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The Uncool: A Memoir
The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids with a dash of Moss Hart’s Act One.
The Uncool is a joyful dispatch from a lost world, the real-life events that became Almost Famous, and a coming-of-age journey filled with characters you won’t soon forget.
Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.
The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There’s no such thing as a media junket—just a rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him—and the band—on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did Bowie give Crowe such unprecedented access? “Because you’re young enough to be honest,” Bowie tells him.
Youth and humility are Crowe’s ticket into the Eagles’ dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell who had sworn to never again speak to Rolling Stone. It’s a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It’s a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, The Who, and Pearl Jam.
The Uncool is also a surprisingly intimate family drama. If you’ve seen Almost Famous, you may think you know this story—but you don’t. For the first time, Crowe opens up about his early formative years in Palm Springs, and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary.
With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: Your place in the world.
The Uncool is a joyful dispatch from a lost world, the real-life events that became Almost Famous, and a coming-of-age journey filled with characters you won’t soon forget.
Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash, & Young; and Fleetwood Mac.
The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There’s no such thing as a media junket—just a rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him—and the band—on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: The Thin White Duke. Why did Bowie give Crowe such unprecedented access? “Because you’re young enough to be honest,” Bowie tells him.
Youth and humility are Crowe’s ticket into the Eagles’ dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell who had sworn to never again speak to Rolling Stone. It’s a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It’s a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, The Who, and Pearl Jam.
The Uncool is also a surprisingly intimate family drama. If you’ve seen Almost Famous, you may think you know this story—but you don’t. For the first time, Crowe opens up about his early formative years in Palm Springs, and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary.
With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: Your place in the world.
322 pages, Hardcover
First published October 28, 2025
1817 people are currently reading
15860 people want to read
About the author
Cameron Crowe
35 books252 followersCameron Bruce Crowe is an Academy Award winning American writer and film director. Before moving into the film industry, Crowe was contributing editor at Rolling Stone magazine, for which he still frequently writes.
Crowe has made his mark with character-driven, personal films that have been generally hailed as refreshingly original and void of cynicism. Michael Walker in the New York Times called Crowe "something of a cinematic spokesman for the post-baby boom generation" because his first few films focused on that specific age group, first as high schoolers and then as young adults making their way in the world.
Crowe's debut screenwriting effort, Fast Times at Ridgemont High, grew out of a novel he wrote while posing for one year undercover as a student at Clairemont High School in San Diego, California, USA. Later, he wrote and directed one more high school saga, Say Anything, and then Singles, a story of Seattle twentysomethings that was woven together by a soundtrack centering on that city's burgeoning grunge music scene. Crowe landed his biggest hit, though, with the feel-good Jerry Maguire. After this, he was given a green light to go ahead with a pet project, the autobiographical effort Almost Famous. Centering on a teenage music journalist on tour with an up-and-coming band, it gave insight to his life as a 15-year-old writer for Rolling Stone. Also, in late 1999, Crowe released his second book, Conversations with Billy Wilder, a question and answer session with the legendary director.
Crowe has made his mark with character-driven, personal films that have been generally hailed as refreshingly original and void of cynicism. Michael Walker in the New York Times called Crowe "something of a cinematic spokesman for the post-baby boom generation" because his first few films focused on that specific age group, first as high schoolers and then as young adults making their way in the world.
Crowe's debut screenwriting effort, Fast Times at Ridgemont High, grew out of a novel he wrote while posing for one year undercover as a student at Clairemont High School in San Diego, California, USA. Later, he wrote and directed one more high school saga, Say Anything, and then Singles, a story of Seattle twentysomethings that was woven together by a soundtrack centering on that city's burgeoning grunge music scene. Crowe landed his biggest hit, though, with the feel-good Jerry Maguire. After this, he was given a green light to go ahead with a pet project, the autobiographical effort Almost Famous. Centering on a teenage music journalist on tour with an up-and-coming band, it gave insight to his life as a 15-year-old writer for Rolling Stone. Also, in late 1999, Crowe released his second book, Conversations with Billy Wilder, a question and answer session with the legendary director.
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Displaying 1 - 30 of 934 reviews
November 8, 2025
"The only true satisfaction comes from doing good." —ALICE CROWE
Cameron Crowe's The Uncool: A Memoir is a love letter to music, creativity, and his family, equally.
I've been a fan of Crowe's work for over 40 years---like any true 80's kid I was watching and listening to media well beyond my years--- & couldn't get my hands on this book quick enough. I did a mix of the ebook and audio and loved them both. Listening to Crowe personally tell the incredible stories from his life took The Uncool to the next level for me. I also loved the nostalgic photographs sprinkled throughout the book.
