surprised when she doesn’t always do as advised,) she tends to have that spirit we all possess in our youth, where we assume to know better than our older, outdated counterparts and the advice, guidance, and opinions, they may offer up to us.
Only for Morgan, these beliefs and attitudes have much more dire consequences than she could’ve predicted.
Edge of your seat, thrilling read, that sweeps you across the journey that unfolds! Those that love historically written novels will definitely get their geek on for this one. In all honesty, most will, when you’re talking about the likes of the legendary King Arthur, Merlin, and even Morgan herself.
I predict this will shoot to the top of the charts shortly after release. Don’t miss out on what’s sure to become a much talked about novel.
Release date of 09/16/2025
Note: I received early access from NetGalley and the publisher Orbit Books, of this manuscript, and have at my own discretion and opinion, chosen to post this review.
Once known as a villain, Morgana becomes the hero of the story. Morgana left home at an early age but still feels compelled to serve her brother, Arthur. Morgana finds herself at the Lady’s Temple and becomes a priestess with powers unseen by the other women. Her assistant, Braithe, is her constant companion and close friend. Together, they travel to nurse Arthur back to health. Arthur rises to become the king, and Morgana finds her powers are needed to fight against his new queen, Gwenvere.
I recommend this book for fantasy readers who want more of Morgana’s story. She is celebrated with this novel, showing the depth of the character. She is fierce, kind, and loyal. She risks her life to save her brother. She’s a powerful heroine whose found family is within her realm of protection. The lovely descriptions of the atmospheric castle and surrounding forests feel like you are under a spell. This is a magical book that you can get lost in the story and the characters are so real.
Thank you Orbit Books, NetGalley, and Louisa Morgan for the advanced reader copy. All opinions are my own.
Okay, I had so much fun reading this book! I’m not particularly knowledgeable in Arthurian legends, but I still loved this. And, it did make me want to learn more, which is always a good thing. I really liked the characters, the drama had me so wrapped up, and I just wanted them all to be happy!
I would recommend this book if you enjoy legends, tragic character drama, and faeries.
Thank you to NetGalley and Orbit Books | Redhook for this arc!
This book is so atmospheric and well-written in a way that immersed me in the world as well as the time. The perspective and prose are beautiful. This book is an amazing re-imagining of the Arthurian legends, focused on Morgana. I genuinely loved this unique story for Morgana.
However, it felt like an excess of exposition with minimal dialogue. For most of the story it felt like I was being narrated at, it would probably be an amazing audiobook experience. What I missed from many sections was feeling like I really experienced the story. Heavy exposition and slow pacing left some parts a little confusing, but even by the end I was still left wanting more.
If you like Arthurian legends, retellings and seeing the familiar characters through fresh perspectives, this book is absolutely for you.
Thanks to NetGalley for the opportunity to read this as an ARC.
The Faerie Morgana is a rich and immersive story and a unique retelling that puts a fresh spin on the Arthurian legend while still capturing the magical essence of the original tales. I’m so glad I buddy read this with Leslie at Books Are the New Black because we had some great chats about the characters, plot, and writing style.
The book is slower-paced and character-driven, and follows Morgana from childhood to her early years as a priestess. Powerful and enigmatic, Morgana is often painted as a one-dimensional antagonist. I’ve always been intrigued by her, as I often am with the voiceless females in literature. I love that this story gave her a voice and showed her in a different light. She is complex and nuanced, and I liked the way her character grew and changed while still keeping an air of mystery and elusiveness about her. I also liked how the book highlighted Morgana’s relationships with Braithe (Such a great character. I adored her!), Arthur, and the Blackbird. I actually found Braithe’s story as compelling as Morgana’s, and though the Blackbird didn’t have as large a role in the story, his presence was big.
