Hawthorn: A Scottish Ghost Story

by Elaine Thomson

For fans of Michelle Paver and Sarah Waters, the first in a haunting quartet of ghost stories set in the wilds of Scotland.

'I was so impressed by Hawthorn' MICHELLE PAVER, author of Dark Matter

'Delightfully brooding and gloriously gothic, Hawthorn sucked me in like the deepest bog, refusing to let me go' CJ COOKE, author of The Book of Witching

'Reminded me of The Little Stranger . . . a hugely entertaining and evocative treat' BRIDGET COLLINS, author of The Binding

'A new classic' SARA SHERIDAN, author of The Fair Botanists

'The best Scottish ghost story of the 21st century so far' THE HERALD

_________

Caithness, October 1871.

The Ordnance Survey are charting Scotland's most remote north-easterly county, a bleak landscape of endless moorland and lonely crofts. When a strange vision leads cartographer Robert Sutherland out onto the moor, an accident leaves him inches from death. He is taken to Leask House, to recuperate under the care of Mrs Sinclair and her beautiful daughter Isabel.

At first, Robert thinks the dreadful visions that plague him at Leask House are the result of the laudanum he has been prescribed. But as events take ever stranger and more terrifying turns, Robert begins to wonder whether his presence at Leask House is really a coincidence at all.

Someone - or something - has summoned him here.

And they don't intend for him to leave.

Genres: Horror, Historical Fiction, Gothic, Fiction, Historical, Scotland, Paranormal

265 pages, Kindle Edition

Published September 25, 2025

Reviews

[Vicki Herbert · Rating 4 out of 5]

May the Devil Take
These Wild Northern Lands...

HAWTHORN: A Scottish Ghost Story
by Elaine Thomson

4 stars. In 1861, Robert Sutherland, while incarcerated in an asylum, and knowing that he was not insane...

... was determined to write his own testimony of the events at Leask House in Wick Parrish, Caithness...

Sutherland was part of an expedition sent to map the British Isles for the Crown. Every river, bridge, tor, sheep cote, house, fence, farm, and mountain...

England and Ireland were already completed, but Scotland defied them all with its wild north places of mystery and secrets...

Secrets their instruments couldn't unmask...

One night, while sitting before the stove in their tent, one of the men saw an old woman watching them from the nearby dubh lochs...

They all had a laugh...

Mocking the man, they said it was probably that mythical old hag, the Cailleach (veiled one), one of the many local superstitions...

Samhain was a week away, and it was believed that the veil separating the living from the dead was at its thinnest...

Next morning...

While in the field, Sutherland fell into an icy bog, injured his ankle, and came down with a severe fever...

The local doctor arranged for him to stay at Leask House to convelesce...

However, rest would evade him there due to the strange family living in the house...

May the Devil take these wild Northern lands with their customs and folklore...

This was an excellent Victorian Gothic horror story with all the atmosphere and things that go bump in the night a reader could ask for. Like all good Victorian stories, there is a mystery that is solved at the end.

The first 50% was a slow but interesting burn. The second half is where things began to come together with everything explained nicely at the end. I see why many reviewers compared this novel to the writings of Michelle Paver.

Recommended for fans of Victorian Gothic horror!

[Adrienne L · Rating 4 out of 5]

This book is about as gothic as you can get and pulls out all the stops when it comes to the classic tropes. Except, perhaps, for the fact that the narrator is a young man rather than woman, but you've got the crumbling, isolated estate, villagers with superstitions and secrets, a once-noble family whose fortune has been squandered away, old timey medical practices and class systems, and, of course, a ghostly figure haunting the grounds and dark chambers of the manor house.

As the protagonist is a young man who is part of a scientific expedition in a remote area with a harsh climate, I couldn't help but be reminded of Dark Matter. This short novel, too, is presented as journal entries. Although I don't think it's quite as good as Paver's book, I think other fans of that work will find much to enjoy here. The writing is more than good, and the setting on the flows (bog) of the far north of Scotland is such an austere, beautiful, and treacherous landscape that it's perfect for this type of story.

I will say that some of the big revelations at the end of the story were evident quite early on, but there is a little touch of ambiguity in the closing sections of the book that added a nice bit of nuance to the otherwise foregone conclusions. It took me a little while to get into this one, but once I was hooked, I couldn't put it down. I would definitely recommend to fans of Victorian-set gothic novels and ghost stories.

