This book has a lot of content warnings but one I didn't see mentioned in the book itself is domestic violence, when that's a really prominent theme in this book. Also intent to force a pregnancy.
If you've read the previous book a long time ago and are wondering if you need to refresh your memory on it before starting this one, the answer is no. The author does a great job explaining everything you need to know in the first chapter or two, without it feeling infodumpy.
She does hop around place and time in a confusing way but after a few chapters the story becomes coherent and stays that way until near the end, when she starts hopping around again for no discernible reason. It's clumsy but alas.
I actually never read book 1, only this one, and had no issue following along with anything.
What I do take issue with is the marketing of this book. This book is tagged romance (literally, on the back of my edition romance is the only genre mentioned for this story) and this absolutely isn't a romance or a romantasy. This is a fantasy with love interests/sexual partners, but it doesn't follow any of the plot beats of a romance.
It's good that this isn't a romance because this author is awful at writing those. Her characterisation is weak, she has to rely on telling us how characters feel and think rather than showing us. Caris, the dead sister, never feels important. We aren't shown what she meant to Ophir or Ceneth, we get no flashbacks to memories with her. We only get told she was perfect to Ophir's imperfection and she hated war. That's it.
There is no chemistry between any of the people supposed to be romantically and sexually involved. At some point, one of the characters mentions loving someone else and it felt like a plot twist or a lie. There was no build up and nothing they did or said expressed love or affection even.
I'd actually love to see a fantasy horror from this author because of her strengths. She's imaginative and the storyline in this book is interesting and engaging. The book does feel about 150 pages too long but I mostly blame the characterisation and romancelike subplots for that. (Goodreads has this listed as 464p but my version is 498p and you definitely wish it was 464 all throughout.)
The worldbuilding has good elements, like her descriptions of the horrific creatures and deaths are awesome. On the other hand, her descriptions of everything else are so bad and sometimes we get weird references to our world, like certain sayings or mentions of bacon, whereas other times it's very much fantasy-speak.
The writing is also really bad. If this were a debut author I would've chalked it up to lack of experience but she's published half a dozen books or so already. Her editor is subpar and she needs to work more on her craft.
It feels on the one hand like she wants to write things in a unique way, to set her apart from other fantasy and romantasy authors but in doing so her metaphors and similes make no sense. Her writing reads clunky and there are some basic issues with it as well, like an overreliance on passive sentences or grammatical errors that make it seem like this was supposed to be read solely via audio. And the plot holes, like a sword that had been stolen reappearing suddenly in the next scene without any mention of its retrieval.
These strange word choices strongly impact the sex scenes in particular. "His lips tasted like sunshine" after he ate her out. Girl, your clit does not taste like sunshine. Your shit does not smell like roses and sunshine isn't a flavour.
The prologue is the best part of this book and Queen Zita is the best character so if you aren't vibing then you won't like this book.
Onain is also really cool, as irrelevant as she is to the story.
Ophir is a frustrating main character and one of the least compelling povs to read from. Her main traits are some weird magic and her poly situationship stuff: very average ya protagonist.
She's also intellectually not all there, much like her father. The conversation she has after she meets the medium is so frustrating because she understands nothing when it's so obvious.
I also hate the pronunciation guide. It's so US-ian. I refuse to pronounce Ceneth's and Caris's names correctly.
Someone else mentioned chapter 42 and they were right. As villainous as the villain of this book is (yes, singular, because there is one worst person) I didn't think they'd go there. I held out hope. And I feel like Suley's case should've hinted at the solution for this, to cut off (spoiler) before the villain finishes the (spoiler).
Finally, it's 2025 so tell me why are we still referencing goblins in books and why are we still using the same stereotypes to limit them to? So disappointing to read. It was a throwaway line at the beginning that adds nothing to the story so it could easily and should definitely have been edited out or rewritten, and then a few sentences in the already awful epilogue.
Enjoyment-wise this was a 3,25. Objectively, this falls somewhere in the 1,75 to 2,5 range. So it's getting a 3 and I'll be skipping the next 5 years worth of books this author's coming out with to give her some time to grow in her writing because oof, this was bad. See y'all in 2030.