The plot was emotional and a little twisty, which was great. The story’s divided into three parts, and it delves into Morgana’s years on the isle before becoming a priestess, and her time as a priestess both on the isle and as Arthur’s counsel. I also liked how a couple of the secondary characters were very different from what I expected. It added some unpredictability to the story, and even though I knew what the final outcome was going to be for a couple of the characters, I was still surprised.
The writing style was beautiful and lyrical, and the pacing worked well for most of the book, though I did feel like the ending was a little rushed compared to the rest. And I have to mention the author’s note, which was an insightful addition, especially the details about the etymology of the names and places. So interesting! Special thanks to Orbit Books and NetGalley for sending me a copy of the book. All thoughts are my own.
If Arthurian legends have always captured your imagination - especially the elusive figure of Morgan Le Fay - this retelling is a gem worth savoring. Reading it felt like stepping back into the fairy tales of my childhood, yet through a lens that was refreshingly new. Cozy, familiar, but revitalized.
What stands out most is how seamlessly Morgana’s and Braithe’s stories intertwine. Instead of the archetypal dark, brooding enchantress, this Morgana is airy, diligent, and almost monastic in her herbalist’s devotion. Yet there’s an undercurrent hinting at more to come. Braithe, loyal and grounded in her service to Priestess, King, and Isle, provides an earthy counterbalance that enriches the narrative.
When Arthur’s new queen and his trusted knight step into the picture, the threads of legend begin to weave in surprising directions. The retelling honors the spirit of Arthurian lore while daring to diverge in unique, thoughtful ways. The result is thoroughly delightful, and tailor-made for a crisp Fall evening.
If there’s one complaint, it’s with the title, which promises a bit too much upfront. The interspersed poetic stanzas also gave me pause. While clearly meant to echo the bardic tradition, they felt slightly out of place without an actual bardic figure to frame them. Still, they never detracted from the overall magic of the story.
A fresh, enchanting take on the Arthurian mythos: perfect for readers who want to fall in love with Camelot all over again.
Thank you to Redhook, Louisa Morgan, and Net Galley for an eARC to read in exchange for an honest review.
Thank you, Orbit, for the ARC. All thoughts and opinions are my own!
I am always curious how someone is going to do a retelling of Arthurian legends. I loved the fact that Morgana is the focus of this book! In fact, I would say mostly the women are the focus of this tale.
Morgana is a character that I loved from the beginning. While she can be a bit rash and arrogant when it comes to the other priestesses, her character was well done. Of course, there’s all her background that has given her a grudge, so you can understand it. What I loved the most about this entire book, however, was her relationship with Braithe. It is always refreshing when we have a beautiful friendship that’s the heart of the story. Both women come from difficult places, but they are filled with perseverance.
My biggest issue with this book was the pacing. There are times when it drags, and it is almost a slog to get through. Not only that, the ending was rushed and wrapped up quickly. This just had the pacing for the whole book a bit of a mess. She creates a beautiful atmosphere and has some very lovely prose. Just keep in mind that this isn’t a quick binge-type of book.
Overall, I enjoyed this book. The beautiful lyrical writing, strong character arcs, fantastic friendships, and a memorable villain all stand out. Even with the troublesome pacing I mentioned, I highly recommend this one. Especially if you are into Arthurian legends!
Thank you, Julie, for buddy reading this with me! I have also linked her review. ❤
Louisa Morgan’s The Faerie Morgana positions itself within the vast and ever-renewing landscape of Arthurian retellings, a realm I usually approach with enthusiasm. I am, admittedly, someone who kneels at the altar of Arthuriana—happily, habitually, even reverently. Yet despite my predisposition to enjoy anything that reimagines Britain’s mythic past, this novel left me feeling more frustrated than enchanted. It carries the shape and shadows of its predecessors without committing to a distinct voice of its own, and its resemblance to Marion Zimmer Bradley’s The Mists of Avalon is too close for comfort—though missing much of the nuance and thematic ambition that allowed Bradley’s work to endure, despite its controversies.
