A few months have passed, it is now approaching Christmas in Copenhagen and there have been several changes. Journalist Jensen is heavily pregnant but still at work for now, determined to continue for as long as she can, though the reality of her condition is catching up with her. Her ‘apprentice’ Gustav has headed back to high school, thanks to pressure from his aunt Margrethe (Jensen’s boss) though how hard he is studying is debatable. He has been replaced at Dagbladet by an experienced videographer. As for Margrethe she now has two lodgers at her home now that homeless Jensen has joined Gustav.
When a nine-year-old girl, Matilde Clausen goes missing from a busy playground, there is a frantic search for her citywide. For DI Henrik Jungersen this stirs unwelcome memories. Six years previous a ten-year-old girl Lea Høgh went missing and was never found, this was a case that put Henrik’s career in jeopardy. Now there is a repeat and the paedophile they thought most likely to be responsible for Lea’s disappearance, though never proved, is to be released from prison. A nightmare for Henrik, but perhaps an opportunity for redemption, except Weisse is refusing to allow the old case to be reopened.
Naturally Jensen is covering the disappearance, but she also has another perplexing case to consider. An old lady reported seeing a violent altercation between a man and a woman, when she looked out of her window in the early hours. Initially sceptical, the old woman being written off as senile in the minds of some, Jensen believes her once she met her in her flat.
This is the darkest of the Jensen stories to date. Missing persons cases rarely end well, those involving children are particularly disturbing. At times the author manages to be beautifully understated with her writing, the words missing child are enough to take the readers thoughts to places they would rather not. We have all seen or read real life reports, all it takes is a few prompts on the page to render the possibilities. This is skilful writing nudging us to dark pages without putting it on the page.
The plot is the hunt for Matilde and Henrik’s determination to discover what happened to Lea, if only for his own piece of mind. This becomes a deep dive into the suitably named Dark Web, into a world of organised paedophile gangs who have influence and power thanks to their disturbed and often compromised members. There is a pervasive sense of fear, of being observed at times even controlled, as Henrik, Jensen and Gustav search for the missing girl.
The central theme is that of the family, in particular children. Of course there are the missing girls, but it’s the effect that the search brings out in the central characters. A child was never on the agenda for Jensen until she accidentally fell pregnant (to a murderer). As the story progresses, we see Jensen not only come to terms with the idea of motherhood, but start to acknowledge the baby, look forward to the birth and the change in her life. Investigating the case hammers home the risk and potential dangers ahead and she appreciates the fiercely protective side of motherhood.
Henrik realises that his on-off affair with Jensen is now unlikely to be rekindled, so his thought turn to his own family. As a cop he has neglected his family, but now he is realising what they mean to him, hopefully before it is too late. There is one particularly poignant and tender scene with his son which comes at a surprising moment.
The interaction between Henrik and Jensen is the key relationship in the series and is a dynamic one with changes ahead.
Clearly this needs be dark novel, but it’s not without its lighter moments, usually those scenes that involve Gustav. For me Gustav is a natural scene stealer, so his appearances need to be rationed to be effective and here it has been judged to perfection. He is also given plenty of depth this time as a young man finally coming to terms with the world out there. As a connoisseur of workplace nicknames the one given to the new, slightly obnoxious videographer, Jannik Fogh is simply perfect, true to life and used throughout.
The nature of the plot and the need to build up some creepy suspense rather dictate the pace, but at no point does it become dull. The lulls allow for lifelike periods of reflection that exhausted searchers, pushed to their physical and mental limits might experience. There is plenty of zip towards the end as the truth begins to dawn with just the right amount of danger and jeopardy injected into a thrilling finale.
A stunning Scandi-Noir that reaches the base level, protective instincts of the reader and grips them tight.