Crowe's life and accomplishments are truly fascinating. From skipping grades in school, to graduating high school early, to being Rolling Stone magazine's youngest ever contributor, and turning his passion for music and journalism into a successful film career, there are tidbits of it all included. Chance encounters that turned into life long friendships & chances taken at every opportunity. Some of my favorite parts in the book were when we got to hear the "behind the scenes" moments that inspired scenes brought to life on screen in Almost Famous. A peek at how it all really went down.
While I enjoyed every word of this book and the fascinating tales he told, selfishly, I really wanted more about his filmography. Entire chapters devoted to each movie would have been nice. Or I'd have even settled on a mere two full chapters on Singles. Maybe that's what we've got to look forward to with the next book...?🤞🏻
5/5 ⭐️
Cameron Crowe's The Uncool: A Memoir is a love letter to music, creativity, and his family, equally.
I've been a fan of Crowe's work for over 40 years---like any true 80's kid I was watching and listening to media well beyond my years--- & couldn't get my hands on this book quick enough. I did a mix of the ebook and audio and loved them both. Listening to Crowe personally tell the incredible stories from his life took The Uncool to the next level for me. I also loved the nostalgic photographs sprinkled throughout the book.
Crowe's life and accomplishments are truly fascinating. From skipping grades in school, to graduating high school early, to being Rolling Stone magazine's youngest ever contributor, and turning his passion for music and journalism into a successful film career, there are tidbits of it all included. Chance encounters that turned into life long friendships & chances taken at every opportunity. Some of my favorite parts in the book were when we got to hear the "behind the scenes" moments that inspired scenes brought to life on screen in Almost Famous. A peek at how it all really went down.
While I enjoyed every word of this book and the fascinating tales he told, selfishly, I really wanted more about his filmography. Entire chapters devoted to each movie would have been nice. Or I'd have even settled on a mere two full chapters on Singles. Maybe that's what we've got to look forward to with the next book...?🤞🏻
5/5 ⭐️
December 4, 2025
Cameron Crowe may have branded himself “uncool,” but let’s be real—nobody else had a coming-of-age quite like his. As a teenager in the 1970s, he was out there interviewing rock legends while kids his age were sitting in classrooms. He was writing regularly for “The Door,” an underground San Diego publication. He then started contributing articles to Rolling Stone. His time on the road with a certain Southern rock band would eventually inspire the screenplay for Almost Famous, and the echoes of that film can be found all over this memoir.
Crowe’s stories are packed with the kind of details that make you want to hit pause on your day and just soak in the vibe—like him meeting Penny Lane, super fan, or Crowe being asked to cover the band he was touring with, just like in the movie. I actually rewatched Almost Famous while reading, and it made the whole experience feel even richer and immersive.
The chapters are quick, sharp, and ridiculously fun. Crowe doesn’t spend time tearing anyone down. He’s here to celebrate the artists who contributed to the rock culture and helped shape him, and I honestly love the upbeat tone. And the celebrity encounters? They’re gold. I couldn’t get enough. Some favorites are Kristofferson at a cantina where Cameron was blocked from entering because he was a minor—so Kristofferson just brought the interview to the lobby. Priceless! Some other great stories are David Bowie, Gregg Allman, The Eagles, Jimmy Page— the list goes on, and half the joy is discovering them yourself.
And then, at the age of 22, Crowe posed as a high schooler to research teenage America, since he was essentially robbed of his adolescence. This research became “Fast Times at Ridgemont High,” which captured the cultural zeitgeist of American youth of that era.
Crowe narrates the audiobook, which he gives a warm, infectious tone. He makes everything feel both intimate and legendary. This memoir was completely special and such a blast to read. I think a ton of people are going to fall for it just as hard as I did.
Crowe’s stories are packed with the kind of details that make you want to hit pause on your day and just soak in the vibe—like him meeting Penny Lane, super fan, or Crowe being asked to cover the band he was touring with, just like in the movie. I actually rewatched Almost Famous while reading, and it made the whole experience feel even richer and immersive.
The chapters are quick, sharp, and ridiculously fun. Crowe doesn’t spend time tearing anyone down. He’s here to celebrate the artists who contributed to the rock culture and helped shape him, and I honestly love the upbeat tone. And the celebrity encounters? They’re gold. I couldn’t get enough. Some favorites are Kristofferson at a cantina where Cameron was blocked from entering because he was a minor—so Kristofferson just brought the interview to the lobby. Priceless! Some other great stories are David Bowie, Gregg Allman, The Eagles, Jimmy Page— the list goes on, and half the joy is discovering them yourself.
And then, at the age of 22, Crowe posed as a high schooler to research teenage America, since he was essentially robbed of his adolescence. This research became “Fast Times at Ridgemont High,” which captured the cultural zeitgeist of American youth of that era.
