Hyde Street, Volume 1

Hyde Street #1-7

by Geoff Johns (Writer), Ivan Reis (Illustrator), Francis Portela (Illustrator)

"It's Mad Men means Supernatural." —Nerd Initiative

A new era of character-driven horror begins here with this ongoing story of this deadly street, the monsters who use it as a hunting ground the people unfortunate enough to find themselves as prey.

In every city and every town, off every country road and metropolis avenue, if you make a wrong turn…you might find yourself on Hyde Street. With residents such as MR. X-RAY, PRANKY: THE WORLD’S MOST DANGEROUS SCOUT, MISS GOODBODY, DOCTOR EGO, THE MATINEE MONSTER, and controlled by the mysterious SCORE KEEEPER, Hyde Street holds unimaginable secrets that made death look like the easy way out.

From the team that brought you DC Comics’ Blackest Night and Green Lantern, Geoff Johns and Ivan Reis launch Ghost Machine’s HYDE STREET.

Collects issues #1-7.

Genres: Graphic Novels, Comics, Horror, Graphic Novels Comics, Fantasy, Comic Book, Fiction

192 pages, Paperback

First published October 14, 2025

About the author

Geoff Johns originally hails from Detroit, Michigan. He attended Michigan State University, where he earned a degree in Media Arts and Film. He moved to Los Angeles in the late 1990s in search of work within the film industry. Through perseverance, Geoff ended up as the assistant to Richard Donner, working on Conspiracy Theory and Lethal Weapon 4. During that time, he also began his comics career writing Stars and S.T.R.I.P.E. and JSA (co-written with David S. Goyer) for DC Comics. He worked with Richard Donner for four years, leaving the company to pursue writing full-time.

His first comics assignments led to a critically acclaimed five-year run on the The Flash. Since then, he has quickly become one of the most popular and prolific comics writers today, working on such titles including a highly successful re-imagining of Green Lantern, Action Comics (co-written with Richard Donner), Teen Titans, Justice Society of America, Infinite Crisis and the experimental breakout hit series 52 for DC with Grant Morrison, Greg Rucka and Mark Waid. Geoff received the Wizard Fan Award for Breakout Talent of 2002 and Writer of the Year for 2005, 2006, 2007, and 2008 as well as the CBG Writer of the Year 2003 thru 2005, 2007 and CBG Best Comic Book Series for JSA 2001 thru 2005. Geoff also developed BLADE: THE SERIES with David S. Goyer, as well as penned the acclaimed “Legion” episode of SMALLVILLE. He also served as staff writer for the fourth season of ROBOT CHICKEN.

Geoff recently became a New York Times Bestselling author with the graphic novel Superman: Brainiac with art by Gary Frank.

Reviews

[Oscar · Rating 5 out of 5]

Creepy!

[Dustin · Rating 3 out of 5]

3.5/5, rounded down. This is pretty fun, with some interesting ideas, some serious Twilight Zone homage, and some really beautiful art. My only real complaint is that I'd like to see the worldbuilding develop a little faster, it's feeling a bit drawn out so far.

[Marlena Kinder · Rating 4 out of 5]

A twisted “Twilight Zone” meets “Alice in Borderlands” sort of comic series. I would probably round down to a 3 if it weren’t for the awesome illustrations. Could’ve used more direct story line rather than nonstop character backstory.

[Michael J. · Rating 4 out of 5]

NOTE: I read these in the single issues as published.

Overall, I'm giving this a FOUR STAR rating. However, the first three issues are exceptional and really set the stage for what occurs beyond that. This has become my favorite comic series under the Ghost Machine imprint, and I recommend it to fans of horror comics. The world building is exceptional, and the landscape lends itself to a myriad of possibilities when it comes to future stories. There's also just enough of that weird morbid humor to spice things with some classic EC Comics flavor. Recommended.

If you don't care to read my lengthy review notes (with some spoilers) below, take my word for it and check out the first volume. I think this series is just getting started.

******************************************************************************

Now that I’ve accumulated a significant number of issues of HYDE STREET I’m going to read a pile of them and find out if this knocks out the other contenders (GEIGER, REDCOAT) for first place among my Ghost Machine titles.

ISSUE #1: After reading Issue #1 again, I’m still in awe of what the creative team has done here. This is a horror/fantasy book that reminds me of THE TWILIGHT ZONE in tone and differs in that the setting doesn’t change and there are reoccurring characters.

