Things Fall Apart tells two intertwining stories, both centering on Okonkwo, a 'strong man' of an Ibo village in Nigeria. These perfectly harmonized twin dramas are informed by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul, and concerns the clash of cultures and the destruction of Okonkwo's world.
The first of these stories traces Okonkwo's fall from grace with the tribal world in which he lives, as a leader of the Ibo village of Umuofia, Nigeria, and in its classical purity of line and economical beauty it provides us with a powerful fable about the immemorial conflict between the individual and society. The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo's world through the arrival of aggressive, proselytizing European missionaries, and their profound impact on African society, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul.
Things Fall Apart is the most illuminating and permanent monument we have to the modern African experience as seen from within. Window to a world long gone and to the challenges and pains that come with changing aged-long tribal social life and structure and replacing it with modern Christian European way of life. Introduction by K. Anthony Appiah.
A trilogy of works chronicling the fate of one African community, continued in "Arrow of God" and "No Longer at Ease". .
Works, including the novel Things Fall Apart (1958), of Nigerian writer Chinua Achebe describe traditional African life in conflict with colonial rule and westernization.
This poet and critic served as professor at Brown University. People best know and most widely read his first book in modern African literature.
Christian parents in the Igbo town of Ogidi in southeastern Nigeria reared Achebe, who excelled at school and won a scholarship for undergraduate studies. World religions and traditional African cultures fascinated him, who began stories as a university student. After graduation, he worked for the Nigerian broadcasting service and quickly moved to the metropolis of Lagos. He gained worldwide attention in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe defended the use of English, a "language of colonizers," in African literature. In 1975, controversy focused on his lecture An Image of Africa: Racism in Conrad's "Heart of Darkness" for its criticism of Joseph Conrad as "a bloody racist."
When the region of Biafra broke away from Nigeria in 1967, Achebe, a devoted supporter of independence, served as ambassador for the people of the new nation. The war ravaged the populace, and as starvation and violence took its toll, he appealed to the people of Europe and the Americas for aid. When the Nigerian government retook the region in 1970, he involved in political parties but witnessed the corruption and elitism that duly frustration him, who quickly resigned. He lived in the United States for several years in the 1970s, and after a car accident left him partially disabled, he returned to the United States in 1990.
Novels of Achebe focus on the traditions of Igbo society, the effect of Christian influences, and the clash of values during and after the colonial era. His style relied heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. He also published a number of short stories, children's books, and essay collections. He served as the David and Marianna Fisher university professor of Africana studies at Brown University in Providence, Rhode Island, United States.
I went into this book expecting it to feel like a chore (it is mandatory summer reading afterall), but I was pleasantly surprised by how invested I became in Okonkwo’s story. Achebe creates such a complex protagonist that, even when I disagreed with his choices, I couldn’t stop reading to see where they would lead. There’s so much to unpack beyond the plot: from the tension between tradition and change to the novel’s exploration of gender, power, and colonialism. It’s easy to see why this book has remained so influential. I’m glad I finally read it!