2.5 stars
**Received book in exchange for an honest review**
I had seen the cover art for "Taken" around social media for a little bit and was intrigued. I couldn't tell if it were a male or female, and the Arab garb definitely piqued my interest. I tell you, I was hungry for a new story. A new world.
*sigh*
"Taken" has a promising start, but quickly becomes a series of disjointed narrations focusing mostly on Olivia Bryant, a newly-minted college graduate with a degree in nursing whose sole goal is to work alongside her physician brother, and her battle with Stockholm Syndrome.
There's no real markers to identify "Taken" as a historical romance except for the tag in the opening chapter. Now, I'm a history buff, so I picked up right away that this was set in the late 1800s or early 1900s. The language used in the narration and the way Olivia is treated were tell-tale signs of this being a story of days gone by.
It is obvious that Ms. Brown did her research...almost too well.
There were some points where it was a brief history lesson, which pulled me away from the story and didn't add to the scene. I found the narration teetered back and forth, particularly early in the book with being more contemporary than appropriate and a bit more formal than necessary. The dialogue also swayed from one end of the spectrum to another. These are well-educated people of means in 1908. Their speech went from common and contemporary to stuffy and formal from one exchange to the next.
Almost immediately, Olivia is pleasuring herself, or at least contemplating it. Even after finishing the book, I still don't quite know what to make of Olivia. When her brother's best friend from college shows up, despite overhearing his chauvinistic talk, Olivia allows him to more or less have his way with her after proposing marriage almost upon meeting her. Now, I get that cultures handle affairs of the heart differently, but insta-love is hard to buy, even in this scenario. It was completely obvious that this was coming, because Olivia had just gruffly rejected a potential beau at her graduation. Naturally, she'd fall for the next guy who would of course be more garish than the last.
Unfortunately, "Taken" is filled with stock characters whom I never truly invested in. What I did enjoy was the setting. I felt the voyage and the desert nomads were done well. The supporting cast added richly to the storyline.
Some stories are character driven and others are plot driven. "Taken" is very much plot driven. Anyone could be slid into these scenarios. There's not a lot that makes Olivia and Khalid unique. I wasn't rooting for their happy ever after; I wasn't cheering for them either way. Although, their time in the desert was more intimate and engaging, that was only true when they were by themselves or with other people. Together, they were just one sexual encounter after another.
During said encounters, there was no real diversity in the word choice or actions. Sure, there are only so many ways to make love and describe it...maybe some of the many, many, many times they were aroused and eventually followed through could have faded to black or handled more tenderly than 'mushroom heads' and 'wetness'.
I preferred Olivia when she wasn't anywhere near Khalid. She was proficient in her skill, although still one-dimensional. The way the supporting cast responded to her made her likeable. The way the supporting cast interacted with Khalid made him more appealing as well. But when the two came together, it was a flat note.
Malik, Khalid's cousin, fashions a way for Olivia to escape, but she's torn up because she's in love, or in really, really deep lust with Khalid after being held hostage by him for three months. And Khalid is way past being in love. They end up playing house, and it's kinda-sorta believable...if I cared about them.
After Olivia escapes, Khalid falls into a depressive drug binge and miraculously recovers in a matter of weeks. The last third of the book went extremely fast, glossing over their time apart and ultimate reunion. Romance has certain tropes, and "Taken" is filled with them. In the end, everything wraps up tidy and all is forgiven, and they live happily ever after.
I wished there was more to love than "Taken's" setting.