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Les Sœurs de la Muée
Nous sommes en 127, Temps d’après les Oléoducs. Quatre-vingts ans plus tôt, les Muantes, une race de femmes clonées se reproduisant par parthénogenèse, se sont échappées de l’usine où leurs créateurs les maintenaient en esclavage. Elles ont trouvé la paix loin de la décrépitude de Saltwater City, aujourd’hui ravagée par une épidémie de grippe du tigre ayant tué presque tous les hommes.
La jeune Kirilov Volubilis, initiée à la médecine, se dévoue à la protection de sa bien-aimée Péristrophe Halliana, dernière astérie de la Muée, dotée du pouvoir de régénérer ses organes pour en faire don à ses sœurs. La vie de Kirilov bascule quand, juste avant les fêtes de la mi-automne, une étrangère fait irruption dans le village et infecte avec le virus de la grippe la vulnérable Péristrophe, qui en meurt peu après. Kirilov, ravalant son chagrin, entreprend un voyage vers la ville, à la recherche de la nouvelle astérie qui sauvera sa communauté de l’extinction.
Là-bas, elle rencontre Kora Ko, quinze ans, une humaine qui vient d’intégrer l’école de danse Cordova, un pensionnat où les filles apprennent à survivre. Kora possède tout ce dont a besoin Kirilov, mais elle refuse d’abandonner les siens. Or a-t-elle le choix? Les habitants de Saltwater City fuient la famine, et la ville se vide malgré des contrôles frontaliers de plus en plus violents. Et les industriels qui ont créé les Muantes n’en ont pas fini avec elles.
Sous l’ombre menaçante de satellites devenus fous comme les puissants qui les contrôlent, Kora et Kirilov se lanceront sur les chemins d’une métamorphose aussi sombre et profonde que les secrets de leurs familles.
Héritière d’Ursula K. Le Guin et d’Octavia Butler, Larissa Lai dépeint, dans ce thriller biopunk doublé d’un roman initiatique lesbien, une société post-pétrolifère inique et fracturée, où deux jeunes héroïnes doivent accepter l’horreur de leurs origines communes et surmonter la haine opposant leurs peuples pour offrir un avenir meilleur à celles qui viendront après elles.
La jeune Kirilov Volubilis, initiée à la médecine, se dévoue à la protection de sa bien-aimée Péristrophe Halliana, dernière astérie de la Muée, dotée du pouvoir de régénérer ses organes pour en faire don à ses sœurs. La vie de Kirilov bascule quand, juste avant les fêtes de la mi-automne, une étrangère fait irruption dans le village et infecte avec le virus de la grippe la vulnérable Péristrophe, qui en meurt peu après. Kirilov, ravalant son chagrin, entreprend un voyage vers la ville, à la recherche de la nouvelle astérie qui sauvera sa communauté de l’extinction.
Là-bas, elle rencontre Kora Ko, quinze ans, une humaine qui vient d’intégrer l’école de danse Cordova, un pensionnat où les filles apprennent à survivre. Kora possède tout ce dont a besoin Kirilov, mais elle refuse d’abandonner les siens. Or a-t-elle le choix? Les habitants de Saltwater City fuient la famine, et la ville se vide malgré des contrôles frontaliers de plus en plus violents. Et les industriels qui ont créé les Muantes n’en ont pas fini avec elles.
Sous l’ombre menaçante de satellites devenus fous comme les puissants qui les contrôlent, Kora et Kirilov se lanceront sur les chemins d’une métamorphose aussi sombre et profonde que les secrets de leurs familles.
Héritière d’Ursula K. Le Guin et d’Octavia Butler, Larissa Lai dépeint, dans ce thriller biopunk doublé d’un roman initiatique lesbien, une société post-pétrolifère inique et fracturée, où deux jeunes héroïnes doivent accepter l’horreur de leurs origines communes et surmonter la haine opposant leurs peuples pour offrir un avenir meilleur à celles qui viendront après elles.
432 pages, Paperback
First published October 23, 2018
114 people are currently reading
3773 people want to read
About the author
Larissa Lai
17 books236 followersLarissa Lai has authored three novels, The Tiger Flu, Salt Fish Girl and When Fox Is a Thousand; two poetry collections, sybil unrest (with Rita Wong) and Automaton Biographies; a chapbook, Eggs in the Basement; and a critical book, Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s. A recipient of the Astraea Foundation Emerging Writers' Award, she has been a finalist for the Books in Canada First Novel Award, the Tiptree Award, the Sunburst Award, the City of Calgary W.O. Mitchell Award, the bpNichol Chapbook Award, the Dorothy Livesay Prize and the ACQL Gabrielle Roy Prize for Literary Criticism.
Larissa was born in La Jolla, California and grew up in St. John's, Newfoundland. She spent the 1990s as a freelance writer and cultural organizer. Her first publication was an essay about Asian Canadian contemporary media, published in the catalogue for the 1991 exhibition Yellow Peril: Reconsidered. She has held writer-in-residence positions at the University of Calgary, Simon Fraser University and the University of Guelph. In 2001, she completed an MA in Creative Writing at the University of East Anglia. From 2001-2006, she did a PhD in English at the University of Calgary. She was Assistant Professor in Canadian Literature at UBC from 2007-2014. In 2014, she returned to the University of Calgary to take up a Canada Research Chair in Creative Writing.
She likes dogs, is afraid of cats, and feels at home in both Vancouver and Calgary.
