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Hotel Cro-Magnon
The title of this book comes from a hotel in the town of Les Eyzies in the French Dordogne, where the greatest concentration of Upper Paleolithic decorated shelters and caves are found. In 1868, in the Les Ayzies rock shelter called Abri de Cro-Magnon (“Cro-Magnon” meaning “big hole” in the local patois), the first skeletons of our direct ancestors were discovered. The shelter, now scoured of its holdings, can still be visited; it is part of the rockwall that undulates as the spinal backdrop of Les Eylzies; one section of the wall serves as the back wall of Hotel Cro-Magnon. The hotel can thus be thought of as the social outgrowth of our discovery of who we are.
The poetics of Hotel Cro-Magnon are based on the belief that there is an archetypal poem, and that its most ancient design is probably the labyrinth. The first words of a poem, from this viewpoint, propose and nose toward a confrontation with what the writer is only partially aware of, or may not be prepared to address until it emerges, flushed forth by meanders and dead-ends. Poetry twists toward the unknown and seeks to realize something beyond the poet’s initial awareness.
The poetics of Hotel Cro-Magnon are based on the belief that there is an archetypal poem, and that its most ancient design is probably the labyrinth. The first words of a poem, from this viewpoint, propose and nose toward a confrontation with what the writer is only partially aware of, or may not be prepared to address until it emerges, flushed forth by meanders and dead-ends. Poetry twists toward the unknown and seeks to realize something beyond the poet’s initial awareness.
- GenresPoetry
180 pages, Paperback
First published July 1, 1989
1 person is currently reading
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About the author
Clayton Eshleman
169 books21 followersEshleman is an American poet, translator, and editor.
Eshleman has been translating since the early 1960s. He and José Rubia Barcia jointly prepared The Complete Posthumous Poetry of César Vallejo (1978) and won the U.S. National Book Awardin category Translation. He has also translated books by Aimé Césaire (with Annette Smith), Pablo Neruda, Antonin Artaud, Vladimir Holan, Michel Deguy and Bernard Bador.
Eshleman founded and edited two of the most seminal and highly-regarded literary magazines of the period, Caterpillar and Sulfur.
Sometimes he is mentioned in the company of the "ethno-poeticists" associated with Jerome Rothenberg, including: Armand Schwerner, Rochelle Owens, Kenneth Irby, Robert Kelly, Jed Rasula, Gustaf Sobin, and John Taggart. He is now Professor Emeritus at Eastern Michigan University.
Eshleman has been translating since the early 1960s. He and José Rubia Barcia jointly prepared The Complete Posthumous Poetry of César Vallejo (1978) and won the U.S. National Book Awardin category Translation. He has also translated books by Aimé Césaire (with Annette Smith), Pablo Neruda, Antonin Artaud, Vladimir Holan, Michel Deguy and Bernard Bador.
Eshleman founded and edited two of the most seminal and highly-regarded literary magazines of the period, Caterpillar and Sulfur.
Sometimes he is mentioned in the company of the "ethno-poeticists" associated with Jerome Rothenberg, including: Armand Schwerner, Rochelle Owens, Kenneth Irby, Robert Kelly, Jed Rasula, Gustaf Sobin, and John Taggart. He is now Professor Emeritus at Eastern Michigan University.
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