  Geoff Johns’ world-building is inventive and appealing. I’ve never seen Ivan Reis art look this good. Credit Danny Miki’s inks for highlighting those elaborate details. Also credit Brad Anderson’s marvelous color work that makes everything pop. He is currently my favorite colorist.
 
Like a magnetic force the wicked and cruel from various time periods are transported here, never to be free unless they comply with the wishes of The Scorekeeper. We meet two residents in the debut issue.

   Pranky is a young boy scout striving to earn additional merit badges from The Scorekeeper in the meanest ways, such as helping an elderly lady carry her groceries along a crosswalk and leading her right down Hyde Street.

   Mr. Freddy Xavier Ray (Mr. X-Ray) has been here since 1966. He’s a chain-smoking, well-dressed huckster who made his ill-gotten gains by duping innocent youngsters into buying bogus magical toys from the pages of comic book advertising. We learn how he was relocated to Hyde Street and it’s both sad and deplorable.

     There’s plenty of art to be amazed at, including numerous Easter Eggs for your scrutiny: a nod to ROOK on some construction equipment; Pranky reading JUNKYARD JOE in his treehouse; a nod to the upcoming DEVOUR one-shot; and a brief intro to Doctor Ego. There’s also an office building directory listing that name-drops some upcoming characters.

     So far, the debut issue is worthy of FIVE STARS.

ISSUE #2 The first thing I noticed about Issue #2 was that Reis took the art to another level entirely. And, I though his work in Issue #1 was the best I’d seen from him.

This issue focuses on the story of Pranky, the precocious but malicious eleven-year old Boy Scout whose innocent face conceals the dark presence within. Pranky has a knack for getting under people’s skins as well as getting into their heads and prying out their own dark secrets. Police Officer Hank Downs randomly wanders down Hyde Street and meets Pranky at an old-fashioned drugstore soda fountain. Officer Downs takes an immediate dislike to Pranky and hauls him off in the police car to take him in front of a school truant officer. But Pranky turns the tables, gets a confession of dark deeds from Downs and then persuades him to dispense justice upon himself.

In flashback sequences we learn that Pranky found his way onto Hyde Street in 1955 and became a permanent resident due to his own damnable acts including setting fire to his local scout camp, turning the Scoutmaster into bear bait and other insidious acts. Credit his relationship with a hateful abusive father and mocking classmates for his actions . . or don’t.

All residents of Hyde Street are bound to lure others to their doom under the watchful eye of The Scorekeeper. Once they have obtained 10,000 souls they are free to leave Hyde Street. But Pranky surpassed that number long ago and refuses to leave. If there is such a thing as an upside, he only preys upon those who have committed evil deeds in their past.

As the issue ends, Pranky is called into a conference with The Scorekeeper after he received a complaint from Mr. X-Ray that Pranky delivered a soul that wasn’t his to claim and took it away from Mr. X-Ray. Pranky is ordered to desist and make peace with Mr. X-Ray.

This is going to get good. FIVE STARS.

ISSUE #3 “This holiday, it isn’t just gifts and laughter at stake. It’s belief itself . . . as delicate as glass ornaments hanging on a teetering tree . . . On a night like no other, when the world pauses to reflect its better nature . . . or fumble for it, like a misplaced gift receipt.”

Geoff John’s script frames the proceedings in this Christmas issue perfectly. Pranky the Boy Scout pays a Christmas visit to Mr. X-Ray, completing his promise to The Scorekeeper to make peace. His gift offering is to guide Mr. X-Ray on how to bag a soul, so he can eventually leave Hyde Street and re-unite with the daughter he abandoned.

Their victim whose thievery leads him down Hyde Street is a common criminal who stole a Santa Claus suit and is robbing homes. Neither one gets credit for the soul although Pranky tried to cheat X-Ray out of it in the end. It’s the first appearance of another Hyde Street regular, The Matinee Monster, and he shows more compassion than either of them.

Art by Ivan Reis and the fine ink work by Danny Miki and colorist Brad Anderson knock this right out of the park. FIVE STARS.

ISSUE #4
This issue focuses on the Matinee Monster, probably the most misunderstood and also most likable character among the residents of Hyde Street. He’s Oscar Oddman of Iowa, a 29-year old Hollywood hopeful being typecast because of his huge 6’7” frame.

