I used to read Kristin Cast early in my reading journey, but it's been a minute. But I loved her older YA work, and with a cover like this, I was excited to dive right in. So, The Lovers was a book I desperately wanted to LOVE. I went in excited to see her take on adult romantasy, and while there is a lot here to like, it didn't ever quite click for me.
The story centers on Gemma, who travels to a friend’s wedding only to run into her ex, Alder, a man who is openly manipulative, emotionally abusive, and financially controlling. Despite recognizing his toxicity, Gemma still falls into bed with him. Shortly after, the two wake up in a strange fantasy realm where Alder has a near identical counterpart named Alderic. From there, the book leans heavily into a love triangle built on deception, secrets, and repeated emotional manipulation.
In this new world, Alder pretends to be King Alderic in order to protect himself and Gemma. Gemma resents this and constantly clashes with him, yet their interactions are framed as sexual tension rather than the deeply unhealthy dynamic it clearly is. Alderic, on the other hand, is written as gentle, attentive, and romantic, except for the fact that he allows Gemma to believe he is Alder for most of the book. The justification is love, and that explanation is somehow treated as enough. Instead of feeling romantic, it just felt frustrating. Both men lie to her repeatedly, and the story asks the reader to accept that intention somehow outweighs impact. Or that it even makes sense.
What made this harder to sit with is Gemma herself. Her characterization felt thin and entirely centered around these men. Despite clearly noticing how different Alder and Alderic behave, it takes her nearly the entire book to fully acknowledge that they are not the same person. This delay reads less like emotional complexity and more like narrative convenience. I never felt grounded in who she was outside of the romance, which made it difficult to care about her choices or growth.
To be fair, I don't love love triangles, except when I feel like there is legitimate draw and tension between both men. Not so much here. And the larger fantasy portion never really landed with me. The world is losing magic, an evil queen is sacrificing women to maintain power, and Alder is actively complicit in supporting her. Those stakes feel high, but they remain underdeveloped. The magic system is vague, the political stakes are unclear, and the world building feels more like a backdrop than a living place. There are ideas here that could have worked, and I see the glimmers of the Kristin Cast world building and tension I used to love. But more often that not, I was frustrated or confused rather than intrigued or compelled, especially when the story seemed to assume emotional investment without doing the work to earn it.
Some readers may enjoy the chaotic romance, the secrets, and the messy love triangle, but this book left me disconnected and not really rooting for any of the characters. But certainly am interested in reading the first book or more in this world.