It's fine.
The plot, while being a fun twist on the genre, was not very interesting to me. There was barely any action, barely any drama, and the characters weren't interesting. Being a comedy and little else, it all came down to the humor.
I didn't like the humor. Or rather, whatever humor I did like was not enough to make me like the book as a whole.
The story is a decent twist on the genre (a cultivator works as a farmer, while his farm animals go through the usual Xianxia storyline), but the execution is not good. Also, I think Travis Baldree's narration might not have been a good fit for this story, and may have negatively affected my experience with it. The only reason I finished the book was that it did manage to instill a pleasant, lighthearted coziness in me. Though I did consider quitting a few times.
The story is told partly in first person but often moves to other points of view, even within the same chapter. Why first person, then? The answer, I think, is the wish fulfillment aspect of it, which is done quite badly here in general: The protagonist reincarnates from our world into a fantasy world, but it seems the author didn't put much thought into why. He reincarnates into an existing person and gains all of his memories, so this isn't a plot device to have a clueless protagonist who has to learn about the world alongside the reader. He also doesn't seem to have any specific motivations or regrets from his past life, which are another popular reason to use an Isekai premise (redoing one's life, avoiding past mistakes). Add to that the unfitting first-person partial narration, and the fact that everyone seem to immediately idolize this guy's character even though he's just an average guy with superpowers, and what you get is a wish-fulfillment fantasy that's badly executed on all fronts. Seriously, the majority of every character's inner monologue is about how amazing the protagonist is. It goes on for the entire book.
The "pacifists are the best fighters" trope is one I never liked, and sadly it's part of this story too. The protagonist doesn't want to fight or become stronger, but rather work on his farm and have a peaceful life. But it just so happens that working on his farm gives him amazing Chi powers and makes him a much stronger fighter. I know it's partly meant as a joke here, but it's yet another thing I didn't find funny. In our society, which praises peacefulness, it is a common (and contradictory) fantasy that being peaceful leads to combat strength. Personally, I think the fantasy of training and getting stronger is healthy, while the fantasy of avoiding hardships and magically becoming the strongest is unhealthy.
Had the protagonist been weak, there would have been no issue. But no one would have read this book in such a case. While masquerading as a peaceful farming story, it is still very much a power fantasy -- only an insincere one.
The issues with animal sentience in regards to animals-as-food was done badly. In short, the protagonist only eats animals that "can't think", while declaring that animals who can think "are people", as if regular animals can't think. Pigs are some of the smartest animals around, yet the protagonist's decision about eating them basically comes down to whether they can speak or do math. It's ridiculous, and attempts to easily solve a very uncomfortable problem. Once again, it's an insincere fantasy.
The sexual awkwardness is the usual for this kind of story, with the protagonist spending far too many words explaining why he felt uncomfortable undressing a wounded woman, and the same woman later admiring him in her mind (over and over) for not taking advantage of her. The romance, on the other hand, is handled maturely enough.