Larissa was born in La Jolla, California and grew up in St. John's, Newfoundland. She spent the 1990s as a freelance writer and cultural organizer. Her first publication was an essay about Asian Canadian contemporary media, published in the catalogue for the 1991 exhibition Yellow Peril: Reconsidered. She has held writer-in-residence positions at the University of Calgary, Simon Fraser University and the University of Guelph. In 2001, she completed an MA in Creative Writing at the University of East Anglia. From 2001-2006, she did a PhD in English at the University of Calgary. She was Assistant Professor in Canadian Literature at UBC from 2007-2014. In 2014, she returned to the University of Calgary to take up a Canada Research Chair in Creative Writing.
She likes dogs, is afraid of cats, and feels at home in both Vancouver and Calgary.
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Displaying 1 - 30 of 268 reviews
February 4, 2019
This book felt like I inhaled some strange, out-of-this-world, hallucinogenic drug. If you think the cover is eclectic and psychedelic, wait until you actually read this.
This novel takes readers on an absolute mind f***. There’s an exiled lesbian commune with a genetic mutation that allows some of them to asexually reproduce. “Starfish” women that can regenerate limbs and organs. An insidious technology that separates the mind from the body. A rampant, deadly disease that primarily affects men. An Earth devastated by environmental ruin, geopolitical upheaval, hallucinogenic drugs, and sly dancing girls that can cha-cha-cha away your most precious belongings.
I’m pretty sure I had no clue what was going on for the last 25% of the book but I still loved it. Some critiques (besides the confusing nature of the latter quarter) I had were that I wanted to know more. I wanted to know about the politics between the countries, the nature of the companies, how everything came to be. But this book is already flooded with a frenzy of colors, ideas, and random events I have no clue how all that could have been added.
This novel takes readers on an absolute mind f***. There’s an exiled lesbian commune with a genetic mutation that allows some of them to asexually reproduce. “Starfish” women that can regenerate limbs and organs. An insidious technology that separates the mind from the body. A rampant, deadly disease that primarily affects men. An Earth devastated by environmental ruin, geopolitical upheaval, hallucinogenic drugs, and sly dancing girls that can cha-cha-cha away your most precious belongings.
I’m pretty sure I had no clue what was going on for the last 25% of the book but I still loved it. Some critiques (besides the confusing nature of the latter quarter) I had were that I wanted to know more. I wanted to know about the politics between the countries, the nature of the companies, how everything came to be. But this book is already flooded with a frenzy of colors, ideas, and random events I have no clue how all that could have been added.
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June 28, 2022I swear, I totally am the kind of person that needs their fiction to be speculative – yet here I am shaking my head because I just cannot deal with this fascinating world Larissa Lai built. I just have no idea what's happening. I finished this book days ago and waited for some epiphany, but ask me what it is about and I'll tell you there's a starfish who is an organ donor who can grow back organs and limbs that a crazy singing surgeon amputates; and a tiger flu that affects only men but not always; and that men who survive are thus tiger men and it will all sound insane because this book is insane and I'm just not in the frame of mind to read and understand and enjoy it. So I guess I will read it later some time and I will enjoy it.
November 26, 2022
Well, I can't say that I understood everything that was going on in this book, but I oh-my-fucking-god what an amazing story that Larissa Lai tells here. The book quickly immersed me in the alternating perspectives of two young women whose stories come together frantically. Groom Kirikow lives in an exiled, hidden community of cloned women who reproduce parthenogenically and harvest replacement organs from a starfish community member. Kora Ko lives in a decaying city where the virulent tiger flu has killed most men and some women, a thieving girl gang from the Dance School prowls the neighborhoods for tin cans and other detritus from the before time, and hallucinogenic drugs like N-lite and forget-me-do appear to be the rage. There's a pair of mysterious satellites, Eng and Chang, that are operating for the sun and moon, the soil and its resulting vegetation is diseased, and most humans barely eke out an existence.
What a wild and trippy ride this was. The backstory of the feud between two key, mysterious players, Isabelle and Elizabieta, was never fully explained to my satisfaction, but perhaps I had taken my own version of forget-me-do. The exploitation of environmental resources for science, the preservation of an elite lifestyle for the super-wealthy, the use of the poor or clones for experimentation . . . these ideas permeate the story like so much green gas of the N-lite that facilitates consciousness upload.
I really, really enjoyed this book. It was bleak and beautiful at the same time, and I'm already looking at more Larissa Lai novels to add to my reading list.
What a wild and trippy ride this was. The backstory of the feud between two key, mysterious players, Isabelle and Elizabieta, was never fully explained to my satisfaction, but perhaps I had taken my own version of forget-me-do. The exploitation of environmental resources for science, the preservation of an elite lifestyle for the super-wealthy, the use of the poor or clones for experimentation . . . these ideas permeate the story like so much green gas of the N-lite that facilitates consciousness upload.
I really, really enjoyed this book. It was bleak and beautiful at the same time, and I'm already looking at more Larissa Lai novels to add to my reading list.
June 30, 2022
So this book was interesting and entertaining, but... perhaps a bit lacking? I feel like I got dropped into a world that I didn't understand and never quite got my bearings. I understood the action that was going on, but not necessarily the background? I feel like the author could have spent a good chunk of time setting everything up and explaining the world before sending us readers on our merry way.
To be clear, it wasn't bad... I didn't dislike anything... I just have come out of it scratching my head. The narrators were fantastic and I think they added a lot to my enjoyment of the story, but I'm not sure if I would have understood things better had I eye-read it?
IDK IDK, Tiger Flu u still a mystery boo [n I think Lai likes it that way] 🌶️
To be clear, it wasn't bad... I didn't dislike anything... I just have come out of it scratching my head. The narrators were fantastic and I think they added a lot to my enjoyment of the story, but I'm not sure if I would have understood things better had I eye-read it?