Crowe narrates the audiobook, which he gives a warm, infectious tone. He makes everything feel both intimate and legendary. This memoir was completely special and such a blast to read. I think a ton of people are going to fall for it just as hard as I did.
October 18, 2025
"The only true currency in this bankrupt world is what you share with someone else when you're uncool." - Almost Famous (2000)
I was so excited when I learned that Cameron Crowe was writing a memoir. Almost Famous is my all-time favorite movie and I’ve always been so interested in the real stories behind the movie. It’s just such a cool thing, that he was a teenage journalist getting behind the scenes access to rock stars in the 70s. I absolutely flew through this book, Crowe really knows how to bring the stories to life and have them be full of atmosphere. There are silly, fun stories like how he was able to be underage and get into bars or venues to get interviews. But also more serious moments, like getting stories from musicians who had experienced great loss.
The vast majority of the book is focused on the years he was a rock writer. You do get some of his family life growing up, bits of his movie career, and some of the experience turning Almost Famous into a stage musical. But I was hoping for a bit more of a focus on the creation of Almost Famous as a movie. Or just for the book to not feel like it skips so much of his life as a filmmaker.
But overall I had a wonderful time reading this book. I’d definitely recommend it to people who are already fans of Crowe’s, but also to people who are interested in 70s rock overall. There are so many interesting stories about a bunch of iconic musicians.
Thank you to the publisher for providing an advance copy via NetGalley. All opinions are my own.
I was so excited when I learned that Cameron Crowe was writing a memoir. Almost Famous is my all-time favorite movie and I’ve always been so interested in the real stories behind the movie. It’s just such a cool thing, that he was a teenage journalist getting behind the scenes access to rock stars in the 70s. I absolutely flew through this book, Crowe really knows how to bring the stories to life and have them be full of atmosphere. There are silly, fun stories like how he was able to be underage and get into bars or venues to get interviews. But also more serious moments, like getting stories from musicians who had experienced great loss.
The vast majority of the book is focused on the years he was a rock writer. You do get some of his family life growing up, bits of his movie career, and some of the experience turning Almost Famous into a stage musical. But I was hoping for a bit more of a focus on the creation of Almost Famous as a movie. Or just for the book to not feel like it skips so much of his life as a filmmaker.
But overall I had a wonderful time reading this book. I’d definitely recommend it to people who are already fans of Crowe’s, but also to people who are interested in 70s rock overall. There are so many interesting stories about a bunch of iconic musicians.
Thank you to the publisher for providing an advance copy via NetGalley. All opinions are my own.
November 16, 2025
Crowe may be a writer, but I would recommend coming to this like you would to any celebrity memoir. Structure is not the point, a real arc is hard to find. What it's for is to share the best stories. And, in this case, it's very specific. This book really doesn't care about Crowe's film career. It is about his family and about his time as a music writer. If you want to know where all those stories in Almost Famous came from, how they were lifted from Crowe's on life, then this book is absolutely for you. You can see where specific characters came from, experiences that are lifted almost verbatim from life, and where he extrapolated.
And yes, there are some truly amazing stories. It almost defies belief that Crowe was able to be in the right place at the right time with so many great musicians and bands from the 70's. And it is hard to understand how all these artists happily spilled their guts to a teenager. And yet, we know they did because we have the articles to prove it. If you're a lover of 70s rock, then there's again a lot to enjoy here.
As a work of memoir it leaves a lot to be desired. Crowe writes a lot about his mother, and the book can feel like two different books awkwardly stitched together. Once he begins his career as a journalist his family suddenly disappears almost entirely from the story. We get very little about how their relationship changed. Or about what it was like as a teenager to begin to pull away from everything around you with your peers to become a semi-adult. There are glimpses of this but only from the rock star side of things, never from the normal life side, which just goes away. And the cuts to the end of his mother's life almost out of nowhere, jumping ahead decades, are also awkward. (The filming of the movie Almost Famous gets maybe a minute of attention? Which seems odd!)
But I"m guessing most readers are going in wanting some specific things and in that way the book delivers. I did audio, which Crowe reads, and there are many times when you can hear him smiling or getting emotional, and sometimes he does some good impressions, too. It's probably the best way to read it, I think.
And yes, there are some truly amazing stories. It almost defies belief that Crowe was able to be in the right place at the right time with so many great musicians and bands from the 70's. And it is hard to understand how all these artists happily spilled their guts to a teenager. And yet, we know they did because we have the articles to prove it. If you're a lover of 70s rock, then there's again a lot to enjoy here.
As a work of memoir it leaves a lot to be desired. Crowe writes a lot about his mother, and the book can feel like two different books awkwardly stitched together. Once he begins his career as a journalist his family suddenly disappears almost entirely from the story. We get very little about how their relationship changed. Or about what it was like as a teenager to begin to pull away from everything around you with your peers to become a semi-adult. There are glimpses of this but only from the rock star side of things, never from the normal life side, which just goes away. And the cuts to the end of his mother's life almost out of nowhere, jumping ahead decades, are also awkward. (The filming of the movie Almost Famous gets maybe a minute of attention? Which seems odd!)