He finally lands the role of Frankenstein’s monster in an Abbott & Costello comedy and becomes worried when a Broadway veteran of similar size shows up. He thinks he’s being replaced, and doesn’t know that the newcomer was hired to be his stand-in. They get in scuffle, and a large overhead spotlight falls and crushes the new actor.

Oscar hides his guilt, the movie stops production, and he ends up sleeping on park benches until he wanders into Hyde Street one night. After getting the same contract with The Scorekeeper as the other residents (steal 10,000 souls to obtain freedom) he angers his new boss when he refuses to bring him the soul of a young child. As punishment, Oscar is blinded and loses his tongue. Today, his score at Hyde Street remains at zero - - - he’s got too much empathy. FOUR STARS.

ISSUE #5
Newer resident (since 1983) Glee Goodbody was ridiculed and abused in her prior life by a depressed mother who shamed her for her physical appearance. As she matured, she became obsessed with beauty, weight, and control and took employment as a personal trainer at a health club. She berated an overweight client so much that it triggered a fatal heart attack and Glee was fired. She wound up on Hyde Street, first meeting Sister Hood (as in the spin-off series) and then assuming the role of manager of Fat Free, where she peddles a weight loss product called Devour (as in the other spin-off one-shot story).

She’s done very well and is two souls away being released from her contract with The Score Keeper. First she gets a visit from Mr. X Ray who informs her about how Pranky is snatching souls right out from under them. At the end of the issue Pranky shows up at her shop - - so you know there is trouble ahead in a future story.

You can notice the difference in art styles right away. Portela has a more stream-lined style versus Reis but is well-versed with facial expressions and body language. Still, I’m missing the incredible details that Reis has been putting into this series. Just contrast the cover by Reis with Portela’s art inside and you’ll see what I’m talking about.
This particular story didn’t move me as much. THREE AND ONE-QUARTER STARS.

ISSUE #6 As expected last issue, Pranky steals a soul right out from under Miss Goodbody, prolonging her efforts to collect the final two souls needed to be released from The Scorekeeper’s contract.

Several new and upcoming Hyde Street residents are mentioned as Mr. X-Ray runs through a list of those who might be willing to help him get rid of Pranky. “I’ve been looking for allies, but that’s not what I need. . . I need a mob . . . Not one who takes orders . . . but one who thinks they thought of it first . . . one resident at a time, turning on the boy . . . never suspecting who sold them the idea . .” Opportunity knocks when a tour bus crashes just outside Mr. X-Ray’s office. They thought they were getting a guided tour of Hollywood and X-Ray’s executive-looking demeanor persuades them to follow his lead. End result: his souls captured account goes up in double and triple figures.

Meanwhile, Pranky’s endeavors succeed in causing Miss Goodbody to have a breakdown. THREE AND ONE-QUARTER STARS.

ISSUE #7 Something has been off the previous two issues, which were below my expectations. Geoff Johns scripted both, and it’s hard for me to believe he’s getting tired of the book already. It’s the art.

Not to take anything away from Francis Portela, but his depiction of Hyde Street was a little too stream-lined and clean. With the return of Ivan Reis this issue I realize how much his art contributes to the atmosphere of the Hyde Street universe. His illustrations are extremely detailed, and dark and dirty - - which only serves to enhance the story-telling. Viva, Reis!

Pranky is determined to get back at Oscar Oddman, the Matinee Monster (looks like Frankenstein’s monster) for messing up his plans in the Christmas issue: “As the Malicious Manual For Monster Hunting so explicitly states: The only thing that can fight a monster . . is a monster.”

Pranky sets a trap in a park to entice the Monster by ensnaring a vagabond who became lost on Hyde Street, counting on Oddman’s empathy to try and rescue him. Pranky snuck into Mr. X-Ray’s office of novelties and stole a Wolfman mask, which he dons and also conjures up three monstrous creatures from the cereal brands he favors (Sugar Scream, Creature Crisp, Bugsy Berry, and Dr. Jelly & Mr. Peanut Butter).

The vagabond plays a role after Pranky learns of his own misdeeds and opts to dispatch his soul instead of getting his revenge on The Monster. THREE AND THREE-QUARTER STARS.

[Anna Quilter · Rating 3 out of 5]

Intriguing and creepy start..interesting to see exactly where this goes.

[James DeSantis · Rating 5 out of 5]

Holy fucking shit, this is awesome! I love the plot here. The world-building is brilliant! Hyde Street is presented not just as a location, but as a twisted, dark purgatory, a sort of modernized, hyper-violent Twilight Zone where merely making a "wrong turn in your soul" can land you. The consequences here make death itself look like the easy way out.