IDK IDK, Tiger Flu u still a mystery boo [n I think Lai likes it that way] 🌶️
July 24, 2019
Another wild vision from Larissa Lai! Queer feminist biopunk ft. mewling catcoats, battlepikes with meaty sucking tubes, an all-female colony of cloned and cloning sisters who reproduce through parthenogenesis, satellite mainframes named Chang and Eng that function like sun and moon. The level of invention is supreme and never flattens out. I'm not sure the emotional weight was there for me in the end though I loved being immersed in this world.
September 2, 2019
I wanted to love this so much more than I really did. As amazing as Lai’s prose and ideas are again, I’m confused, and not in the way where I can really just go with it and fully enjoy the book anyways. I feel like my lack of understanding has inhibited my ability to really appreciate its mastery, and I wish Lai had added some more clarity. I wanted a better grasp of her world, its geopolitics, and how everything came together.
July 27, 2024
that was weird as fuck and i loved it. bloody gutsy sci fi dystopia is my favorite! no i don’t know how to explain what happened in this book, don’t ask
August 1, 2022
Wonderful world building, as usual with Lai. Biopunk post-cyberpunk that shows a hierarchy of engineered beings that allows the privileged to co-opt parts that fail of theirs by doubles, but outside of that basic framework more types of beings exist. When a seek to break their oppression things begin to unravel.
The marketing copy is actually far more apt at describing what happens than I ever could be. It’s immersive and incredible. The narrator was perfect. Lai has a gift for using accessible words in creating a foreign ecosystem of references that initiative but indicative of the futuristic, wild setting. Absolutely loved it and recommend.
The marketing copy is actually far more apt at describing what happens than I ever could be. It’s immersive and incredible. The narrator was perfect. Lai has a gift for using accessible words in creating a foreign ecosystem of references that initiative but indicative of the futuristic, wild setting. Absolutely loved it and recommend.
September 28, 2020
im so confused
Rep: lesbian mc, non-white cast
CWs: attempted rape, gore, eye horror, cannibalism
Rep: lesbian mc, non-white cast
CWs: attempted rape, gore, eye horror, cannibalism
October 10, 2020
I decided to live dangerously by reading a novel about a pandemic during a pandemic. I just could not resist the beautiful cover of 'The Tiger Flu' once my copy arrived from the Lighthouse. It's a strange and hallucinatory tale set in apocalyptic was-once-North America during the year 2145. The story follows two women, both genetically engineered somehow, through vividly imagined chaos and disaster. Although the world-building elements came together in an original and fascinating way, some of them reminded me of other fairly esoteric sci-fi such as The Child Garden and The Book of Joan. The Tiger Flu itself has just one feature that eerily parallels COVID-19: it is much deadlier to men than women. The novel's strangeness is such that it did not recall me to reality, though. If it had, I would have struggled to submerge myself in it. As it was, I got lost in the dangerous collapsing world of Quarantine Rings, pervasive genetic modification, and satellites with decaying orbits.
'The Tiger Flu' has a very visceral narrative, sometimes to the point of being revolting. The main characters are nearly always hungry, wounded, drugged, or otherwise suffering. Nonetheless they retain an admirable determination to establish what the hell is going on and attain their goals. I particularly liked Kirilow, the older and more focused of the two protagonists. More than the characterisation or madcap plot, it is the distinctive details of world-building that made the novel stand out, most of them concerning embodied technologies. Starfish women who can donate then regrow organs. Others who give birth to puppies, who sew living invisibility cloaks out of cats, and who transform people into fish. Lai's writing makes all this weirdness vivid. There is a poetic quality to it, with much use of assonance and quite lyrical descriptions. An example:
When it comes to visions of the future, I value atmosphere and texture over plotting and characterisation. 'The Tiger Flu' does all four well, but what it does best is evoke a strong sense of place. That makes it escapist, even though Saltwater City isn't a place anyone would want to escape to.
'The Tiger Flu' has a very visceral narrative, sometimes to the point of being revolting. The main characters are nearly always hungry, wounded, drugged, or otherwise suffering. Nonetheless they retain an admirable determination to establish what the hell is going on and attain their goals. I particularly liked Kirilow, the older and more focused of the two protagonists. More than the characterisation or madcap plot, it is the distinctive details of world-building that made the novel stand out, most of them concerning embodied technologies. Starfish women who can donate then regrow organs. Others who give birth to puppies, who sew living invisibility cloaks out of cats, and who transform people into fish. Lai's writing makes all this weirdness vivid. There is a poetic quality to it, with much use of assonance and quite lyrical descriptions. An example:
Its structure looks like a stack of vertebrae from some prehistoric gargantua, spine diving deep into the ground. The visible part of the spine leans into the wall of the quarry and seems to merge with it, as though the stone and earth of the wall are all that remains of that gargantua's flesh, older by far than the Caspian Tiger brought back from extinction to make tiger-bone wine.
When it comes to visions of the future, I value atmosphere and texture over plotting and characterisation. 'The Tiger Flu' does all four well, but what it does best is evoke a strong sense of place. That makes it escapist, even though Saltwater City isn't a place anyone would want to escape to.
August 10, 2024
Larissa Lai has created a very strange world in The Tiger Flu, a lightning fast eruption of a novel. In this future version of our earth, waves of plagues have killed off many men; Caspian tigers have been restored from extinction; famine is widespread; some women have been genetically engineered to parthogenetically reproduce or regrow parts of their bodies; metallic scales and drugs can create extraordinary, half-real hallucinations; climate change has completely changed the landscape, and more. To be honest, I didn’t always understand what was going on because a) it all happened so fast, b) there’s a lot of whatever it was, and c) it’s hard to tell what was happening in reality and what was happening in dreams or visions...