But I"m guessing most readers are going in wanting some specific things and in that way the book delivers. I did audio, which Crowe reads, and there are many times when you can hear him smiling or getting emotional, and sometimes he does some good impressions, too. It's probably the best way to read it, I think.
August 22, 2025
Well I knew that this was going to be great, and it is. It’s spectacular. I loved it. Cameron Crowe was almost Forrest Gump-like in his uncanny ability to be in the right place at the right time with the right people. He has some amazing stories to tell, and the talent to tell them well. I don’t know if it’s possible, but I’d love to read a compilation of his Rolling Stone interviews. I would also like a Volume Two of this book, focusing on his movie career. Truly, I’m interested to read anything he wants to write! Many thanks to NetGalley and the publisher for providing this ARC in exchange for an honest review.
September 3, 2025
3.5 rounded up. I had such high expectations for this memoir, and, while I enjoyed it, I was also somewhat let down. Crowe's memoir spends most of his time focusing on his music journalism career and his family, which included a sister who had mental illness and died young, a mother/sister conflict that defined their family, and his relationship with his mother. His movie career only gets a few blips--we spend way more time focusing on the making of Almost Famous: The Musical than we do that film or any of his movies, in part because of the tie-in to his mother.
The chronicles of his career as a teenager who ends up becoming a rock journalist is full of lots of instances of being in the right place or knowing the right people at the right time. He recounts a lot of stories of his encounters with everyone from the Allman Brothers to David Bowie to Joni Mitchell in a way that humanizes these iconic figures. There are some comical elements of being a teenager in this scene--not being able to get into the venues of the bands he's covering, lacking a driver's license to get there. I wanted more of Crowe's perspective of not just the stories but reflection on what it was like being included in this world and his feelings over its end, as his assignments dried up. Similarly, he mostly glosses over his undercover high school year researching what was to become Fast Times at Ridgemont High, the book the movie is based on. As a kid who skipped grades, graduated early, and ended up spending most of his time in adult spaces, this period seems ripe for more introspection, which was mostly lacking.
What was more successful for me were the parts about his family. I loved the details around how his sister's love of music influenced him. His mother's gumption, reinvention, and unconventionality, both in her own life and how she approached parenting, were also highlights. These family elements were where more of the author himself comes out and were some of my favorite parts of the memoir.
As it is Crowe's story to tell, it's a bit unfair to judge it based on what I, as a reader wanted him to include or how he chose to tell it. Also, in a life and career that is so full of fascinating stories and encounters and shifts and stages in life, it's impossible to cover it all in depth or with a lot of reflection. Overall, I enjoyed what was here, while also hoping there might be a second volume someday that covers more territory or digs a little deeper.
Thanks to Edelweiss and Avid Reader Press / Simon & Schuster for providing an eARC of The Uncool prior to publication.
The chronicles of his career as a teenager who ends up becoming a rock journalist is full of lots of instances of being in the right place or knowing the right people at the right time. He recounts a lot of stories of his encounters with everyone from the Allman Brothers to David Bowie to Joni Mitchell in a way that humanizes these iconic figures. There are some comical elements of being a teenager in this scene--not being able to get into the venues of the bands he's covering, lacking a driver's license to get there. I wanted more of Crowe's perspective of not just the stories but reflection on what it was like being included in this world and his feelings over its end, as his assignments dried up. Similarly, he mostly glosses over his undercover high school year researching what was to become Fast Times at Ridgemont High, the book the movie is based on. As a kid who skipped grades, graduated early, and ended up spending most of his time in adult spaces, this period seems ripe for more introspection, which was mostly lacking.
What was more successful for me were the parts about his family. I loved the details around how his sister's love of music influenced him. His mother's gumption, reinvention, and unconventionality, both in her own life and how she approached parenting, were also highlights. These family elements were where more of the author himself comes out and were some of my favorite parts of the memoir.
As it is Crowe's story to tell, it's a bit unfair to judge it based on what I, as a reader wanted him to include or how he chose to tell it. Also, in a life and career that is so full of fascinating stories and encounters and shifts and stages in life, it's impossible to cover it all in depth or with a lot of reflection. Overall, I enjoyed what was here, while also hoping there might be a second volume someday that covers more territory or digs a little deeper.
Thanks to Edelweiss and Avid Reader Press / Simon & Schuster for providing an eARC of The Uncool prior to publication.
January 29, 2026
Becoming Almost Famous
A review of the Avid Reader Press hardcover (October 28, 2025) released simultaneously with the eBook/audiobook.