At the center of the novel stands Morgana, here rendered as a bitter, miserly, and frankly narcissistic protagonist whose narration rarely invites empathy. Morgan seems intent on presenting a more “realistic” or “unvarnished” Morgana, but the result is a character whose internal monologue grates rather than intrigues. Morgana believes herself superior to virtually everyone she encounters; she wallows in resentment; she assumes the worst intentions in others and the best in herself. While a prickly or morally gray protagonist can be compelling, the novel never truly interrogates Morgana’s unpleasantness. Instead, her perspective is presented as authoritative, which flattens the complexity the character deserves and has historically been capable of holding.
Guinevere fares no better. She is framed as the archetypal “bad queen”—vain, shallow, and untrustworthy. The narrative’s eagerness to cast her in a whorish, conniving mold feels dated, and disappointingly regressive for a retelling published in an era that increasingly recognizes Guinevere as a dynamic figure in her own right. The Queen’s portrayal relies heavily on clichés rather than character development, and her interactions with Morgana feel pre-scripted, as if both women are being marched through a morality play rather than allowed to emerge as complex individuals influenced by their historical moment.
Magic, meanwhile, flickers faintly at the novel’s edges but never coalesces into a coherent system or cultural force. We are given hints—rituals in the forest, whispers of fae lineage, half-formed prophecies—but the narrative stops short of explaining how magic works or what its limits are. This might have been an effective stylistic choice if the magic were meant to feel elusive or uncanny, yet here it reads more like an underdeveloped backdrop. Even characters who supposedly wield magic seem uncertain about its rules, and not in a thematically resonant way. Instead of enhancing the atmosphere, the magic muddies it.
The setting, however, is where the novel could have thrived. Morgan places the narrative at the crossroads of Roman, Pictish, and Saxon influences, during a period of cultural collision ripe with narrative potential. This mélange of traditions, cosmologies, and political tensions should have provided fertile ground for a retelling seeking a fresh perspective. But the book gestures toward these cultural layers without digging into them. We hear of Roman stonework sinking into the mud of a changing island, of Pictish rites clashing with Saxon war bands, yet these elements remain descriptive rather than analytical. The setting feels like a beautiful map left rolled up rather than explored.
Ultimately, The Faerie Morgana left me wishing for a deeper, more daring engagement with its material. While it borrows the scaffolding of an epic, it does not fully inhabit it. For those who, like me, hold Arthurian legend close to the heart, the book offers glimmers of promise but little lasting enchantment.
****Many thanks to Netgalley and Orbit books for an advanced eArc in exchange for my honest opinion****
I am not super informed on Arthurian myths and legends but she filled the blanks in fairly easily. I will say this is not a book that is easy to pick up and put down. It's best to go at this like a shot, down it in one go.
Nothing really happens in this? It's more of a "a day in the life of Morgana" that spans 500 pages or so. Morgana herself as a character I did not like until maybe the end of the book. Her automatically being this incredibly gifted priestess bored me? I enjoy reading about the journey, I think most people would identify more with her obstacles and struggles to become powerful. The amount of time she says "brat" short circuited my brain. I get that it's a nickname but Braithe is already a SHORT name..
Speaking of Braithe I LOVED her character arc. She started off so very naive and twee, thinking she is nothing special. She totally gained real world experience, grew a spine and discovered age does not matter when it comes to magic. That was a pleasant surprise!
Louisa does a fantastic job of creating the atmosphere. I was immersed into the scenery and felt like I was wandering around in fields of flowers outside of Camulod with the blue sky and cotton candy clouds.
To be fair I was never a really big fan of Louisa Morgan's writing. Her previous books never clicked right for me. Dialogue would be odd, situations too weird etc. I think she delivered a solid book with this. A different way to see Morgana (Morgan Le Fay) and events surrounding King Arthur.