[Paul · Rating 4 out of 5]

A ghost story set in Scotland, in its most northerly county Caithness. Thomson is writing a ghost story for each of the equinoxes, and this is the first. It is set around the Gaelic/Celtic feast of Samhain (31st October): now unfortunately renamed Halloween. This is the time of year when the veil between the worlds of the living and the dead is supposed to be at its thinnest allowing spirits to return briefly to the mortal world. I believe the second in the series is due out at midsummer. The subtitle of the novel is:
“The True Account of Robert Sutherland concerning the Haunting of Leask House in the County of Caithness”
Robert Sutherland is the narrator and you know things aren’t going to go particularly well for him when on the first page you discover that he is writing his account from an asylum in Inverness. This is classic gothic with all the tropes. Sutherland is working for the Ordnance Survey who are mapping the bleak moorlands and bogs of Caithness. He manages to fall in a bog and almost drown. Catching a fever he ends up at Leask House which is nearby where he is allowed to stay and recuperate. There is more going on than he realises and he starts to see and feel things. The occupants of Leask House are Mrs Sinclair and her daughter Isabel, plus assorted servants. There are secrets and mysteries.
It is ideal reading on a dark night in front of an open fire, possibly in a dark creaky house. It’s a good read.

[Jen · Rating 4 out of 5]

4⭐️
Slow burn, old skool, psychological ghost story written in the classic Victorian style, much like Susan Hill's The Woman in Black. Although predictable (I guessed the premise for the shenanigans pretty early on), it was atmospheric and very 'of the place'. I lived in Tain for a little while whilst my husband worked on designing oil rigs, so it was a pleasure to be back in that beautiful, if unsettling, landscape.

[Mark's endless quest · Rating 5 out of 5]

This novel is Gothic with a G. Not cozy semi-gothic fluff nor modern horror with an old fashion setting

Elaine Thomason did her best to keep the prose , character arcs and pacing to match the original 19th century British gothic story telling. It's on the level of writers like MR. James, Edward Bulwer-Lytton ,Edith Nesbit , etc.

She succeeded remarkably well to catch that Victorian 'vibe' .We have the dairy/confession trope. The bleak surrounding. ,class differences, ,hidden family secrets. And some slow burn romance to raise the stakes. I like the way the narrator's is doubting his experiences. Is it a fever dream , declining mental health or is it real ?

Truly impressive.

[Phil · Rating 4 out of 5]

If you're a a fan of classic ghost stories done well, as I am, then I think you'll enjoy this, as I did. It has all the tropes we like in ghost stories, foggy moors, isolated churches, creaks and bumps in the night, but it doesn't feel hackneyed or overly melodramatic. It follows an Ordnance Survey group, who are mapping the more remote parts of Scotland. One of the group falls into a bog, catches a fever, and is sent to creepy Leask House to recuperate. And after that we're up and running. There are similarities to A Woman in Black, but it remains very much its own story and there's a great twist that I didn't see coming. All in all, very enjoyable and a great page turning read, particularly suited for when the nights drawn in.

[Ashy · Rating 4 out of 5]

thank you Little Brown Books for sending me an arc of this book. all opinions are my own.

// 𝕤𝕪𝕟𝕠𝕡𝕤𝕚𝕤: Robert Sutherland, now a patient of the Inverness District Asylum, writes his account of an ordnance study in the Scottish Highlands gone wrong. Returning to Caithness to map the mysterious terrain that was once walked by the mother he doesn’t remember and the father who has long since died, an accident leaves Robert incapacitated and forced to convalesce in the haunting Leask House. But plagued by nightmares and strange disturbances, Robert sets out to escape - but will he leave with his mind still intact?

// 𝕡𝕝𝕠𝕥, 𝕡𝕒𝕔𝕚𝕟𝕘 & 𝕨𝕣𝕚𝕥𝕚𝕟𝕘 𝕤𝕥𝕪𝕝𝕖: now THIS is a horror story! the suspense, the drama, the spooky apparitions - *chef’s kiss* i really enjoyed how encapsulating this book felt, like we were right there in Caithness with our hero, and how well the reveals were done (as someone who predicts the ending of 85% of the books i read, i honestly didn’t see this one coming)

// 𝕔𝕙𝕒𝕣𝕒𝕔𝕥𝕖𝕣𝕤: given the current political climate in scotland (and the whole of the uk) i appreciated that the main character in this story wasn’t ‘traditionally scottish’ yet felt an immense connection to the land and country - consistently reiterating that despite his darker complexion and ‘different’ features “scotland is for all”

will definitely be picking up more of this authors work!