Former rock music journalist and present-day film writer and director Cameron Crowe looks back on his early life when he was called "uncool" by other kids. That real-life background became the basis of his film Almost Famous in 2000.
If you've already seen the film, much of this is not going to be new information. Events were fictionalized in the movie to show Crowe's proxy William Miller on the road with the fictional band Stillwater (mostly an amalgam of the Allman Brothers Band and Led Zeppelin). Still, this was an entertaining read with stories of the real life anecdotes and mishaps along the way.
The book is framed around the premiere of the stage musical adaptation of the film, which I'll confess I had never heard of previously as it unfortunately did not make it much further after its Broadway appearance. The exuberant cast do appear to have given it their best effort (link goes to an amateur video of the show's finale).
Soundtrack
Someone has assembled a playlist of almost every song mentioned in The Uncool. You can listen to it on Spotify here.
You can listen to the soundtrack of the Almost Famous (2000) theatrical film on Spotify here.
Someone has assembled a playlist of all of the songs used in the film (often in very brief excerpts), but without the Stillwater tracks. You listen to that on Spotify here.
You can listen to the soundtrack of the Almost Famous (2019) stage musical on Spotify here. Note: Not all of the songs in the show are included.
Trivia and Links
You can watch the trailer for the film Almost Famous (2000) on YouTube here.
You can read about the Almost Famous (2000) film at its Wikipedia entry here.
You can read about the Almost Famous (2019-2023) stage musical and see a complete list of its musical numbers at its Wikipedia entry here.
Trivia and Links
Cameron Crowe's current film project is a biopic about Joni Mitchell which has been in the planning stages for several years in a collaboration with the singer. It will hopefully be filmed in 2026. Early casting rumours say that Anya Taylor-Joy will play a young Mitchell and that Meryl Streep will play the older Mitchell. You can read an article about the project here and follow progress on the film on IMDb here.
A review of the Avid Reader Press hardcover (October 28, 2025) released simultaneously with the eBook/audiobook.
"Did you enjoy Bob Dylan?" my mom asked as we filed out of the gymnasium.
"It was so good!"
My sister agreed.
"Well, someday the Republicans are going to ruin all of this," my mom said, "for everybody.": 7-year-old Cameron Crowe attends a Bob Dylan concert in April 1964.
Former rock music journalist and present-day film writer and director Cameron Crowe looks back on his early life when he was called "uncool" by other kids. That real-life background became the basis of his film Almost Famous in 2000.
If you've already seen the film, much of this is not going to be new information. Events were fictionalized in the movie to show Crowe's proxy William Miller on the road with the fictional band Stillwater (mostly an amalgam of the Allman Brothers Band and Led Zeppelin). Still, this was an entertaining read with stories of the real life anecdotes and mishaps along the way.
The book is framed around the premiere of the stage musical adaptation of the film, which I'll confess I had never heard of previously as it unfortunately did not make it much further after its Broadway appearance. The exuberant cast do appear to have given it their best effort (link goes to an amateur video of the show's finale).
Soundtrack
Someone has assembled a playlist of almost every song mentioned in The Uncool. You can listen to it on Spotify here.
You can listen to the soundtrack of the Almost Famous (2000) theatrical film on Spotify here.
Someone has assembled a playlist of all of the songs used in the film (often in very brief excerpts), but without the Stillwater tracks. You listen to that on Spotify here.
You can listen to the soundtrack of the Almost Famous (2019) stage musical on Spotify here. Note: Not all of the songs in the show are included.
Trivia and Links
You can watch the trailer for the film Almost Famous (2000) on YouTube here.
You can read about the Almost Famous (2000) film at its Wikipedia entry here.
You can read about the Almost Famous (2019-2023) stage musical and see a complete list of its musical numbers at its Wikipedia entry here.
Trivia and Links
Cameron Crowe's current film project is a biopic about Joni Mitchell which has been in the planning stages for several years in a collaboration with the singer. It will hopefully be filmed in 2026. Early casting rumours say that Anya Taylor-Joy will play a young Mitchell and that Meryl Streep will play the older Mitchell. You can read an article about the project here and follow progress on the film on IMDb here.
November 6, 2025
A winning combination of a remarkable life told by an incredible storyteller. I didn’t think I could love Almost Famous more than I already do.
January 22, 2026
I really enjoyed The Uncool by Cameron Crow. I breezed through this memoir in just a few sittings—Crow’s voice is warm, observant, and full of heart. I absolutely loved the behind-the-scenes look at some of my favorite bands. The stories about The Allman Brothers, Fleetwood Mac, and others from that era were worth the read alone. It’s incredible to imagine a teenager landing cover stories for Rolling Stone, but Crow pulls you right into those moments with humility and excitement. Read the book and you’ll see how it all happened.