The characters are excellent, especially the denizens who act as soul collectors. I really loved how evil and disgusting some of the people trapped on Hyde street were. This is immediately evident in the tragic flashback that centers on Mr. X-Ray, whose real name is revealed to be Frederick Xavier Ray. His backstory as an unscrupulous novelty salesman who built a career conning children with cheap, faulty comic book ads is a perfect, insidious crime that earns him a place on the street.

The moral gray area is the core genius of the book. And for the people who collect their souls, it's amazing how terrible most of them are, but how much WORSE the people's souls they're collecting. The street is run by a mysterious entity known as the Score Keeper, and denizens like Mr. X-Ray are essentially competing harbingers who are forced to collect souls, 10,000 souls actually are needed, to earn a chance at their own freedom. Ain't that some shit....

This creates the incredible central conflict between the reluctant anti-hero, Mr. X-Ray, and the truly terrifying Pranky, The World's Most Dangerous BOY Scout. Pranky is pure, cherubic evil, a creature who revels in the damnation of wicked souls, particularly those who have harmed children. The contrast between X-Ray's desire to escape the job and Pranky's sadistic enjoyment of it drives the narrative, making their twisted competition super compelling.

A great horror vibe comic for Halloween month, and one of my favorite stories from Johns in awhile. This is easily his best work on his company line, exploring complex morality through visceral horror. A 4.5 out of 5 easily.

[Chris Lemmerman · Rating 5 out of 5]

The Twilight Zone but with the gore factor turned up to ten.

There's a street that bad people end up on - the why and the how isn't important. This street is populated by horrible monsters, and if they can kill the people that end up on Hyde Street, the Scorekeeper gives them a point. 10,000 souls, 10,000 points, and you're free to go back to your life. Simple. Horrible, but simple.

Unless you're one of the monsters that lives there, like Pranky, the boy scout who everyone wants to punt like a football, Mr X-Ray, who can see into your soul, the Matinee Monster, Miss Goodbody, or countless others that we get to meet in this first volume. While each issue features some kind of origin story for one of the characters, everything builds on itself and weaves a larger narrative for the street in general. This is a place with secrets, and that they might kill you is the least of your worries.

Along for the ride and easily able to keep up with Geoff Johns' diabolical script is frequent collaborator Ivan Reis, so you know this book looks incredible. There are also two fill-in issues by Francis Portela that focus more on Miss Goodbody, and while they easily stick out, they're also very solid in their own right. Portela's just signed on to Ghost Machine full-time as well, so I expect we'll see him again sooner rather than later.

Another superb first trade for Ghost Machine, and their first big horror book was just as good as I hoped it'd be.

[Jayson · Rating 4 out of 5]

Review to come...

(B+) 79% | Good
Notes: Review pending re-read. Individual reviews for included issues can be found here:
- Hyde Street #1
- Hyde Street #2
- Hyde Street #3
- Hyde Street #4
- Hyde Street #5
- Hyde Street #6
- Hyde Street #7

[Eric Edwards · Rating 3 out of 5]

3.5
I want to like this more than I actually do I think. A collection of morality tales that are a little thin and I think the storytelling is a little jumpy. I’m intrigued by the world building enough to try the second volume, though I don’t have super high hopes.
The art is pretty great though.

[Wyzaker · Rating 5 out of 5]

A fun and twisted character driven horror fest. It’s got nods to Twilight Zone and Tales from the Crypt etc but the purgatory like world in which it takes place (Hyde Street) ties each character together in a dark and hellish, continuous narrative. Each character is archetypal yet unique and vibrant and could have intriguing spotlight runs of their own. There is so much room for this to grow and I highly anticipate what’s next!

[Jiro Dreams of Suchy · Rating 3 out of 5]

Ice cream man style horror, all the side characters end up being pedos, killers or other monsters. An interesting concept that can be a long run, I like the idea of the kill count to escape the purgatory of Hyde Street. Lots of fun (but horrible) people trying to absolve themselves through more pain. Solid read.

[Shaun Stanley · Rating 5 out of 5]

4.5 rounded up to 5⭐️

Hyde Street Vol. 1 collects issues 1-7 of the Image Comics series written by Geoff Johns, art by Ivan Reis and Danny Mimi, and colors by Brad Anderson.

