Published in the Philippines, Lourd’s poems reflect on what’s presently going on in the Philippines. Honest, irreverent, absurd, and at times, funny, these poems reflect on the pervading injustice in Philippine politics, reflections on violence toward who is perceived as ‘the other,’ the war on drugs, dictatorship, how all of it affects its victims under its rule.
Some poems question the commercialization of religion/God, how it has been used to control people, how far it has drifted from actual faith.
There are searing observations on poverty, drawing out eye-opening perspectives, intertwining these observations with out of all things, duct tape.
As someone who currently lives in the States, there were a lot of references that I needed to take time to process. I found myself constantly searching online for real-life events a lot of the poems refer to. Some were familiar, a lot were new to me. As someone who was born and raised in Manila, I honestly don’t even know how to describe what I felt after finishing. Maybe something like thankful for the eye-opening perspective, but also thankful it was said with sarcasm and dark humor.
Most notable poems for me were “Pascual Racuyal, President of the Republic of the Philippines” and “A Manual for Burning Cathedrals.”