Read the rest of my review at A Bookish Type. I received a free copy of this book from the publisher via Edelweiss, for review consideration.
Read the rest of my review at A Bookish Type. I received a free copy of this book from the publisher via Edelweiss, for review consideration.
November 2, 2025
Kirilov Volubilis est une muante, une descendante de clones qui se sont échappées d’une usine et ont fondé une société matriarcale se reproduisant par parthénogenèse. Mais voilà, les décennies ont passé et rares sont les muantes capables de donner la vie. Pour donner une chance à son clan, Kirilov va devoir trouver une nouvelle astérie, même si la route risque d’être compliquée et dangereuse.
⠀
Écrire un avis sur ce roman n’est pas forcément évident pour moi puisque j’ai à la fois été très emballé par ce livre (et surtout par son concept) et en même temps pas mal déçu. Encore une fois, les attentes étaient très hautes (il faut dire qu’on nous vend l’autrice comme étant la digne héritière d’Octavia Butler) et c’est toujours la porte ouverte à la déception.
⠀
Ce que j’ai aimé le plus dans ce roman, c’est le worldbuilding. L’univers en lui même n’est pas forcément le plus fouillé ni le plus original mais le concept des muantes m’a énormément plu. La façon dont ces « femmes » sont organisées ainsi que leurs différentes fonctions (partrices, astéries et maries) m’ont absolument fasciné.
⠀
L’écriture de l’autrice m’a plutôt plu aussi. Sans qu’elle ait forcément un style très marqué, j’ai globalement trouvé que c’était très fluide et maîtrisé, vraiment efficace.
⠀
Si on doit rentrer dans ce qui pêche un peu plus, ça se passe vraiment au niveau de l’histoire. Bon, déjà, le résumé de l’éditeur spoile des éléments qui n’arrivent qu’aux deux tiers du roman. Ça c’est quand même franchement problématique puisque ça enlève énormément de surprise dans les événements de l’histoire.
⠀
Mais au delà de ça, j’ai surtout trouvé qu’il y avait un souci dans le rythme et dans les enjeux du livre. C’est particulièrement vrai à partir du moment où les deux points de vue se rejoignent. Il y a vraiment un sentiment de « tout ça pour ça » que j’ai trouvé vraiment dommage.
⠀
Je pense aussi que j’attendais peut-être un peu plus sur l’aspect féministe et queer du roman. C’est pas mal mis en avant dans la communication autour du roman, et ça semble logique pour un roman qui parle d’une société de femmes autosuffisantes qui n’ont pas le moindre contact avec des hommes. Pourtant, j’ai trouvé que ça restait quand même pas mal en surface sur ces thématiques.
⠀
Il y a aussi un aspect un peu body horror par moments, plutôt cohérent avec la vibe cyberpunk du roman, mais là encore, j’en aurais voulu un peu plus.
⠀
Du coup, je ne saurais pas trop à qui conseiller ce roman. Il n’est pas mauvais, loin s’en faut, mais je ne l’ai quand même pas trouvé à la hauteur de son potentiel. Certains aspects font qu’il mérite vraiment d’être découvert mais attention tout de même à vos attentes.
⠀
Écrire un avis sur ce roman n’est pas forcément évident pour moi puisque j’ai à la fois été très emballé par ce livre (et surtout par son concept) et en même temps pas mal déçu. Encore une fois, les attentes étaient très hautes (il faut dire qu’on nous vend l’autrice comme étant la digne héritière d’Octavia Butler) et c’est toujours la porte ouverte à la déception.
⠀
Ce que j’ai aimé le plus dans ce roman, c’est le worldbuilding. L’univers en lui même n’est pas forcément le plus fouillé ni le plus original mais le concept des muantes m’a énormément plu. La façon dont ces « femmes » sont organisées ainsi que leurs différentes fonctions (partrices, astéries et maries) m’ont absolument fasciné.
⠀
L’écriture de l’autrice m’a plutôt plu aussi. Sans qu’elle ait forcément un style très marqué, j’ai globalement trouvé que c’était très fluide et maîtrisé, vraiment efficace.
⠀
Si on doit rentrer dans ce qui pêche un peu plus, ça se passe vraiment au niveau de l’histoire. Bon, déjà, le résumé de l’éditeur spoile des éléments qui n’arrivent qu’aux deux tiers du roman. Ça c’est quand même franchement problématique puisque ça enlève énormément de surprise dans les événements de l’histoire.
⠀
Mais au delà de ça, j’ai surtout trouvé qu’il y avait un souci dans le rythme et dans les enjeux du livre. C’est particulièrement vrai à partir du moment où les deux points de vue se rejoignent. Il y a vraiment un sentiment de « tout ça pour ça » que j’ai trouvé vraiment dommage.
⠀
Je pense aussi que j’attendais peut-être un peu plus sur l’aspect féministe et queer du roman. C’est pas mal mis en avant dans la communication autour du roman, et ça semble logique pour un roman qui parle d’une société de femmes autosuffisantes qui n’ont pas le moindre contact avec des hommes. Pourtant, j’ai trouvé que ça restait quand même pas mal en surface sur ces thématiques.
⠀
Il y a aussi un aspect un peu body horror par moments, plutôt cohérent avec la vibe cyberpunk du roman, mais là encore, j’en aurais voulu un peu plus.