Everyone in life does something bad at least once in their life. Those who commit unspeakable acts or are routine offenders may suddenly find themselves on Hyde Street. The residents of Hyde Street have been given a mission by the Scorekeeper: Collect 10,000 souls and they are allowed to escape and rejoin the living world.

I really enjoyed this! I think this is a series that will be able to tell a lot of unique and interesting stories with a very flexible reality construct. I haven’t read a ton of horror comics from the 70s, but I definitely got the vibes of those old school books (especially EC Comics stories) and how may of those horror comics were cautionary tales of morality. Hyde Street has those morality questions but then complicates it even further by having many of these characters have unique situations or backgrounds that lets the reader sympathize and understand how they got to where they are now. I think we will see many of these Hyde Street residents grow throughout the series.

The art in this book is also great. Ivan Reis is one of the best comic artists out there and with this title he gets to really flex his skills in unique ways. I’m very excited to keep reading this book and see where it goes!

[Richard Guion · Rating 5 out of 5]

This is my favorite of the Ghost Machine books so far. Hyde Street is a modern take on classic horror from DC. If you were a fan of House of Mystery / Secrets, The Phantom Stranger, Universal Horror monsters and the ads in back of old comics for things like X-Ray Specs and Sea Monkeys, this is for you. And it’s a totally different type of story from Geoff Johns, who has written mostly superhero comics in his career. I went into this totally blind so I don’t even want to describe it for fear of giving spoilers. The artwork by Ivan Reis is one of his best works - I had always wanted to see him illustrate something like The Phantom Stranger, an occult tale with no super-powered capes. Reis really seems enthused about creating these characters and building the world they inhabit.

[Bookteafull (Danny) · Rating 4 out of 5]

I fuck with dis. Looking forward to Vol. 2 and Pranky's storyline.



Dark, slow-burn psychological horror with eerie atmosphere and morally twisted undertones. More focus on characters + their development and the atmosphere than cheap scares.

Brief summary: Hyde Street is a place where people with dark intentions — predators, abusers, manipulators — end up getting pulled in and trapped. Once you become a resident of Hyde Street, the only way out is to deliver 10,000 evil souls to take your place, continuing the cycle of horror and punishment.

[Wm · Rating 5 out of 5]

I never thought I'd get into this series. Johns's writing for DC is note-perfect dull, in the same way the Tom Cruise film The Last Samurai is – exquisitely well-crafted, but b/c I can see the technique; each beat is predictable, and incredibly boring for being so.

Here, the characters are eccentric and intriguing (and cruel) enough to blur those beats – they're there, for sure, but disguised.

[Julien L · Rating 4 out of 5]

Geoff Johns writes dumbass comics, and I kind of love it. I was excited when I saw Johns was writing a horror book, because I wanted to see how he translated his Johnsian literalism to the horror genre. You know what? He does a solid job here. Even though it's the literalism that makes it "dumbass" i.e. incapable of nuance, this is pretty strong set of comics reminescent of The X-Files, Tales from the Crypt, etc. only it mixes the anthology format with an ongoing storyline, and the one things Johns excels at is his characters. While his characters are literal manifestations of the books thematic throughline i.e. "the choices that haunt us" and the events are a literalization of that idea, it makes for entertaining storytelling, and it has the E.C. Comics quality of terrible people being given their comeuppance.

With the strong characters comes a genuine pathos that is one thing Johns really excels at. I loved the issue that dives into the origin of The Matinee Monster, and I think Pranky is a really fun character. Along with that comes the art of Ivan Reis, along with a guest artist whose name escapes me, and what they are really good at is visualizing the emotional range of these characters. His character work on their faces and body language is what sells it. The plot elements he draws too are really strong as well, and even though horror in comics isn't really scary to me, there's some really gruesomely detailed art that really amps up the horror element of this.

I really can't wait to read more of this. It's simplistic nature fulfills some dumb monkey-brain side of me, and I love the characters a lot. It's rare to see a horror story given the kind of ongoing comic treatment of continuity and a long-running storyline while seeing individual stories in an anthology format.

[Subham · Rating 4 out of 5]

This was so fun omg! So many things introduced here and probably one of my favorite ongoings atm!

I love how it shows the origin of these characters who occupy the said street and their job to collect souls of people who have done any kind of wrong and the first is Mr X-Ray whose such an interesting character and loved his story but the main thing for me was Pranky he is such a fun and twisted character and then you have him vs X-RAY and how he will break the rules and collects souls meant for others and the friction it causes!

