A shipwreck brings many interested people to a hamlet. What is on the wreck that is so important? As dead bodies show up and a cach of dynamite is discovered on the wreck, some romance blooms. Eventually the various people are sorted into insurance investigators, thieves, and lovers.
A gentleman discovers a swatch of fabric on the beach where a youth reports a dead body laid. Together with other guests of the Mermaid Hotel, they must help solve the mystery of the missing innkeeper.
Joseph Jefferson Farjeon was always going to be a writer as, born in London, he was the son of Benjamin Leopold Farjeon who at the time was a well-known novelist whose other children were Eleanor Farjeon, who became a children's writer, and Herbert Farjeon, who became a playwright and who wrote the well-respected 'A Cricket Bag'.
The family were descended from Thomas Jefferson but it was his maternal grandfather, the American actor Joseph Jefferson, after whom Joseph was named. He was educated privately and at Peterborough Lodge and one of his early jobs, from 1910 to 1920, was doing some editorial work for the Amalgamated Press.
His first published work was in 1924 when Brentano's produced 'The Master Criminal', which is a tale of identity reversal involving two brothers, one a master detective, the other a master criminal. A New York Times reviewer commented favourably, "Mr. Farjeon displays a great deal of knowledge about story-telling and multiplies the interest of his plot through a terse, telling style and a rigid compression." This was the beginning of a career that would encompass over 80 published novels, ending with 'The Caravan Adventure' in 1955.
He also wrote a number of plays, some of which were filmed, most notably Number Seventeen which was produced by Alfred Hitchcock in 1932, and many short stories.
Many of his novels were in the mystery and detective genre although he was recognised as being one of the first novelists to entwine romance with crime. In addition he was known for his keen humour and flashing wit but he also used sinister and terrifying storylines quite freely. One critic for the Saturday Review of Literature reviewed one of his later books writing that it was "amusing, satirical, and [a] frequently hair-raising yarn of an author who got dangerously mixed up with his imaginary characters. Tricky."
When he died at Hove in Sussex in 1955 his obituary in The Times wrote of his "deserved popularity for ingenious and entertaining plots and characterization".
Like many books of this period, there is some stereotyping. The story itself is interesting, but like other Farjeon works there is SO much melodrama! He loves suspense but he also likes to drag it out as long as possible, further than his words alone can really sustain. It reads a lot like a serial put together into novel form. Some of the characters are fun and the corny love story is reasonable, but in the end it's just all a little bit too much.
The offensive "accents" written in this book are too much. Only worth reading for the extremely corny joke on the last page. It actually redeemed the book for me.