⠀
Du coup, je ne saurais pas trop à qui conseiller ce roman. Il n’est pas mauvais, loin s’en faut, mais je ne l’ai quand même pas trouvé à la hauteur de son potentiel. Certains aspects font qu’il mérite vraiment d’être découvert mais attention tout de même à vos attentes.
December 18, 2018
I'm not entirely sure what happened in this book, but I think I liked it.
February 15, 2025
This was a truly unique and fascinating novel that felt like a fever dream from the moment it started and it left me feeling like I had a fever. In many ways I mean that as a compliment, but not entirely. I'm left feeling like I had a good time and it washed over me nicely enough, while I was playing Dark Souls, but there are elements that felt needlessly opaque and alienating.
I can't be sure, but this is what I think a spoiler free summary of the book would be: In the future, after a strain of flu wipes out huge swathes of the population, especially cis men, people live in disparate communities with their own scavenged materials, knowledge from the time before, new cultures shaped by their existence, and various genetically engineered humanoids and/ or genetically altered humans. Two protagonists, connected by a history that is not initially clear, come together with the possibility of building something new for the future, maybe?
On the whole, I definitely enjoyed it. I just don't know if there was a skill issue on my part. Regardless, my experience of the language and context for a lot for the cool concepts were too impenetrable for me to truly connect with the narrative or characters. I also found the subplot and how it related to the characters, what was going on, and why it was happening particularly difficult to parse.
I will say there's no doubt the prose is beautiful and the general quality of the writing is wonderful. I just felt I was kept at arms length by the language and some of the sequential elements to how the various plots and perspectives unfolded. This really was a shame because I could really tell there was a lot of great stuff here, but the sheer level of jargon, the way the world building related to unrecognisable relations to recognisable things, alongside wholly new and largely unexplained concepts, and the fractured narrative (which was obviously a conscious choice) simply kept me from really getting into the meat of the story, themes, and character depth.
Coming back and writing this review, I'm tempted to knock this down to a three, but the obvious quality of the prose, my general enjoyment, however superficial it ended up being, and the fact that I am sure I'm also to blame for not getting it, mean I'm going to leave it as a four.
I can't be sure, but this is what I think a spoiler free summary of the book would be: In the future, after a strain of flu wipes out huge swathes of the population, especially cis men, people live in disparate communities with their own scavenged materials, knowledge from the time before, new cultures shaped by their existence, and various genetically engineered humanoids and/ or genetically altered humans. Two protagonists, connected by a history that is not initially clear, come together with the possibility of building something new for the future, maybe?
On the whole, I definitely enjoyed it. I just don't know if there was a skill issue on my part. Regardless, my experience of the language and context for a lot for the cool concepts were too impenetrable for me to truly connect with the narrative or characters. I also found the subplot and how it related to the characters, what was going on, and why it was happening particularly difficult to parse.
I will say there's no doubt the prose is beautiful and the general quality of the writing is wonderful. I just felt I was kept at arms length by the language and some of the sequential elements to how the various plots and perspectives unfolded. This really was a shame because I could really tell there was a lot of great stuff here, but the sheer level of jargon, the way the world building related to unrecognisable relations to recognisable things, alongside wholly new and largely unexplained concepts, and the fractured narrative (which was obviously a conscious choice) simply kept me from really getting into the meat of the story, themes, and character depth.
Coming back and writing this review, I'm tempted to knock this down to a three, but the obvious quality of the prose, my general enjoyment, however superficial it ended up being, and the fact that I am sure I'm also to blame for not getting it, mean I'm going to leave it as a four.
August 24, 2021
This book is a weird, wild, and violent ride. It is a pandemic apocalypse exploring interesting sci-fi concepts and at times feels like horror. Even before the Tiger Flu devastation, society we are familiar with has collapsed because there is no more oil and the climate crisis has gotten worse. Technology that exists is a mixture of biotech and high tech. The writing style is visceral. There are also literal viscera and assorted blood and gore. The descriptions capture beauty as well as brutality. The characters are deeply traumatized and feel and behave accordingly. You are dropped in the middle of this world and there are not a lot of explanations given. There are also hallucinatory fever dreams. Nothing feels solid or trustworthy.
June 14, 2021
Woah! This was a crazy ride. The reader is thrown into a future dystopian world where a Tiger Flu pandemic is working its way thru society. Salt Water City is a male-dominated society that has cast out a community of parthenogenic women. (all of the women in this group are cloned from earlier women in their group). The protagonist Kirilow is a doctor's apprentice in this female community. She is sent on a mission to find a new "starfish", a human who can regenerate body parts. The other protagonist is Kora, a girl who just wants to save her family from the pandemic and winds up in a girls' home. All this and there are living cloaks made out of cats. Yup, this book has a lot of wild imaginings.
This was part dystopian novel, part cyber punk, and all sorts of cautionary tale. With recent events we can see where things might head if politics and misogyny collide. I love bizarre books so this one was right up my alley.
Thank you to the publisher for the audiobook!
This was part dystopian novel, part cyber punk, and all sorts of cautionary tale. With recent events we can see where things might head if politics and misogyny collide. I love bizarre books so this one was right up my alley.
Thank you to the publisher for the audiobook!
October 18, 2025
Il y a définitivement un public pour ça. C’est un roman de qualité! Mais beaucoup trop WTF pour moi. Il me manquait trop d’informations sur le contexte pour que je puisse comprendre l’histoire et les quêtes des deux personnages. Dommage parce que j’aimais les 2 jeunes personnages et le côté « roman d’apprentissage », mais je comprenais trop rien. 🤷♀️
October 12, 2021
The Tiger Flu is an experimental sci-fi novel about young Chinese-Canadian women living in a futuristic dystopia. The story alternates between the third person perspective of Kora, a potato farmer who lives in an apartment in the ruins of Vancouver, and the first person perspective of Kirilow, a surgeon who lives in an isolated compound in the B. C. interior.