I’ve always been a fan of Almost Famous, and this memoir clearly provides the emotional and autobiographical background that gave that film its soul. If anything, I wish Crow had spent more time on his film career. There’s a bit of a rush through the later chapters, especially those years when he moved from rock journalism into screenwriting and directing. That part of his life deserves more depth.
Still, this is a wonderful read—earnest, vivid, and filled with a nostalgic love for a particular time in music. A great ride through the 1970s rock world and the early steps of a storyteller who helped shape how many of us see that era. This was a good one
Wholeheartedly recommended. 🎸
I’ve always been a fan of Almost Famous, and this memoir clearly provides the emotional and autobiographical background that gave that film its soul. If anything, I wish Crow had spent more time on his film career. There’s a bit of a rush through the later chapters, especially those years when he moved from rock journalism into screenwriting and directing. That part of his life deserves more depth.
Still, this is a wonderful read—earnest, vivid, and filled with a nostalgic love for a particular time in music. A great ride through the 1970s rock world and the early steps of a storyteller who helped shape how many of us see that era. This was a good one
Wholeheartedly recommended. 🎸
November 13, 2025
Ultimately I didn't see this as so much as a memoir as it was a series of kind of interesting stories about some amazing bands and musicians. Sometimes I'm amazed by how much is available to straight, white men.... Even the story of Sean Penn not auditioning or rehearsing for his role in Fast Times - you think - wow what would have happened to an unknown female actress who refused to audition or rehearse? There's not a lot of awareness of how white, male privilege operated in this whole book. I love his work but this fell flat.
January 11, 2026
3.5 Listened on audio. I absolutely loved the beginning of this book - his growing up stories and early work as a teenager interviewing the biggest bands of the 70s. Then it got really disjointed - like how did his career progress? He’s a teenager writing for Rolling Stone and then an adult writing screenplays. We get some insight into Fast Times but almost none on making Almost Famous and other of his big films. A lot on the Allman Brothers and Bowie. My biggest gripe is that he completely leaves out his marriage to Nancy Wilson, a ROCK GODDESS - like, how did they meet and get together? He doesn’t even mention they were married! I get respecting privacy but they were married for like 20 years and have 2 kids together and this is billed as “a memoir.” By the end, there was too much about Almost Famous the musical, which he fails to mention got panned by critics and audiences. I’d still recommend this if you are a fan of 70s classic rock and check out the book to look at the cool photos.
November 1, 2025
Honestly a bit disappointing. My favorite parts were Bowie’s Station to Station sessions and Kris Kristofferson.
An overview of the real life of Almost Famous (he had a dad and a second older sister) and his love of bands I’m indifferent to (Deep Purple, The Eagles), it’s dismissive of Pamela Des Barres and the GTO’s, still buys into the idea that the Sex Pistols were the antidote to arena bloat, barely covers his screenwriting/directing career other than Fast Times, and I still have no idea how he started dating Nancy Wilson.
An overview of the real life of Almost Famous (he had a dad and a second older sister) and his love of bands I’m indifferent to (Deep Purple, The Eagles), it’s dismissive of Pamela Des Barres and the GTO’s, still buys into the idea that the Sex Pistols were the antidote to arena bloat, barely covers his screenwriting/directing career other than Fast Times, and I still have no idea how he started dating Nancy Wilson.
November 13, 2025
Didn’t want this to end.
November 12, 2025
I wanted to be a journalist when I grew up.
I’ve seen Almost Famous countless times, the musical once.
I’m from San Diego and … I’ve loved Cameron Crowe for longer than I can remember.
His new memoir is masterful storytelling of his coming of age in a time where you really could be —- anything. Stories of meeting his rock star heroes, his family, hard lessons, difficult times, best shows, comedic characters on the road, unforgettable moments, happy/sad memories. His book captures a time when you could get opportunity and access like one could never recreate in 2025.
A teen who didn’t have a childhood but did have a wondrous, magical trip in the 70s … adventures with some of the greatest legends of rock.
Loved reading about my town back in the 60s and 70s. Had to giggle doesn’t sound the Sports Arena has changed any of at all since his days of hanging out at the loading dock with the Band-Aids.
I was touched. I was in awe. I was inspired.
I loved it. Absolutely loved it.
I’ve seen Almost Famous countless times, the musical once.
I’m from San Diego and … I’ve loved Cameron Crowe for longer than I can remember.
His new memoir is masterful storytelling of his coming of age in a time where you really could be —- anything. Stories of meeting his rock star heroes, his family, hard lessons, difficult times, best shows, comedic characters on the road, unforgettable moments, happy/sad memories. His book captures a time when you could get opportunity and access like one could never recreate in 2025.
A teen who didn’t have a childhood but did have a wondrous, magical trip in the 70s … adventures with some of the greatest legends of rock.
