My thanks to NetGalley and Scribner for an advance copy of this book on musical history focusing on the most maligned and joked about position in any band, the drummer, and the importance of drums, and the some of the most pivotal, and influential people how have kept the beat for so long.
I came to music late, not that I didn't listen to music, it was that I didn't really understand what I was hearing. I was a Top 40 kid like my parents were, listening to whatever was on the radio usually the AM band. I know it was the band Rush that first made music mean something to me. The mix of lyrics, the music, and the propulsive drummer. Neil Peart was my God, and I wished to know more about the pantheon in which he drummed. Drummers were my thing, from Kodo, to African, Native American, even Irish. This was my gateway into music, something which I have gotten away from, but have recently rediscovered. Thankfully because of books like this. Backbeats: A History of Rock and Roll in Fifteen Drummers by John Lingan is a look at musical history from the rear of the stage, where the beat is laid down, with profiles and discussions on some of the most influential players, and why their contributions were so important.
The book begins with a nice section discussing the different parts of drumming, the toms, the bass drums, the reasons why they sound like they do, and why they are important. There is then a discussion about the author's love for drums. Lingan also came to music late, but where I took my satisfaction listening, Lingan took lessons learning how to drum, and to gain a better understanding of why he liked percussion so much. As a writer Lingan met some of his influences, and was able to talk and learn from them, further deepening his understanding. What follows are fifteen profiles of drummers from the early blues days, up to Questlove himself. Lingan gives biographical details from people like Charlie Watts, Hal Blaine, John Bonam and others. Lingan discusses their influences, how they started, different ways they played, and how what the did influenced others. There is a nice section on Maureen 'Mo' Tucker from the Velvet Underground, a woman who does not get the credit she deserves for her playing. Lingan also features interviews with numerous music people, other musicians, producers and even fans discussing why these people are important and their lasting legacy.
This is the second book I have read by Lingan, the first being a biography of Creedence Clearwater Revival which I really enjoyed. This one was no exception. Lingan is very good at writing the profiles, covering the important moments in the drummer's life, and sometimes sad and early death. Lingan as a drummer can describe techniques, sound, and make something that seems hard easy to understand. Lingan also can describe things we take for granted in many drummers, and make sure the reader understands how amazing it is to do this. The book is not really subjective, one can understand the choices, but I am sure that many will have a lot of suggestions for who should have been in the book and who should have been omitted. A second book would be eagerly snapped up by myself.
A book for music fans, drum fans, and people who are just starting to get into music. This is one of the those books that the love of music is clear on every page. There are lots of songs to look for, to listen and to enjoy, and after reading this book understand. I had a lot of fun with this book, and eagerly await what John Lingan has planned next.