Kirilow’s highly stylized narrative voice is quite different from my usual reading fare and ultimately very entertaining and rewarding to read. She is pragmatic and matter of fact, yet she frequently allows her emotions to get the better of her. She is also very religious, and yet she uses a lot of creative religious curse words. Kirilow is such an interesting and complex character. I really enjoyed getting to know her through reading this book.
Despite its disturbing content, The Tiger Flu has a striking sense of humour and optimism. Lai was not afraid to get weird and add details that not every reader would understand, which I admire. Other reviewers have remarked that Lai jumps right into The Tiger Flu without explaining her worldbuilding and the jargon her characters use and that they found this discouraging. I actually really enjoyed the confusion because it provided a bizarre sort of suspense; Chang and Eng are all the more dreadful and mysterious for not being explicitly defined and described. I would recommend The Tiger Flu to anyone who likes experimental and weird fiction.
Side note: Before reading The Tiger Flu, I read the graphic novel 2050: A Post-Apocalyptic Murder Mystery. Though they are drastically different in style, there are some similar plot points and fans of one book would probably enjoy the other. Has anybody else read both?
Kirilow’s highly stylized narrative voice is quite different from my usual reading fare and ultimately very entertaining and rewarding to read. She is pragmatic and matter of fact, yet she frequently allows her emotions to get the better of her. She is also very religious, and yet she uses a lot of creative religious curse words. Kirilow is such an interesting and complex character. I really enjoyed getting to know her through reading this book.
Despite its disturbing content, The Tiger Flu has a striking sense of humour and optimism. Lai was not afraid to get weird and add details that not every reader would understand, which I admire. Other reviewers have remarked that Lai jumps right into The Tiger Flu without explaining her worldbuilding and the jargon her characters use and that they found this discouraging. I actually really enjoyed the confusion because it provided a bizarre sort of suspense; Chang and Eng are all the more dreadful and mysterious for not being explicitly defined and described. I would recommend The Tiger Flu to anyone who likes experimental and weird fiction.
Side note: Before reading The Tiger Flu, I read the graphic novel 2050: A Post-Apocalyptic Murder Mystery. Though they are drastically different in style, there are some similar plot points and fans of one book would probably enjoy the other. Has anybody else read both?
August 9, 2019
I absolutely loved reading The Tiger Flu, a fast paced sci fi novel following two ultimately intertwined narratives set in a near future after the depletion of oil. Kora Ko lives in the First Quarantine Ring, struggling to survive in a world ravaged by the tiger flu, a disease which predominantly affects men. Kirilow Groudsel is a groom in Grist Village, a commune founded by escaped experiments with the ability to reproduce by basically cloning. Her surgical talents are put to use taking care of their last reproducing doubler by transplanting body parts from their last starfish, her lover Peristrophe Halliana.
Phenomenal worldbuilding and high stakes action combine to make this novel a wild and exciting ride. At the end I felt the various secondary characters’ motivations did not come together as clearly for me as I would have preferred, but I was so invested in the story I almost didn’t mind. The confusing wrapping up of this story ultimately gives way to a breathtaking ending, and I loved the theme of collective storytelling and the way society changes over time. The nearness of the “Time Before” gives the reader a touchpoint in the world we know, while also showing how quickly the world can morph to something much less recognizable. I loved also the way Lai plays with our understanding of gender, creating a whole society of people who are human-adjacent and not women or men. Definitely recommend!
Phenomenal worldbuilding and high stakes action combine to make this novel a wild and exciting ride. At the end I felt the various secondary characters’ motivations did not come together as clearly for me as I would have preferred, but I was so invested in the story I almost didn’t mind. The confusing wrapping up of this story ultimately gives way to a breathtaking ending, and I loved the theme of collective storytelling and the way society changes over time. The nearness of the “Time Before” gives the reader a touchpoint in the world we know, while also showing how quickly the world can morph to something much less recognizable. I loved also the way Lai plays with our understanding of gender, creating a whole society of people who are human-adjacent and not women or men. Definitely recommend!
September 6, 2018
I don’t think it’s an exaggeration to say that The Tiger Flu is unlike anything I’ve read before. The depth and range of Larissa Lai’s imagination is truly impressive. There’s a lot going on here: a disease called the "Tiger Flu" that mainly affects men, a group of exiled women called the Grist Sisters who can asexually reproduce, “starfish” women who can regenerate lost limbs and organs, a new technology that separates the mind from the body, major environmental destruction, and that’s not even the half of it.
One of the blurbs on this ARC describes it as a “fever dream,” and I think that’s the most appropriate phrase for it. It’s wild, heady, and utterly un-put-down-able, even if I’m not sure I fully grasped what exactly was going on in some parts. I feel like I’ve been swimming around in a psychedelic nightmare world after reading this. In spite of my confusion, I was gripped by both main characters (Kirilow, a Grist Sister and Kora, an inhabitant of an infected town), as they attempt to navigate their fraught landscapes in order to save their loved ones and discover plenty of horrors along the way. This is the first novel I've read by Lai, and I am certainly intrigued.
One of the blurbs on this ARC describes it as a “fever dream,” and I think that’s the most appropriate phrase for it. It’s wild, heady, and utterly un-put-down-able, even if I’m not sure I fully grasped what exactly was going on in some parts. I feel like I’ve been swimming around in a psychedelic nightmare world after reading this. In spite of my confusion, I was gripped by both main characters (Kirilow, a Grist Sister and Kora, an inhabitant of an infected town), as they attempt to navigate their fraught landscapes in order to save their loved ones and discover plenty of horrors along the way. This is the first novel I've read by Lai, and I am certainly intrigued.
