Explore how music has changed our world through 50 pieces across classical, folk and world traditions with BBC presenter Tom Service, in this official Radio 3 compendium.
Music transports us and defines us. As a form of expression, it has been passed down through oral tradition, musical notation and recordings in a chain of connection that spans the globe, across the millennia. A History of the World in 50 Pieces follows that chain, collating 50 pieces of classical music that reflect our changing politics, social structures and technological development, and how composers, musicians and listeners have shaped those currents of history. From Bach to Beethoven, Songlines to Saariaho, Hildegard of Bingen to the Happy Birthday song, Tom Service offers a fresh take on pieces that many of us think we know, and many more we might not. With each short, sharp analysis, he expands the typical canon and tests the boundaries of what we understand to be ‘classical music’ – or even music at all, such as the sounds of the earth’s rotation, and the songs of humpback whales.
An official BBC Radio 3 publication, A History of the World in 50 Pieces is a book for anyone curious about the power of music and how it shapes us and connects us.
So fun!! Beginning to 3/4 book so interesting and lovely to listen to different pieces of music. Last quarter was bizarre modern stuff, some interesting, some just annoying. Wish it went into a bit more detail on the specific pieces rather than the overall composer and context.
While not at all familiar with all the pieces mentioned, and by no means having a desire to listen to them all, this compilation of 50 (mainly classical) pieces from the dawn of music until the present is an interesting lens through which to view social change, history, politics and culture through the centuries. Many might argue with the pieces picked out but the research and quick analysis of the profound importance of the pieces cannot be faulted (given they are presented in around 5 mins reading time).
An interesting idea--I listened to the audiobook, and found myself wishing each chapter came with at least a sample of a recording of the piece in question, so I wouldn’t have to keep flipping back and forth from Libby to Spotify.
I also wish there was a bit more analysis for each piece.