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Only Sing: 152 Uncollected Dream Songs
The never-before-published poems of one of the greatest American poets, John Berryman.
John Berryman’s Dream Songs are arguably the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of being at odds with the world. He is lustful; he is depressed.
The collected Dream Songs consists of 385 discrete poems, combining those from 77 Dream Songs, which was awarded the Pulitzer Prize for Poetry in 1965, and those from His Toy, His Dream, His Rest, which won the National Book Award for Poetry in 1969. But for Berryman, Henry lived on. Over the years, the poet wrote more than a hundred additional songs that didn’t make it into the various published editions of the songs. As elucidated by Shane McCrae in the introduction to this edition, Berryman hoped that readers might slot these unpublished poems in among the rest.
Only Sing, which includes both finished poems and drafts, isn’t merely the scraps left on a cutting room floor; it is a continuation of the epic cycle, an additional set of poems that crack language open, an extension of Berryman’s brilliant account of madness shot through with searing insight.
John Berryman’s Dream Songs are arguably the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of being at odds with the world. He is lustful; he is depressed.
The collected Dream Songs consists of 385 discrete poems, combining those from 77 Dream Songs, which was awarded the Pulitzer Prize for Poetry in 1965, and those from His Toy, His Dream, His Rest, which won the National Book Award for Poetry in 1969. But for Berryman, Henry lived on. Over the years, the poet wrote more than a hundred additional songs that didn’t make it into the various published editions of the songs. As elucidated by Shane McCrae in the introduction to this edition, Berryman hoped that readers might slot these unpublished poems in among the rest.
Only Sing, which includes both finished poems and drafts, isn’t merely the scraps left on a cutting room floor; it is a continuation of the epic cycle, an additional set of poems that crack language open, an extension of Berryman’s brilliant account of madness shot through with searing insight.
- GenresPoetry
192 pages, Hardcover
Published December 9, 2025
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32 people want to read
About the author
John Berryman
145 books242 followersJohn Allyn Berryman (originally John Allyn Smith) was an American poet, born in McAlester, Oklahoma. He was a major figure in American poetry in the second half of the 20th century and often considered one of the founders of the Confessional school of poetry. He was the author of The Dream Songs, which are playful, witty, and morbid. Berryman committed suicide in 1972.
A pamphlet entitled Poems was published in 1942 and his first proper book, The Dispossessed, appeared six years later. Of his youthful self he said, 'I didn't want to be like Yeats; I wanted to be Yeats.' His first major work, in which he began to develop his own unique style of writing, was Homage to Mistress Bradstreet, which appeared in Partisan Review in 1953 and was published as a book in 1956. Another pamphle.
His thought made pockets & the plane buckt, followed. It was the collection called Dream Songs that earned him the most admiration. The first volume, entitled 77 Dream Songs, was published in 1964 and won the Pulitzer Prize for poetry. The second volume, entitled His Toy, His Dream, His Rest, appeared in 1968.
The two volumes were combined as The Dream Songs in 1969. By that time Berryman, though not a "popular" poet, was well established as an important force in the literary world, and he was widely read among his contemporaries. In 1970 he published the drastically different Love & Fame. It received many negative reviews, along with a little praise, most notably from Saul Bellow and John Bailey. Despite its negative reception, its colloquial style and sexual forthrightness have influenced many younger poets, especially from Britain and Ireland. Delusions Etc., his bleak final collection, which he prepared for printing but did not live to see appear, continues in a similar vein. Another book of poems, Henry's Fate, culled from Berryman's manuscripts, appeared posthumously, as did a book of essays, The Freedom of the Poet, and some drafts of a novel, Recovery.
The poems that form Dream Songs involve a character who is by turns the narrator and the person addressed by a narrator. Because readers assumed that these voices were the poet speaking directly of himself, Berryman's poetry was considered part of the Confessional poetry movement. Berryman, however, scorned the idea that he was a Confessional poet.
A pamphlet entitled Poems was published in 1942 and his first proper book, The Dispossessed, appeared six years later. Of his youthful self he said, 'I didn't want to be like Yeats; I wanted to be Yeats.' His first major work, in which he began to develop his own unique style of writing, was Homage to Mistress Bradstreet, which appeared in Partisan Review in 1953 and was published as a book in 1956. Another pamphle.
His thought made pockets & the plane buckt, followed. It was the collection called Dream Songs that earned him the most admiration. The first volume, entitled 77 Dream Songs, was published in 1964 and won the Pulitzer Prize for poetry. The second volume, entitled His Toy, His Dream, His Rest, appeared in 1968.
The two volumes were combined as The Dream Songs in 1969. By that time Berryman, though not a "popular" poet, was well established as an important force in the literary world, and he was widely read among his contemporaries. In 1970 he published the drastically different Love & Fame. It received many negative reviews, along with a little praise, most notably from Saul Bellow and John Bailey. Despite its negative reception, its colloquial style and sexual forthrightness have influenced many younger poets, especially from Britain and Ireland. Delusions Etc., his bleak final collection, which he prepared for printing but did not live to see appear, continues in a similar vein. Another book of poems, Henry's Fate, culled from Berryman's manuscripts, appeared posthumously, as did a book of essays, The Freedom of the Poet, and some drafts of a novel, Recovery.
The poems that form Dream Songs involve a character who is by turns the narrator and the person addressed by a narrator. Because readers assumed that these voices were the poet speaking directly of himself, Berryman's poetry was considered part of the Confessional poetry movement. Berryman, however, scorned the idea that he was a Confessional poet.
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January 11, 2026like the best and worst of berryman; smug, mawkish, eloquent, florid, masturbatory, and brilliant. he was and remains a singular voice in american poetry, that we must never let leave our collective memory, which, i assume, is much to the chagrin of his own henry pussycat.
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