August 15, 2019
The Tiger Flu is a horrifying, imaginative tale that I love with all my heart. Like Salt Fish Girl, it was confusing, frustrating, and rife with disgusting imagery and inventions yet also exciting, fascinating, and able to fill this “Salt Water Flat” dweller with a deep love for the fierce and persistent protagonists.
A novel about the world to come, after climate catastrophe and mass extinction, where illness, genetic experimentation, and technocracy have reshaped “Cascadia”. So much reminded me of Battlestar Galatica (the batterkites especially though they are much grosser) and so much came from things I’ve never seen. Larissa Lai’s imagination is a treasure trove and writes science fiction like no other.
To answer the autograph inside my cover, yes I enjoyed this strange tale. Thank you for writing it Larissa Lai.
A novel about the world to come, after climate catastrophe and mass extinction, where illness, genetic experimentation, and technocracy have reshaped “Cascadia”. So much reminded me of Battlestar Galatica (the batterkites especially though they are much grosser) and so much came from things I’ve never seen. Larissa Lai’s imagination is a treasure trove and writes science fiction like no other.
To answer the autograph inside my cover, yes I enjoyed this strange tale. Thank you for writing it Larissa Lai.
May 7, 2025
Ik heb zelden een boek gelezen dat me zo gefrustreerd heeft als dit boek wtf. Het concept was wel veelbelovend maar omg wtf was dit.
Een dystopian book neemt altijd tijd om te wennen maar DIT ??! Er was zoveel aan de hand zonder dat de complexe technologieën of lore uitgelegd werden.
Van cloning naar een pandemie ontstaan uit tijgers naar platen die je in je hoofd steekt voor herinneringen naar een vrouwengemeenschap waar ze spontaan asexueel zwanger kunnen worden en 7 kinderen per keer krijgen???? Dit is letterlijk nog maar de helft van alles wat er gebeurt (is het duidelijk dat ik er niets snap?)
The vision was er I guess …
Een dystopian book neemt altijd tijd om te wennen maar DIT ??! Er was zoveel aan de hand zonder dat de complexe technologieën of lore uitgelegd werden.
Van cloning naar een pandemie ontstaan uit tijgers naar platen die je in je hoofd steekt voor herinneringen naar een vrouwengemeenschap waar ze spontaan asexueel zwanger kunnen worden en 7 kinderen per keer krijgen???? Dit is letterlijk nog maar de helft van alles wat er gebeurt (is het duidelijk dat ik er niets snap?)
The vision was er I guess …
February 20, 2022
fr me this felt half-successful ? like, i think a lot of the base elements are just fundamentally Interesting to me: love a parthenogenetic society, love the idea of archiving consciousness, love the aesthetics of medusa-like scalp implants of downloadable knowledge, love girlies w names like peristrophe halliana. especially especially love the king-lionheart dynamic of the starfish-groom, doubler-groom relationships, it's all abt the Devotion. it's a lot of stuff to keep in the air, and i think lai, fr most of the narrative, manages it with a sort of cinematic sense of movement and build.
my Real problem is the ending; i'm not fundamentally opposed to What Happens, i think it's interesting, but on a structural level it feels like a lot of the conflicts and complexities of the plot get sort of ? shrugged off ? my v Stupid problem is that i do find a lot of futuristic sci-fi & dystopia v Funny, because of like, naming conventions and the ways authors do linguistic gymnastics to make things feel both continuous w modern use & plausibly futuristic. there is just something very funny abt referring to a person as a 'salty' & unfortunately, that Does slightly deflate an otherwise high tension scene ! and even though this book isn't Humourless, it does take itself seriously enough that in those moments i felt i was laughing at it, not with it.
my Real problem is the ending; i'm not fundamentally opposed to What Happens, i think it's interesting, but on a structural level it feels like a lot of the conflicts and complexities of the plot get sort of ? shrugged off ? my v Stupid problem is that i do find a lot of futuristic sci-fi & dystopia v Funny, because of like, naming conventions and the ways authors do linguistic gymnastics to make things feel both continuous w modern use & plausibly futuristic. there is just something very funny abt referring to a person as a 'salty' & unfortunately, that Does slightly deflate an otherwise high tension scene ! and even though this book isn't Humourless, it does take itself seriously enough that in those moments i felt i was laughing at it, not with it.
July 26, 2019
Wow, what a wild ride 🤯 THE TIGER FLU by Larissa Lai feels like a psychedelic experience. It’s the Gregorian year 2145 and Saltwater City has been ravaged by the tiger flu (that predominantly affects men) and is surrounded by four quarantine rings. One of these rings is home to the exiled Grist community, an all-female group of doublers (individuals that can clone themselves), starfish (individuals that can regrow organs and limbs for other members), and grooms (individuals that attend to the transfer of those organs and limbs to heal others). There is a power struggle going on in Saltwater City and beyond as different approaches are taken to find a cure or leave this ruined place behind and the Grist sisters are being targeted. Larissa Lai’s imagination knows no bounds and features all kind of strange and amazing technology. I don’t think I understood all the details of this novel but just really enjoyed the ride.
August 18, 2019
Everything about The Tiger Flu (nominated for a 2019 Lambda Literary Award) is dangerous—its world, most of its people, and its steadfastness in shaping an unconventional narrative. It’s a horrifying and fascinating vision of the future and what could happen if we embrace the wrong technologies. If you read this book, you won’t forget it anytime soon, and you may even want to go back to page one as soon as you’ve finished, just to experience it all over again.