Also love other characters like Matinee Monster who just wanted to be a good actor and his tragic backstory is so wild and what the Scorekeeper does to him its so wild! I like how this series doesn't have any limitations or tries to be soft, it goes fully into it and also Miss Peabody was so well done like she wanted to be fit and encourage others or was she and her product DEVOUR and she has only 2 souls before she can be free but will Pranky let her?

I like how each issue you are learning about different residents and its so cool and it makes for a great read and I just love that! Its just twisted in such a good way! And then Pranky vs Monster in the end and what happens next plus also there was an issue where Mr X-Ray collects the souls of people in some movie theatres and what they did to some people and their whole VIP thing and its so twisted and it shows how vain humans are and that was so well done by GEOFF!

Ivans art shines and its so detailed from the pages to the covers obviously, its him at his best I feel like since Blackest night maybe! Its marvelous! There are so many other great residents in Hyde street and its awesome seeing the world building here seriously Geoff and Ivan are on fire with this run!!

[Fraser Sherman · Rating 2 out of 5]

Great concept, meh execution. 2.5 stars.
Premise: the souls of sinners (well, some sinners) end up on Hyde Street, an unpleasant netherworld that will let them leave when they've damned 10,000 other souls. Pranky, a psychopathic boy scout, has accumulated way more than that but won't leave because destroying other souls is too much fun. As he wreaks havoc, Mr. X-Ray and other residents struggle to add to their own totals.
Pranky reminds me of Johns' use of Superboy Prime, an obnoxious brat who isn't as entertaining to watch as Johns finds him to write. A bigger problem is the faux Twilight Zone style of a lot of the narration, which gets old fast. The moral rules seem puzzling too — seriously, X-Ray's on Hyde Street because he sold scam toys to children?

[Sarah · Rating 3 out of 5]

This was interesting. The highlight for me were the characters, the main cast weren't exactly likeable as pseudo-grim reapers who try to one-up each other on their kill count which is kept track of on a scoreboard, but there is a reason for why they do it which is linked to how they wound up on Hyde Street and often makes them sympathetic. I didn't quite expect this to have as much character depth as it did.

I'm picky when it comes to art style and unfortunately this comic is done in one that I don't like very much, however it did not affect my understanding of what was going on and I did quite like the colouring.

[Craig · Rating 3 out of 5]

Good Halloween read, though the plot doesn't make a whole lot of sense. It's a kind of corny, old-time horror, like that found in House of Secrets or Black Magic or the comics that inspired Creepshow and Tales From the Darkside. Except Hyde Street is populated by a bunch of terrible people all competing with each other to collect 10,000 souls and thus win their way back to...reality? I mean, that's where it kind of falls apart for me. The art is great, but I'd like to see some more grounding to the story if it's going to continue.

[Alaina · Rating 3 out of 5]

Very cool art. At the back of each issue there's a character summary for the main character of each issue... this may be a dumb comment but I almost needed the character summary to understand what was happening in the issue? Each issue seems to focus on a different Hyde Street baddie but in the issue they're trying to build both character and story simultaneously that by the end of the issue I'm almost a little confused by the story that's being told. I'm interested to see how the second arc will go now that all characters have been introduced.

[Chad · Rating 3 out of 5]

Geoff Johns gives us his version of The Twilight Zone. Hyde Street is where those going to Hell often wind up and those living there can escape if they capture 10,000 souls. It's not bad but could use more of a through story. Like every other Ghost Machine book, Ivan Reis's art is great.

[Martijn Van · Rating 4 out of 5]

I am new to the work of Geoff Johns and damn this is fun. Great horror entertainment with fun characters and good art.

Made me think how it felt to read my first Spawn comic in the 90's, but this will probably age better ;).

[Daniel Butcher · Rating 4 out of 5]

And I don’t even like scary things.

[Odo · Rating 3 out of 5]

5/10

[Anthony · Rating 5 out of 5]

Very enjoyable and will definitely read more!

[bogo_lode · Rating 2 out of 5]

There’s some promise to the idea but it’s mean spirited in a way that just really rubbed me the wrong way by the end of it.

[Matt Fuller · Rating 4 out of 5]

This has a great plot perfect for the month of Halloween.

[Will Cooper · Rating 3 out of 5]

Yeah, fun enough story about some baddies living in a post-death world where they are trying to trap souls and whatnot.

[Cal · Rating 3 out of 5]

This was a lot of fun. Huge fan of Johns.