I love the rhythm of these poems, how they rise and fall with a reader's breathing, easily, beautifully. The lines break perfectly. As easily they move between the speaker's worlds, spatially, culturally, and temporally. In doing so, they reflect on how memories not only change over time, but also when carried from place to place like a suitcase with all one's essentials. One such essential is the speaker's favorite music and the memories it connects her with. Music threads through all poems and their language. The speaker in In the House of Modern Upbringing for Girls sets down her roots in remembering.
Majda Gama looks back to her 1980s childhood in oil-boom Jidda and Reagan-era Northern Virginia, to her 1990s young adulthood in a now-gone punk-rock Washington DC, and to the echoes of history in Ba’albek and the Emirati desert. On every page we witness a life lived and observed in brave detail.