[Magdalena Morris · Rating 5 out of 5]

Brilliant: set in the 19th century (my favourite) and a ghost story (my favourite). I loved the writing, the characters were so vivid and Leask House up there with some of the most iconic old/haunted/creepy houses. It was actually pretty spooky at times in the way that The Woman in Black (my favourite) is. I enjoyed the twists, reveals and the ending. I CANNOT wait for the next book in this quartet!

[Esmé · Rating 2 out of 5]

not for me! i really wanted to like this. spooky Scottish old timey ghosts is right up my alley but i just wasnt a fan! i think the lack of chapter separation made reading feel like a bit of a slog. it felt similar in vibe to the woman in black and crimson peak, but ultimately a little boring for me.

[tinalouisereadsbooks · Rating 5 out of 5]

Robert Sutherland is working for the Ordance Survey charting the remote north easterly of Scotland. After an accident Robert is sent to recover at Leask House in the company of Mrs Sinclair and her daughter Isobel. Whilst there things start to take an eerie turn for Robert. Is it the lauderman or is there really a ghost.

This is the first time for me reading a book by the author. The book is the first in a set of four set at the turning points of the year: Samahain, midwinter, midsummer and the spring equinox. This book is set in the period and including Halloween so perfect for this time of year.

The story certainly has a gothic feel to it. It has everything that I enjoy in the genre, a rambling old house, isolated setting, family secrets and a brooding atmosphere.

The story is a slow burn but plods on nicely until everything is revealed. The secrets I didn't guess which is always nice so I'm surprised with what is happening.

I didn't find the story scary but it takes a lot for me to be scared by a book but it certainly had a foreboding feel. The descriptions bring the story to life from the peat bogs and the surrounding area.

I really enjoyed this book and I would say its on par with The Woman in Black. I will certainly continue with the next three books.

[Olivia · Rating 5 out of 5]

This is a perfect ghost story - a spooky setting, complicated characters and the supernatural just there, in the corner of your eye. I loved the concept of the haunting beginning with cartographers mapping the far north too. It is a totally compelling read and would be perfect for increasingly dark autumn nights. It really reminded me of the fantastic Dark Matter by Michelle Paver.

[Sophie · Rating 4 out of 5]

A cartographer recovering at a remote Caithness house soon learns his arrival was no accident and something won’t let him leave.

Although this does start slow, it did not feel like a chore as the writing was so atmospheric. I thought the setting was fantastic and I liked the inclusion of the Gaelic words.

By the end I was invested in all the characters and the story, I didn’t see the twists coming. I’m glad to have read this Scottish gothic tale.

Thank you NetGalley and Little, Brown Book Group UK for the ARC in exchange for an honest review.

[Eleanor · Rating 4 out of 5]

It is October 1871, and cartographer Robert Sutherland is with the Ordnance Survey as they chart Scotland’s most remote north-easterly country, an endless, desolate, and eerie moorland. When a haunting vision leads Robert out into the moor, he sustains an injury that leaves him incapacitated and on the brink of death. He is transported to an old house, under the care of Mrs Sinclair and her daughter Isabel, to recuperate, but as he languishes in the dilapidated home, strange occurrences make him question his sanity. Initially, he believes it is the laudanum he has been prescribed, but as he is enveloped in nightmares, hauntings, and visions, the vast Scottish highlands begin to close around him, and the house becomes increasingly stifling. Robert must discern what is reality, as he slowly descends into madness and begins to wonder whether his presence at Leask House is really a coincidence at all and whether he is trapped there for eternity. We discover unfolding events as Robert Sutherland recounts his experiences that led to his incarceration in Inverness District Asylum.

Hawthorn is a deeply atmospheric read, with an abundance of mysteries and an unreliable narrator that added to the tension of the story. It is an eerie Victorian Gothic tale perfect for autumnal nights.

