Once again, Auel has clearly put a great deal of research into the book, furnishing her descriptions with plenty of attention to detail. However, once again, Auel takes it too far at some points, with some passages reading like they'd been lifted directly from an anthropological academic journal. I don't mind being given information about the environment in which characters move, in fact I relish it, but the way it's written, it really feels like a chopped up academic article forcibly inserted into the main text of the historical fiction. I AM an academic, I spend all day researching and reading academic journals - I read novels to get away from that sort of thing! Auel should rather try and incorporate such information into the story, so the explanation seems relevant to the storyline, not stick it in anywhere with no relevance to the text at that point and try to ram it down our throats.
The entire first third of the book, Ayla and Jondalar spend travelling without meeting any people, and Auel describes at length every little detail of their journey down to the Black Sea and upstream along the Danube before they come into contact with the Sharamudoi tribe. It's horribly drawn out, and just about the only occurrence of significance to the plot is when Ayla has a disturbing prophetic dream and barely manages to save them from a flood and a lightning strike - well, I say an occurrence of significance, presumably the scene is meant to develop the plot of her supposed shamanic powers. Other than that, it's an excuse for 250 pages of further dry description of the environment of the regions they're travelling through, and more bad sex scenes. This section of the book could easily be cut right out and you wouldn't miss anything for it. No major occurrences advance the plot, there are no big problems for the characters to solve, and the relationship between Ayla and Jondalar remains exactly the same, and neither of them develops as characters. It's just not necessary, it's the opposite of sharp and concise, which is to say sloppy.
The premise of an epic journey following the travels and struggles of characters in a prehistoric world is a very interesting one, I've seen docu-dramas on the same subject that are wonderfully gripping and interesting, yet Auel's books manage to be inane and boring after "Clan of the Cave Bear". "Clan of the Cave Bear" managed to be a great book because it focused on some real, pressing issues that Ayla as a child had, and focused on her character development as a child. The problem with every book since is that Auel still focuses almost exclusively on character storylines over everything else, but there ISN'T any character development. It's all mindless fluff, nothing of significance ever happens, Ayla and Jondalar do not develop or grow as people whatsoever, they're about as flat as wafer thin paper. All other secondary characters are so frustratingly stereotyped and never get any story of their own, if they show the remotest hint of having interesting, hidden depths, they're killed off or get left far behind. The dialogue she writes for Ayla and Jondalar is painfully unrealistic and cheesy, and the purple prose she uses in the sex scenes is so horribly over the top it's like a Harlequin pulp.
Time and again, Ayla meets a tribe of people, who are awed by her god-like powers, and Teaches Them The Error Of Their Ways. Mainly this involves spreading the message that Neanderthals Are People Too, and that people are Wrong to treat them as animals. I can't help suspecting that it's secretly also about teaching people that they are Wrong to treat Ayla as an abomination for her association with Neanderthals, because of course, Ayla is wonderful and perfect and has invented every significant piece of technology under the sun, and whatever would she do if she were truly outcast, why, then she wouldn't be able to fill her Chosen Destiny as the Best Shaman Ever. It's nauseating. No one gets to have an opinion apart from Ayla and Jondalar, and if anyone can do anything well you can bet that Ayla does it better, and if anyone actually develops a tiny bit of personality and depth (which would be a big threat to the Ayla character since she's so perfect by this instalment that she's little more than shallow fluff), they're punished for it and bad things happen to them.
Final conclusions? The historical setting of the Ice Age, one which is not tackled very often by fiction writers, is on the face of it, of interest. However, Auel makes the people of the Ice Age's lives so inane and banal - nothing of importance ever happens and conversations feel forced and unnatural. The storyline is spends almost 1000 agonising pages describing how the protagonists got from A to B, interspersed with cheesy interludes in which the protagonists save a group of people and teach them the error of their ways with smug self-righteousness that makes you want to smack them. The plot has no arc to speak of, there is no character development in the two protagonists, who lack any depth, complexity, or empathy, whilst secondary characters are little better than stock stereotypes who serve to either sing the praises of the main characters or be humiliatingly belittled by them if they should prove antagonistic, and woe betide any character who has the potential to be a rival to our perfect Ayla, they are immediately written out, either killed, conveniently absent, or condemned to a miserable fate. The plot is not at all engaging or gripping as a result, since you know that the author will never allow anything truly bad to happen to Ayla.
Still, now that Ayla has at last reached her final destination, I'm hoping this breezeblock of an interlude will give way to some real meaty stuff in the next book, and we can get down to her fulfilling whatever fate the author has in mind for her.