Poignant, semi-philosophical manga centred on a series of critically endangered creatures with artwork by Kanato Abiko and story by Takashi Ushiroyato. Sometimes deeply unsettling, sometimes bleakly, absurdly funny this follows two beings who experience reincarnation, each time born into a species on the verge of extinction. In each iteration key themes emerge. It opens with two penguins Pen and Merle, close companions. Pen’s response to possible annihilation is to speed up the process, engaged in finding ways to kill his fellow penguins. Merle is anti-natalist but, unlike Pen, not nihilistic, striving for purpose, he warms a stone not as a substitute egg but as a gesture of his refusal to accept that reproduction is the sole point of things.
Reborn as Hawaiian crows, they’re the last of their kind found in the wild. The pair witness a crow funeral and wonder if there’s any point to ritual as a means of structuring their world. They know that birds of their kind have been taken and raised by humans but they wonder if these birds are really crows? Since they’ve been isolated from their natural habitats, divorced from their culture. Are human preservation schemes the right response to the crows’ looming disappearance? Next, they become sea otters relentlessly hunted by humans for their soft pelts. Again, the duo ponders the meaning of existence but this time their focus is on speciesism, were they really born just to be ruthlessly exploited by humans? Next, they wake as kākāpō, the flightless parrots found in New Zealand, one of them becomes a performer singing in desperate hope that their mating call will be answered.
Finally, we’re introduced to Bert, an abandoned emperor penguin adopted by Merle – Pen is long dead. Bert’s narrative revolves around grief and loss, Bert struggles with his awareness that he will soon be the last of his kind, entirely alone. Can some form of living intentionally, of protest and resistance make it possible for him to endure? Part eco-fiction, part fable, taken together these episodes also construct a critique of contemporary Japanese society. Themes around childbearing link to Japan’s falling birth-rate, the exploitation of animals to the commodification of people under capitalism. The emphasis on bonding and friendship can be seen as a commentary on the limitations of heteronormative family structures. For some the work’s dual purpose will likely be seen as a strength, for others an anthropomorphic dilution of its chronicling of overwhelming environmental blight, human hubris and outrageous lack of care for other living creatures. Either way this could be surprisingly powerful despite the fact that it raises far more questions than it can possibly answer. The writing and the artwork work well together, the grainy, brooding black-and-white, the explosion of movement, the detail often arresting.
Thanks to Netgalley and publisher Kodansha for an ARC
Rating: 3/3.5