[Michelle Morley · Rating 5 out of 5]

This was a breath of fresh air in the world of ghost stories. Beautifully written in a Victorian gothic style, Hawthorn delivered hauntingly dark, gripping, and suspenseful read. Although the book begins slowly, I was absorbed by the bleakly atmospheric and eerie setting. Very well structured. I took away half a star, purely for the time I spent looking up various Scottish terminology.

I would award this 4.5 stars. Great read!.

[Kate · Rating 4 out of 5]

Very enjoyable atmospheric ghost story. I also really liked the descriptions of the Scottish nature. 4 stars.

[Jen · Rating 5 out of 5]

A hauntingly sad gothic novel set in remote Scotland. Hawthorn is a tragic tale that follows a man working for the Ordnance survey who is injured and has to stay at a local stately home while he recovers. Whilst there he experiences terrifying apparitions that will lead him to uncover secrets of the house, and his own past.

This novel does gothic horror very well. We have a character who is unable to trust what he’s seeing, who is feeling confused and disoriented. Who is being misled and dismissed by the people around him. We have an eerie home, with too few people rattling around, and family shame that can’t help but bubble to the surface. We have a bleak and haunting landscape, dangerous and with men seeking to map out and dredge up all its secrets. We have an area with folklore and supernatural beliefs that influence how some people react the main character, whilst others are dismissive.

This book is also very sad. Pain and suffering are abundant. Not just the residents of the home, but how it has spilled out into the local area. We see how the malicious actions a person commits can have ripples out, harming others in a wide radius.

This book was eerie, tense and tragic. It’s well written and I look forward to reading more from this author. I read an eARC of this book on NetGalley so thank you to the author and the publisher.

[Ziggy Nixon · Rating 4 out of 5]

None of this happened before you came.

Being neither much of a fan of Victoria-set gothic tales - and I tell you, this I would consider an übergothic story! - nor honestly ghost stories which always wind up being more mystery tales than not in my experience (find out who killed me, OoOoOooOoo!), I was quite pleased with Elaine Thomson's brooding and mysterious "Hawthorn". If you have ever enjoyed the open Scottish lands as described, which are often painted for the reader in pain-stakingly minute detail, then you could easily follow along as our story takes us first from following a surveying mission acrosss harsh and unforgiving land on to a mysterious land-owner's estate.

Covered in mud, soaked to the skin, I was raving like a madman…

I should also note that I could especially sympathize with our protagonist Robert Sutherland, not because of his education or eventual familial discoveries, but because during a hike I, too, have "had a full baptism" in an unexpected bog pool (read: I am clumsy as hell) - which we learn again and again are called dubh lochs. Luckily for me, there were no spectral hands waiting to pull me even further into the muck, which I can attest is as dark and disgusting as advertised, noting I had to later just throw that pair of jeans in the garbage!

…that familiar smell was all around me – decay, mud and worms, dead flesh and rank water.

Do be prepared though for the usual "setting" for the time period should you pick up a copy. Again, we get naturally a great deal of this view courtesy of our surveying team, not all of whom are thrilled to be mucking about the constantly changing weather of Scotland and "its wild north a place of mystery and secrets". But then once Robert must seek medical care - or better said have it sought for him - we find the usual estate that's found in such tales in a state of severe degradation, the local villagers who naturally look upon any strangers or strange happenings with full distrust and superstitutions, and even family secrets across the board. The fact that once Robert arrives a ghost begins haunting the house and surrounding property doesn't help matters at all. And yes, you can be sure that there's a standing stone within view as well, even though naturally sane people would realize that the "stone, its obsidian darkness reflected in its black pool, was no more than a misshapen rock…" Och, aye, try and tell the locals that …

I saw her mouth open into a wide ‘O’ as if she was screaming, screaming for her life.

One thing that's also very prevalant that always shocks me in books of this era are both the savage caste systems - you know, where someone's grandfather's grandfather laid claim to a chunk of land so everyone else has to remain servile and lower class, living off the land that is scarcely fit for crops or other means of earning a living or even deciding who(m) you could marry or not ("how could I allow myself to love her when I came from such lowly stock?") - as well as the medical practices. We learn that psychology is just getting off the ground about this time - why, doctors (or alienists if you prefer) are even accepting that men can be hysterical ("I was not hysterical, and I would not be labelled as such.")! - but it still doesn't stop the local doctor from prescribing medications such as iron tonic, great quantities of laudanum (an alcoholic solution containing morphine, being prepared from opium ["where would we be without opium?"]) or even calomel. This latter being a mercury-containing powder that was used as a "purgative", that is, to treat STD's ("One night with Venus and a lifetime with mercury…") that left at least one of our players drooling great gobs of black spit everywhere!