Loved reading about my town back in the 60s and 70s. Had to giggle doesn’t sound the Sports Arena has changed any of at all since his days of hanging out at the loading dock with the Band-Aids.
I was touched. I was in awe. I was inspired.
I loved it. Absolutely loved it.
November 17, 2025
I loved every minute of this, but am tempted to take it down a star because I wanted more! More thorough review to come.
November 2, 2025
Imagine being fifteen and finding yourself in a room with your greatest musical heroes, when they're almost at the peak of their careers. That was the teenage reality of Cameron Crowe, a writer with the rare ability to be in the right place at the right time, armed with both curiosity and humility. His memoir, The Uncool, captures that era (early to mid 1970s) with the same earnestness and honesty that defines his best work. Some of the stories are so wild they would seem impossible if he did not have the tapes to prove them.
However, this is not just a backstage pass to rock legends and youthful awe. It is also a story about family, loss, and finding your way back to what matters. Crowe writes with a sincerity, humor, and truth that makes the unbelievable feel intimate and real.
And if you can, listen to the audiobook. He narrates it himself, and the emotions in his voice adds an extra layer of authenticity and warmth.
However, this is not just a backstage pass to rock legends and youthful awe. It is also a story about family, loss, and finding your way back to what matters. Crowe writes with a sincerity, humor, and truth that makes the unbelievable feel intimate and real.
And if you can, listen to the audiobook. He narrates it himself, and the emotions in his voice adds an extra layer of authenticity and warmth.
January 5, 2026
“‘Life is such a trip,’ she said. Suddenly I wanted to comfort her. My head was full of images of my mother, chasing some guy in Mexico. My father, who always supported my mother in all her escapades, falling into an embarrassing affair with someone who didn't love him like we did. All I felt was compassion. All I could think was, It's all true. All the complexities and fallibility and mistakes and heartbreak that live in the music I love, the stuff I thought lived in other people's homes, it lives in our home. It lives upstairs. It'll probably live in me too. ‘Life is a trip,’ I repeated.”
December 6, 2025
That was the perfect book for finals time, a good distraction from grading. I enjoyed all of the music stories, and how his memoir resonates with the movie Almost Famous, which I enjoy. I’d like to have read more about how he actually learned to conduct interviews.
December 31, 2025
Cameron Crowe has had a charmed life. He has been the youngest writer for Rolling Stone, friend to rock stars, successful screenwriter and film director. Yet he still thinks of himself as genuinely "uncool." His memoir recounts many of his greatest hits and gives fans of Almost Famous a lot more information about his family. HIs mother certainly was a major source of his feelings of doubt and inadequacy. She was also his source of strength and wisdom in resisting many temptations that could have waylaid him on his life's journey. Though many of his favorite musical artists are not mine, I couldn't help but feel his exuberance for them. I thought the last chapters regarding the stage adaptation of Almost Famous went on too long but, given the circumstances, it is understandable. The book was fun to read and often made me laugh out loud.
August 16, 2025
** I received an advance digital review copy from the publisher, because I am a librarian and librarians are awesome **
Are you ready for waves of Almost Famous nostalgia? Crowe's memoir put me deep into the years of 2000-2002, between watching the movie in the theatre as an ecstatic 20 year old and watching the DVD on repeat in the years that followed. (I experienced waves of indignance every time he mentioned that the movie flopped in theatres, because it had never felt like a flop to me.)
Even more than rehashing the movie (even though it recaptures dialog verbatim in places, to the point where I hear Philip Seymour Hoffman echoing in my head), it captured a time in history when you could be young and influential, just by being [young, lucky, white, male] present in a space at the right time. In that way, teen Crowe's journey reminded me of all I had forgotten about my youth - the reason why being an unpaid web journalist in the early 2000s felt like entering a new world of promise and possibility, and not just the 45 year old cynic's rearview mirror take that I was taken advantage of for free labor.
But! Enough about me! Crowe's writing style was absorptive (even though the Bowie chapter needs to run through some edits before final press) and the story of his family, vivid and tragic all at once, pulled this from the realm of 70s-rock-meets-wunderkind into something new and meaningful for anyone who has struggled with their family relationships. (That is, all of us.) Come for the pop culture, stay for the legacy of Alice Crowe.
Are you ready for waves of Almost Famous nostalgia? Crowe's memoir put me deep into the years of 2000-2002, between watching the movie in the theatre as an ecstatic 20 year old and watching the DVD on repeat in the years that followed. (I experienced waves of indignance every time he mentioned that the movie flopped in theatres, because it had never felt like a flop to me.)