Full review: https://www.lambdaliterary.org/review...
Full review: https://www.lambdaliterary.org/review...
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November 26, 2025Maximalist, biopunk, texturally gooey and wet
Read for ENG1102: Staging Environmental Crisis in 21st-Century Canadian Literature.
Read for ENG1102: Staging Environmental Crisis in 21st-Century Canadian Literature.
August 1, 2025
I wanted to like this far more than I did, particularly given that Salt Fish Girl, the much older arguable "companion" to The Tiger Flu, is one of my favorite books of all-time, not to mention one of my most re-read. I couldn't help but compare TTF, from its characters to its spacetime-jumping to its critters and to its approaches to post-capitalism, interspecies communication, and white supremacist patriarchy, to SFG, and in doing so, could not help but feel that something was...rushed? Missing? Overpacked? Incorrectly-paced?
The Tiger Flu finds us in a post-Canada not unlike the one we see in Salt Fish Girl –– one overrun by corporate greed, and a concomitant impulse to pathologize difference and sacrifice noncompliant bodyminds for the sake of Progress. In this case, we travel across crumbling cities debilitated by the loss of their male inhabitants to a mysterious Tiger Flu pandemic, a boarding school for young girls whose presence in the narrative somewhat perplexed me, and lastly, an all-female commune capable of reproduction by bio-replication.
The source of the conflict in this book was both clear –– regular people seeking to survive, often through illicit means, and a corporate scientist willing to do anything to consolidate power –– and unclear, with the context for TTF's postapocalyptic society hardly being explained until the very end of the story. Others have commented on their confusion in the final portions of the book, where bodies and minds are separated, suns and moons are threatened, and people perhaps die??? but the sense of confusion takes away from the emotional impact of the story. We get imagery that is familiar for SFG fans, and this certainly helped me try to get my bearings in TTF, but overall, finishing this book left me wanting more –– more characterization, more explanation, more focus.
Maybe this would have been better as a longer book, or a duology, or with one-fewer subplot. I gave it four stars because I was compelled, delighted, and locked-in the whole time. But looking back, there's a lot that needs to change in order for this book to reach its full potential.
The Tiger Flu finds us in a post-Canada not unlike the one we see in Salt Fish Girl –– one overrun by corporate greed, and a concomitant impulse to pathologize difference and sacrifice noncompliant bodyminds for the sake of Progress. In this case, we travel across crumbling cities debilitated by the loss of their male inhabitants to a mysterious Tiger Flu pandemic, a boarding school for young girls whose presence in the narrative somewhat perplexed me, and lastly, an all-female commune capable of reproduction by bio-replication.
The source of the conflict in this book was both clear –– regular people seeking to survive, often through illicit means, and a corporate scientist willing to do anything to consolidate power –– and unclear, with the context for TTF's postapocalyptic society hardly being explained until the very end of the story. Others have commented on their confusion in the final portions of the book, where bodies and minds are separated, suns and moons are threatened, and people perhaps die??? but the sense of confusion takes away from the emotional impact of the story. We get imagery that is familiar for SFG fans, and this certainly helped me try to get my bearings in TTF, but overall, finishing this book left me wanting more –– more characterization, more explanation, more focus.
Maybe this would have been better as a longer book, or a duology, or with one-fewer subplot. I gave it four stars because I was compelled, delighted, and locked-in the whole time. But looking back, there's a lot that needs to change in order for this book to reach its full potential.
January 25, 2021
Interesting plot set in a grimy, grotesque future. The visuals and disjointed narrative brought to mind the David Cronenberg movie eXistenZ. Really the sort of thing you have to be in the mood for.
This would probably work better as a movie.
Was read as a recommendation from my LGBTQ book club but I don’t think I ever discovered the queer relationship in the story. There is a loving relationship between two characters who live in an all female community. In this future world, human births happen via cloning not heterosexual reproduction.
That particular relationship, which I guess is the lesbian relationship referred to in other reviews, is never described as sexual. Though maybe I misunderstood some text and didn’t pick up on that aspect of the relationship.
However, with no men or other genders in this society I am not sure all these women were lesbian. Perhaps their heterosexual desires simply could not be manifested or expressed because their society had no men.
This future world written by Lai had nothing appealing about it. There was no glimmer of hope, no hint of a better future in 2145. I guess the best I can say is it left me more appreciative of the present time. Nothing to look forward to in The Tiger Flu Future.
This would probably work better as a movie.
Was read as a recommendation from my LGBTQ book club but I don’t think I ever discovered the queer relationship in the story. There is a loving relationship between two characters who live in an all female community. In this future world, human births happen via cloning not heterosexual reproduction.
That particular relationship, which I guess is the lesbian relationship referred to in other reviews, is never described as sexual. Though maybe I misunderstood some text and didn’t pick up on that aspect of the relationship.
However, with no men or other genders in this society I am not sure all these women were lesbian. Perhaps their heterosexual desires simply could not be manifested or expressed because their society had no men.
This future world written by Lai had nothing appealing about it. There was no glimmer of hope, no hint of a better future in 2145. I guess the best I can say is it left me more appreciative of the present time. Nothing to look forward to in The Tiger Flu Future.
June 3, 2025
J'ai été plus imprégnée de l'ambiance qu'avec Salt Fish Girl (peut-être parce que j'ai gagné quelques référents en culture chinoise depuis), mais la deuxième moitié était peut-être un peu trop nébuleuse pour moi.
December 7, 2021
think probably more like 3.5 stars but. i was compelled
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