You cannot trust what you see, or what you think you see.

Now, there's no telling how much any of these medications - oh dear, I forgot to mention the leeches! - come into play especially in terms of the countless nightmares and "visions" Robert must endure, but at least he makes a clear record of their use in this "journal" of his, which is intended to be a full account of his recent adventures as he awaits trial. No, I won't tell you why he's on trial (the fact itself is not much of a spoiler since the book starts with him explaining this) because that would spoil the hell out of things, and there are some very cool twists at the end that despite what other reviewers are saying I did not see coming at all!

…the account that follows of the eve of that night and of Samhain itself is as true as any word I have ever written…

There were,, however, issues though that I found less than exemplary. Again, the repetitious nature of the author's descriptives, including of the land and particularly the ghost, could have been tidied up. I also thought that Thomson missed a big opportunity to expand on a small passage within the book that had some eye-opening significance. During a tour of the house, we see that one of the previous Maisters had included small faces of illegimate children in the decorations ("amongst the frieze of plaster fruits, acorns, apples and vines, puckish faces peeped out."). I can't help but think after what we learn by the final page that this could have been tied into some of the bigger reveals as well. But perhaps not owing to the time gaps involved.

The face was ghostly, poisoned, the eyes lodged in dark hollows…

And finally, in what proves to be the big finale (though not the actual final), there is a fight scene that I found utterly preposterous. Yes, I realize poor Mr. Sunderland has been essentially in recovery for several weeks, but there is no way the surprise(d) opponents he faces could have put up much of a force at all had he simply reached out and clocked them a good knock. But then again, when you need a good reveal and vengeance sequence for your ghost story to work, I guess you make allowances. In conclusion then, again, this was a very entertaining book that despite my modest expectations, I wound up reading in one day. Well done!

[Victoria · Rating 4 out of 5]

A wonderfully atmospheric read.



Thomson has written a gripping, dark, well paced Victorian gothic horror that I couldn't put down. The characters were excellently written and I loved that Sutherland was an unreliable narrator - this really added to the tension of the story.



Highly recommended.

[Martin Paul · Rating 5 out of 5]

he field of Gothic horror has a new mistress.

"Hawthorn" opens in Inverness, 1871, where Robert Sutherland, geographer and cartographer, is writing his account of the events which led to his incarceration in Inverness District Asylum. In his own words, a haunting, an old house a series of events beyond his control all led to his downfall. As the narrative develops we learn that he and his team of Ordnance Survey surveyors were moving across the wilds of Caithness, charting the land for a new six-inch scale map. When he falls foul of the uneven ground, and badly injures his ankle, he is transported to an old house, under the care of an elderly woman and her daughter. But as he languishes in the house, things start to happen which make him question his sanity.

And so the reader, and Sutherland are slowly drawn deeper and deeper into a nightmare of visitations, hauntings and visions, as the house and the wild highlands of Scotland close around him. Readers who know this area will revel in the descriptive and captivating prose, and as we encounter dour highlanders, peaty bogs, and broken down mills, the reality of post-Clearances Highland is brough vividly to life. Sutherland's slow decline into madness is helped along by revelations, discoveries and mysteries, which make him question his entire life up til now. The cast includes an old, mysterious doctor, a dour miller and his daughter, and a benefactor who may not be what he seems. Each one, nicely painted against the wild canvas of Highland Scotland.

This book reads like some classic 19th-century Gothic tale. The language is perfect - cold and stark, and the epistolary nature of the narrative means we only see events unfold from Sutherland's point of view - how much are we to believe and how much is in his head?

The final few pages nicely offer some answers, but still leave the reader wondering...

Fans of ES Thomson will know her for her Jem Flockhart books - but this new venture in to gothic horror will undoubtedly garner a whole new audience. If you enjoy Susan Hill, Laura Purcell or Michelle Paver you'll love this. Heartily recommended.