Thank you to Netgalley, Orbit Books, and Redhook for providing an eARC in exchange for an honest review
Morgana was born to a queen, but her stepfather saw her sent away to living among the Nine Priestesses of the Temple as an acolyte. She was by far the most powerful they had seen in a long time and she was rumoured to not be human. Her calling was to protect her half brother Arthur, the future true king. As tensions rise in their lands and the future of their people are threatened Morgana will do what she can to advise and guide Arthur to be the king he is destined to be, and protect him for the powers working against him.
I absolutely had the best time reading this, the writing felt flawless and flowed so well. The pacing was good and had me interested in the plot the whole time. I loved the way the author retold the story of King Arthur but from a female's perspective and made her fierce, loyal, honest, independent and moral.
Thank you to the author and NetGalley for an eARC of The Faerie Morgana.
This story is a reimagining of characters in Arthurian legend, specifically Morgan Le Fay. In this story, Morgana becomes one of the Nine, a priestess who serves the Lady. She navigates being treated as other by everyone in her life as well as growing into understanding of her own abilities and how to use them in service to the Lady and to the true King.
I was truly enthralled in this book. The writing is clear and quietly beautiful in the way the story unfolds. The story was well-paced and the triple POV between Morgana, Braithe, and Blackbird was well done. The strength displayed in each of the three main characters made each POV engaging to follow alongside and was a great stylistic choice. I loved seeing the development of Morgana's understanding of her abilities throughout the story and especially her interactions with the creatures in the world around her.
This was a beautifully written book! I was wonderfully surprised by the gorgeous prose used by Louisa Morgan throughout The Faerie Morgana. It was refreshingly lyrical in its writing and had the feel of a classic fairytale.
There were times when the story came more slowly, and plot points took a while to unfold. I also wish Morgana and Braithe had more agency within the story but understand why they hesitated as often as they did. As with any story based on Arthurian Legend, I had the distinctly irritating experience of knowing how the story ends yet still being surprised and dissappointed when it slapped me in the face (in the best way possible).
Overall, this is absolutely a book I would recommend and I will likely look into other novels by Louisa Morgan. Thank you to NetGalley and Orbit Books/Redhook for the opportunity to read and review The Faerie Morgana.
This was such a refreshing take on the Arthurian legends of Camelot. Being a namesake of Morgana myself, perhaps I am partial but it was so cool to see her story unraveled and center of attention in this book. If you’re working in de-centering men from your fiction tales, this is a good one.
Only a little disappointed in the last quarter or so because I feel like we didn’t get any answers or resolution for Braithe and her fledgling magic? What was the purpose in taking Arthur’s body to the fae? I assumed we were building up to Braithe pulling the sword out of the stone after Arthur died and it was returned to the island but no…kind of anti climactic but I was sat the entire novel nonetheless.
This entire review has been hidden because of spoilers.
I am not sure why however Arthurian fantasy seems to fit perfectly into the beginning of fall. I loved this retelling of Arthur where Morgana is a protector and heroine and not the villain. In this story we see how Morgana's life evolves. Morgana grows and changes to first develop her self and then become a protector for those around her. Even Morgana's enemies she tries and protect in a way. This is one of the most well rounded versions of this character I have read and I felt immersed and enjoyed it. Braithe is also one of the strongest, enjoyable and heartfelt characters I have read in awhile.
I will admit that most of my King Arthur knowledge comes from the show Merlin, I was intrigued when I stumbled upon this book. Although I wasn't sure if it was a book about Camelot or a book about the fae, and somehow it was both
This book takes parts of the original story of King Arthur and imposes it into a world where the fae have been banished, just beyond the walls. It has a bold take on the dynamics of the castle as others become part of this newer fantastical side to the story.
Despite being intrigued by the premise, the ending fell a bit flat for me personally, and after a fairly dense book, it wasn't enough to pull back my focus. I did love Braithe though, but I wish we got to see more of her, especially in the end when everything started to click for her.