Even more than rehashing the movie (even though it recaptures dialog verbatim in places, to the point where I hear Philip Seymour Hoffman echoing in my head), it captured a time in history when you could be young and influential, just by being [young, lucky, white, male] present in a space at the right time. In that way, teen Crowe's journey reminded me of all I had forgotten about my youth - the reason why being an unpaid web journalist in the early 2000s felt like entering a new world of promise and possibility, and not just the 45 year old cynic's rearview mirror take that I was taken advantage of for free labor.
But! Enough about me! Crowe's writing style was absorptive (even though the Bowie chapter needs to run through some edits before final press) and the story of his family, vivid and tragic all at once, pulled this from the realm of 70s-rock-meets-wunderkind into something new and meaningful for anyone who has struggled with their family relationships. (That is, all of us.) Come for the pop culture, stay for the legacy of Alice Crowe.
October 24, 2025
Sometimes when I’m wavering on my feelings about a book, I read other reviews to try to make sense of it all. In this case, I found many others in the same confused boat. I wanted to love this book from the outset being a long time fan of Cameron’s movies, writings and previous books. Ultimately it just felt incomplete.
These stories are absolutely worthy of being told and I’m glad they were but it felt like a collection of Rolling Stone story backgrounds and a biography of his mother put together rather than a true autobiography. So much of his life is seemingly intertwined with his mother’s and I kept wanting him to tell his own story outside of hers. The moments of true introspection are fleeting and you’re left desiring more. You also come away from The Uncool hoping for a Part 2. There’s still so much to be told about his life and his filmmaking career.
Thank you to NetGalley, Avid Reader and Simon & Schuster for the opportunity to read and review.
These stories are absolutely worthy of being told and I’m glad they were but it felt like a collection of Rolling Stone story backgrounds and a biography of his mother put together rather than a true autobiography. So much of his life is seemingly intertwined with his mother’s and I kept wanting him to tell his own story outside of hers. The moments of true introspection are fleeting and you’re left desiring more. You also come away from The Uncool hoping for a Part 2. There’s still so much to be told about his life and his filmmaking career.
Thank you to NetGalley, Avid Reader and Simon & Schuster for the opportunity to read and review.
January 14, 2026
Almost Famous is one of my all-time favorite movies, so I knew going in that I would probably enjoy Cameron Crowe’s memoir. The book largely focuses on Crowe’s time as a rock journalist in the 70s, and it was fun to read about the real events and icons that inspired some of my favorite characters and scenes from the film. Although I wish there was a bit more about Crowe’s transition to film as a second career (there’s not much beyond a brief discussion of Fast Times at Ridgemont High), I found the additional detail about his family and youth moving. The book, though largely about rock and roll and the impact music had on his life, is also part love letter to his mother and sisters and their complicated family dynamic. I listened to the audiobook, which Crowe narrates himself, and I highly recommend the experience. Overall, it left me feeling satisfied, nostalgic, and itching to watch Almost Famous again.
January 1, 2026
"My hobby---disappearing into the lives of others---had opened the door to a new life. Now I wanted to tell my own stories."
-Cameron Crowe
I've been waiting for this book all my life! Crowe's autobiography is a compelling and magical time capsule filled with all my teenage dreams of writing about music and disappearing into the lives of musicians I wanted to better understand.
-Cameron Crowe
I've been waiting for this book all my life! Crowe's autobiography is a compelling and magical time capsule filled with all my teenage dreams of writing about music and disappearing into the lives of musicians I wanted to better understand.
January 9, 2026
This is by far the greatest memoir I’ve ever read. Crowe lived a dream life as teen interviewing the musicians he did. While reading this book I was able to feel the same way I felt when I watched Almost Famous for the first time at 13 years old. The stories, the life lived, and hard work that Crowe put in as a rock journalist makes this book amazing.
December 26, 2025
Wow, finally back to add a bit to my Goodreads account. Cameron Crowe’s ‘Almost Famous’ is a very meaningful film to me, especially given the parallels between its protagonist, based on Crowe, and my own musical writing. There’s a lot of ‘Almost Famous’ in ‘The Uncool,’ and Crowe’s struggle with romance and fitting in—while interviewing the likes of Zeppelin, Bowie, and Mitchell—hits home for me, while hitting a home run overall
December 30, 2025
4.5. really enjoyed this memoir!
January 3, 2026
A great memoir by a man whose life and career I envy.
January 21, 2026
Book #12
4 Stars ( 4.6 Amazon 4.42 Goodreads)
Release Date 10/28/25
Memoir
95,000 words
Audio
#onesentancereview #whiskersandwordsbookreview #theuncool
--------Some stories were interesting, but it was easy to lose track of the audio.
4 Stars ( 4.6 Amazon 4.42 Goodreads)
Release Date 10/28/25
Memoir
95,000 words
Audio
#onesentancereview #whiskersandwordsbookreview #theuncool
--------Some stories were interesting, but it was easy to lose track of the audio.
Displaying 1 - 30 of 934 reviews