[Sim Hel · Rating 3 out of 5]

Das Genre der "Gothic Novels" hat ein großes Problem: Es bietet nicht viel Raum für kreative Entfaltung. Das hat zur Folge, dass alle Bücher irgendwie ähnlich sind, und man hat das Gefühl, wenn man ein paar gelesen hat, dann kennt man alle.
So jedenfalls ist es mir mit "Hawthorn" ergangen. Es ist kein schlechtes Buch, vor allem kann Elaine Thompson wunderbar Landschaften beschreiben und eine besondere Atmosphäre, die es für einen Schauerroman braucht, erschaffen. Ich kann mir gut vorstellen, dass jemand, der noch nicht viele Schauerromane gelesen hat und mal in das Genre reinschnuppern möchte, an diesem Buch Gefallen finden wird, aber jemand, der wie ich schon mehrere gelesen hat, wird sich wahrscheinlich denken, dass man das ja so ähnlich schon kennt.
In der Regel folgen Schauerromane immer einem ähnlichen Muster und greifen auf dieselben Bausteine zurück: Zeitpunkt: Vergangenheit, gerne Jahrhundertwende oder ein bisschen vorher, Schauplatz: immer (Nord-)England und dort ein einsam gelegenes Herrenhaus, das in einer Moor- oder Heidelandschaft liegt, Charaktere: meistens eine adelige Familie, die verzweifelt ihren eigenen Niedergang verhindern will, ein paar Außenstehende, ein irrer Verwandter, der mit allen Mitteln vor der Öffentlichkeit versteckt werden muss, weitere Eigenschaften: (psychische oder körperliche) Krankheiten, Spukerscheinungen. Abgeschrieben wird meist bei "Jane Eyre" oder "Die schwarze Frau".

Um das mal zusammenzufassen: "Hawthorn" ist kein schlechtes Buch, aber ich habe mich stellenweise gelangweilt, weil bis auf die letzten zwanzig Seiten kaum was passiert. Der Spuk wiederholt sich mehrmals auf die gleiche Art und Weise (und wirkt in Büchern auch einfach nicht so wie im Film), was dann auch irgendwann langweilig wird; das Ende bzw. die Auflösung war für mich sehr vorhersehbar, weil ich schon viele "Gothic Novels" gelesen habe und hier auf altbekannte Klischees zurückgegriffen wird.
Vielleicht ist es für mich Zeit, mal was anderes zu lesen.

[Bookish Lady · Rating 5 out of 5]

Review & Rating : 5⭐

A layered, supernatural horror story set in 19th century Scotland. It's laced with family secrets and drama, lies and folklore. All of it tied together by the well executed themes of justice, belonging and roots (family, culture, society).
Here the author mastered to perfection the concept of 'less is more', since the supernatural elements are not the only thing carrying the story. It slowly unveils its many layers as you go through it, the complex setup coming to a stunning culmination. All of it plays out with a cast of distinct and believable characters who are a pleasure to follow throughout the book.
I loved how the tension built up slowly as more and more creepy and disturbing details were added up, going a long way to enhance the setting of an isolated and crumbling estate in the middle of a sparsely populated Scottish moorland.
The environment fits the narrative and vice versa, creating an atmosphere of absolute despair, isolation and dread.
The story doesn't allow you to get bored by constantly facing you with new questions that need answer, but it also makes you dread looking for it in the seething depths of the Samhain eve as it approaches.
Not a single scene is repetitive, not a single trick overused. Every detail serves a narrative purpose, foreshadowing and setting up the end exceptionally well.
The ending is one of the best I've ever read in a horror novel, leaving not a single thread loose nor a single question unanswered.

All in all a perfect horror story. I love the author and how versatile she is, writing both outstanding victorian detective mysteries and horror stories. With her new book 'Saltwater' coming out in June, I'm more than convinced that this Ghostly Quartet series will become the best horror series of 21st century.

[Angie · Rating 4 out of 5]

Hawthorn is a set in the north of Scotland, in 1871. A ghost story that doesn't frighten, yet is eerie and atmospheric, and will get under your skin.

Robert Sunderland is a cartographer: a member of a team working for Ordnance Survey, mapping a remote area in Scotland. An accident means he needs time and a space to recover, and he is taken in, begrudgingly, by the owner of a nearby mansion, Leask House.

