For me, this was a case of reading the perfect book at exactly the right time. I had just begun exploring Ingmar Bergman's work in 2001 rather intensely, watching five of his films within a week. My interest began with hearing a reference to Bergman in a Woody Allen film and remembering that I had been meaning to watch more of his work, having only seen The Seventh Seal. I checked out The Virgin Spring from the video rental shop one evening, noticing they had about ten other Bergman titles as well, and was so taken with it that I returned right after watching it and checked out The Seventh Seal to re-watch that evening and Autumn Sonata to watch the next evening. A couple evenings later I watched Hour of the Wolf and the following evening The Silence, and decided after those two intensely dark films that I needed to take a little break from watching Bergman and actually learn more about him and the films I had watched and set them in context. Cowie's book was perfect for that. I eventually watched every film available at rental shops and the local libraries over the next couple of years, even over the course of moving to a different city, and Cowie's book greatly increased my appreciation for his work. The book contains many excellent photo stills which are themselves works of art, compliments of Gunnar Fischer and Sven Nykvist.