A scientist and a rational man, Sunderland puts down his frequent nightmares and daytime sightings of ghostly apparitions by being caused by laudanum, which the local doctor has prescribed for him for pain.

Secrets abound in this remote mansion and surrounding area, and are revealed as the story goes on.

This is a good creepy gothic ghost story, that will keep you feeling slightly uneasy all the way through, until truth and answers are revealed.

Thanks to Net Galley for providing me with an ARC in exchange for an honest review.

[Holly Parker · Rating 4 out of 5]

This was a very creepy and typical historical drama! A ghost story no less- it reminded me of The Woman In Black mashed up with Wuthering Heights.

I particularly enjoyed the descriptions of the environment, the moors and bogs and the Leask House- this was another book where the environment was pretty much its own character and I thought this section was done really well!

In terms of the plot, I wasn’t sure at first and thought it was going in a more supernatural direction. The mystery surprised me and I certainly didn’t see the plot twist at the end coming! Overall it was a good concept and plot- just a slow start perhaps.

I would have liked more depth between the main character and the love interest- it would have helped us to see what the depths of the relationship could be, although I do understand why the author may not have gone fully in on this- but honestly it would have made the truth even more surprising!

I enjoyed the read and it was a good story!

[Brooke, · Rating 3 out of 5]

Hawthorn by Elaine Thomson is a modern take on the Victorian Gothic ghost story—familiar in its elements, yet somehow singular. Thomson draws on the well-worn staples of the genre: misdirects and misunderstandings, guilty consciences, lingering grief, the ominous old house, and wary neighbors and villagers. And yet, despite these ingredients, I found myself unable to fully enter the story. There was no moment where everything seemed to fall into place. It’s a reaction I’ve had before with writers like Shirley Jackson: I can admire the craft and the elegance of the prose, but still feel that something essential is missing. Perhaps these novels are better suited to being listened to than read.

[Lisa Marie · Rating 5 out of 5]

“Hawthorn” felt like it was written just for me. A ghost story set in Scotland, filled with dark secrets, eerie atmosphere and exactly the kind of gothic vibes I adore.

From about halfway through, I genuinely couldn’t put it down. The tension builds beautifully, pulling you deeper and deeper into the story until you’re completely absorbed. The haunting setting and creeping unease are masterfully done, without ever feeling overdone or cheap.

Elaine Thomson excels at atmosphere and slow-burning suspense, making Hawthorn an unforgettable reading experience. This was an absolute favourite for me and a must-read for anyone who loves gothic fiction, haunted places and stories that linger long after the final page.

[Wendy · Rating 2 out of 5]

This was quite disappointing. I found the start quite boring but then the story developed and I was hoping for an exciting end or at least a satisfying one but the ghost story part was just a lot of repetitive visions with no explanations. Then you get to the end and it starts to all fall in to place but I was left thinking who was I supposed to be rooting for as none of the characters were worthy of my concern or sympathy. I'm not sure what the author was aiming for here but it didn't work for me.

[Jackie Baker · Rating 5 out of 5]

Dripping with atmosphere. Perfectly captures the vibes of a Victorian gothic ghost story with a layer of Scottish countryside for flavor. Slow burn into a satisfying climax.

This is the first of four books centered around the seasons (and their pagan traditions) that the author is writing. This was Autumn/Samhain and I'm glad I read it around that time of year. Very much looking forward to the next book for Midsummer/Litha.

[Sinziana · Rating 5 out of 5]

Beautiful atmospheric Scottish horror. This book combines beautifully the erie atmosphere, softly building dread and fear. By the end of the book you are left questioning the sanity and development of various characters through the book. Reading it felt like Laura Purcell meets Michelle Parver to build a beautiful atmospheric novel.

[Louise · Rating 4 out of 5]

Just the right amount of "is there something happening here, or is he mad?" going on, to have me wondering all the way through.
The story has plenty of atmosphere, and enough secrets to unravel to keep everyone happy.
An enjoyable read.

[Alex P · Rating 5 out of 5]

I really enjoyed this. I didn’t find the first part slow, it was a good build up and the scenes of the countryside are very evocative interweaved with detailed descriptions that help build a picture of the background and situation of the forthcoming story.

Can’t wait for the next one.